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AI art "原子力の日（10月26日 記念日）"
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原子力の日（10月26日 記念日）

Avatar image of セキモリ

セキモリ

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monochrome, greyscale, ink brush illustration, 3boys, three engineers, male engineers, work cap, white cotton work cap, short sleeves, button-down shirt, light-grey shirt, standing, one pointing, pointing at gauge, one writing, writing in logbook, holding logbook, large control panel, wall of analog dials, gauge, needle, toggle switches, indicator lamps, observation window, cylindrical reactor vessel, light rays, from below, wide angle, low angle, bold outlines, hatching, cross-hatching, cables, warm light, lamplight, paper texture, quiet Seen from slightly below in a low wide-angle, the control room opens up around three men in white cotton work caps and short-sleeved light-grey button-down shirts, their bodies set against a control wall that fills the whole upper frame. On the left, the first engineer leans in with his weight on his front foot, right arm fully extended, index fingertip pressed to the glass face of one round gauge at chest height, his chin lifted so his eyes travel along his own arm to the needle he is touching; his cap brim is pushed up a little by the tilt of his head. At the centre-right, the second engineer stands side-on to the wall with the logbook propped open on his left forearm, pencil in his right hand caught mid-stroke, shoulders hunched a little over the page, his gaze dropped to the paper and only the top of his cap toward the camera. Behind and between them the third engineer stands with his hands loose at his sides, chest turned slightly to the window, head tilted back, watching the reactor through the glass. The panel behind them is a wall of analog dials in three dense tiers, every bezel in heavy black contour, and under the dials a lower band of toggle switches and indicator lamps, fine dry brush strokes for switch stems, lamp housings and the cable bundles that hang in loops and sag between the cabinets in a single taut line at the lowest point. Through the large observation window that spans the back wall, the cylindrical reactor vessel stands in the next space, big and pale, ringed with banding, and stylized light lines radiate from it in straight tapered rays across the glass. The only light is a row of overhead lamps; each casts a cone-shaped pool down the panel and the men's shoulders, so their caps and the tops of the dials catch the brightest hatch, their faces and chests fall into mid grey, and the undersides of the panel, the floor and the far corners go almost black, the shadows held purely in cross-hatching. In the window glass the reactor glow is drawn with open, unhatched white lines on grey, brighter and crisper than any lamp pool, and where the light lines pass the pane their edges bend slightly at the frame mullion. The window reflections also catch the men's caps in three small flattened silhouettes. Grey wash and paper tooth remain visible in the large empty expanse of the upper wall, and beyond the lamp pools the darkness is absolute. monochrome greyscale only, no colour anywhere. quiet, historic.
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flash
Size
1152 x 896

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.44k

Creation Assistant

Mio.2
Agent
Mio.2

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