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橫山育人

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character: shimabara_elena, copyright: idolmaster 1girl, solo, shimabara_elena, long green hair, ahoge, blunt bangs, aqua blue eyes, hairband, hair ornament, kneeling, seiza, prison cell, tattered sleeveless white dress, torn hem, frayed fabric, bare shoulders, bare arms, handcuffs, chained wrists behind back, shackles, ankle cuffs, chain between ankles, collar, metal collar around neck, from side, dutch angle, from below, looking down, hollow expression, dim cell, stone wall, iron bars, single light source The camera sits low and slightly tilted, looking up from the stone floor of the cell at a dutch angle: one girl kneels alone in the center of the frame, seen from her left side, her body angled three-quarters away from the lens. She is down on both knees on the bare flagstones, shins flat, the weight of her hips settled back onto her heels so her shoulders slope forward; her spine curls a little, chin dropped toward her chest. Long green hair falls past her shoulders, an ahoge springing up from the crown, blunt bangs cut straight across her brow; a hairband and a small hair ornament sit in the hair above her left ear. Her aqua-blue eyes are open but aimed down at the floor in front of her knees, unfocused on anything in the cell. She wears only the tattered sleeveless white dress: thin straps over bare shoulders, the fabric split and frayed at the hem and along one seam, dirt smudged grey into the cotton, the torn edges hanging in loose threads that stir faintly with her breathing. Steel handcuffs clamp both wrists, drawn behind her back so her arms are pulled straight and her shoulder blades pinch together, the short chain between the cuffs hanging slack against her lower back. Matching shackles ring both ankles, a length of chain looping between them across the flagstones, and a hinged metal collar closes around her throat above the dress's neckline, its plate resting against her collarbone. Her hands are empty, fingers curled loosely against each other behind her; the toes of her bare feet press flat to the stone. The cell around her is small and cold: rough mortared stone walls, a heavy iron-barred door at the left edge of the frame, a high narrow slit of a window, no other furniture in view. A single caged bulb hangs high behind her right shoulder, the only light source; it rakes across the right side of her face and the top of her shoulder while the front of her body and the floor beneath her knees drop into deep shadow, and her shadow stretches long and thin across the flagstones toward the lower left, broken by the links of the ankle chain. Palette held to cold grey stone, the dirty white of the dress, the dull blue-black of the steel, and the green of her hair as the one saturated note. Quiet dread.
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Original Prompt
偶像大師百萬的島原埃琳娜 穿殘破無袖白色連身裙在牢房跪姿 戴手銬腳鐐項圈
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flash
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﹝Prompts﹞
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1824 x 1104
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Avatar image of 橫山育人
character: shimabara_elena, copyright: idolmaster 1girl, solo, shimabara_elena, green hair, long hair, ahoge, blunt bangs, hairband, blue eyes, aqua eyes, hair ornament, tattered sleeveless white dress, ragged hem, torn fabric, dirty dress, bare shoulders, bare arms, prison cell, standing, handcuffs, chained wrists, leg shackles, shackles on ankles, collar around neck, metal collar, chains, stone wall, iron bars, dim light, from side, full body, looking down, shackles at ankles, dome-iron lattice, hay on floor, Rendered in a three-quarter view from slightly below and to her left, the whole figure of a girl is shut inside a stone prison cell, seen from a low angle so that the iron lattice overhead recedes and the ribbed chains hang toward the lens; she is centered in the frame and stands facing almost to the right of the picture, back straight, shoulders drawn back but one shoulder dipped lower than the other where the weight of the wrist chain pulls; her long green hair, blunt bangs down to her brows, one stray ahoge standing up from the crown, falls past her waist and escapes from a loose, slightly tilted hairband with a heavy ornament cinched near one ear; her eyes are aqua and open, looking down and to the side at the shackle on her left ankle rather than at the viewer, and the gaze carries a quiet, defiant tiredness. A torn sleeveless white dress, hem shredded in ragged strips that expose the dirty knee-length lining, is pulled taut at the chest and falls in limp folds around her hips; the fabric is filthy with the shadow of dust along the seams, and the armholes gape where she strains her arms. Both wrists are closed inside a wide metal cuff joined by a short chain that hangs in a catenary between them, so her hands rest close together at chest level, one hand gripping the chain, the other edge of a cuff pressed into the palm, wrists turned so the rivets catch the single overhead light; a rusted collar circles her neck with a cut padlock hanging at the throat, and heavy shackles are clamped around both ankles with a chain lying across the stone floor, slack, its far end coiled beside her left foot. Each foot is planted on a paving slab, her weight on the left leg while the right foot is angled forward on the ball, the toe lifting the chain slightly off the floor. The scene is one stone room: iron bars to her right, a slit of torchlight behind them, a closed wooden gate behind her left shoulder; the only light comes from a torch set high and to her right front, so her right cheek, shoulder and the top of the dress are warm and bright while the cell behind is black, and her shadow falls long and slanted to the left across the slabs, broken by the shadows of the chain’s links. Hay is strewn in the corner; her spilled shadow and the pooled chains are the only things on the floor; metal is polished where its raised faces face the torch and dull where the rust has eaten in. Palette: cold gray stone, green and aqua of her hair and eyes, white of the dress, the black of the bars and the warm orange of the torchlight. Grim, melancholic.
橫山育人

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