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AI art "미타마 대위의 추출 실험" featuring #Mitama Yakumo

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미타마 대위의 추출 실험

#Mitama Yakumo

Published on Oct 26, 2026

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character: yakumo_mitama korean anime style, 1girl, solo, silver hair, ponytail, single hair bun, long hair, sidelocks, blue eyes, full black bodysuit, blue japanese samurai armor, cuirass, chest armor covering chest, belly armor covering belly, belt armor covering flank, shoulder armor, armored skirt covering upper legs, short skirt under armor, long boots, gauntlets, white jinbaori, air mask, holding syringe, syringe in gloved hand, zergling, zergling marrow extraction, kneeling, leaning forward, facing right, profile, cowboy shot, futuristic laboratory, japan future laboratory, specimen restraint table, dramatic side lighting, cool blue palette Shot from a low three-quarter angle, her figure standing over a low specimen restraint table in the near-right of frame, turned almost to profile facing frame right. Silver hair is drawn back into a high ponytail with a single tight bun pinned at its base, the loose tail falling past her shoulder blades, sidelocks framing her jaw; beneath the clear visor her blue eyes are narrowed in concentration, fixed down on the needle point and nowhere else. The air mask covers nose and mouth, its filter canisters seated against her cheeks, faint condensation on the inner glass. Her torso is fully enclosed in the matte black bodysuit from throat to wrists and ankles, and over it the blue lacquered samurai armor: a cuirass laced shut across the chest, a separate belly plate banded over the stomach, the belt armor riding her flank, and shoulder armor slung on both shoulders, the left pauldron tilted as her arm reaches down. The armored skirt flares over her upper legs in overlapping plates, the short black skirt visible beneath its hem, long boots planted wide on the lab floor, gauntleted hands flexing. The white jinbaori hangs over her back and shoulders, its hem pushed aside by the reach of her body, one tail of fabric caught mid-swing. A handgun sits holstered on her hip belt, grip worn smooth. Her right gauntlet grips a broad syringe, thumb braced on the plunger flange, the barrel angled down and slightly toward the lens in strong foreshortening so the needle and the graduated markings read clearly; her left gauntlet presses flat on the carapace of the zergling to steady it, knuckles taut. The zergling lies on the restraint table, its bladed limbs pinned in clamps, plated carapace cracked open at one ridge where a pale marbrow canal is exposed, the needle point entering the seam, viscous amber marrow welling up around the shaft and running a slow bead down the shell edge to pool on the steel tray below. One of its small eyes tracks the syringe. Her weight is on the rear boot, front knee bent, hip cocked, the pose coiled and precise. The laboratory behind lies in deep cool layers: white ceramic panel floors, articulated arms hanging from ceiling rails, glass containment cylinders holding dim blue-green light, illegible small text plates on the equipment and on the specimen table rail, and a wide observation window showing an out-of-focus cityscape beyond. A single overhead surgical lamp is the key light, hitting her right cheek, the crown of her ponytail, the cuirass shoulderline and the wet marrow in a hard white pool; everything outside that pool falls into blue-black shadow with long soft shadows cast to the left. Palette confined to silver, black, lacquer blue, white jinbaori and the amber of the marrow. Clean, hard-edged anime rendering with firm linework, controlled muted color, realistic light falloff and subtle gradients. Clinical, tense.

미타마 대위의 추출 실험

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