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Foxy Limbo

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Foxy Limbo

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1 stickman, solo, black stickman, solid black silhouette, circular head, simple thin limbs, running, running toward viewer, sprinting mid-stride, arms pumping, legs extended in full stride, leaning forward into the wind, high speed motion blur, heavy blizzard, snowstorm, dense driving snow, whiteout, broken glass door, shattered glass panes, jagged glass shards, abandoned concrete building, concrete basement entrance, staircase descending, bare concrete wall, rebar, survival concept, minimal line art, monochrome, high contrast, black on white, dutch angle, from below, wide shot, dynamic composition, snow particles streaking, no text The camera sits low and tilted a few degrees off level, looking up from ground level so the stickman towers and the concrete mass leans over him: a solid black stick figure with a perfect circular head, no face, no clothing, no fill detail beyond flat black, caught at the peak of a sprint — his torso pitched forward into the wind, front leg driving knee-high with the foot off the ground, back leg extended straight behind with only the toe touching down, both arms bent and pumping in opposition, one fist up near the chest, the other thrown back. His head is angled a touch down and forward, sightline fixed past the lens on the shattered doorway ahead of him, not at the viewer. Everything about him is smeared: a high-speed motion blur drags his trailing arm, back leg and the after-edge of his head into soft horizontal streaks, while the leading edges of his front knee, front shoulder and the crown of his head stay sharp — the blur runs along the direction of his travel only. The blizzard is drawn, not painted: dense diagonal hatching of white streaks and short dashes slanting from upper right to lower left across the entire frame, thicker and faster near the lens in the foreground so a few flakes pass as long white slashes in front of him, thinning into fine stipple where they pile against the building. The abandoned basement entrance fills the midground: a raw concrete wall with damp stains and exposed rebar ends, a wide door frame whose glass door has been smashed, the frame holding a fringe of jagged shards around empty blackness, splinters of glass scattered on the snow-dusted threshold step, a short flight of concrete steps leading down into the dark interior. The interior beyond the door is flat, absolute black — the only true void in a white frame. Light is a single flat, cold overcast wash from above and slightly behind the viewer, with no visible sun: it bleaches the snow field into the paper-white ground, throws no cast shadow, and leaves the stickman as pure unmodulated black with a hard rim where the snow behind him reads through the gap between his legs and under his pumping arm. Palette is strictly black and white with one value of cold blue-grey reserved for the concrete, the shadowed side of the door frame and the glass edges; nothing else is admitted. Detail budget goes to the stride silhouette and the glass fringe; the snow field and the upper wall stay almost empty so the blur streaks read. Stark, relentless.
Show Parameters
Original Prompt
A black stickman running through a heavy blizzard toward the broken glass door of an abandoned concrete building or basement. Survival concept, minimal line art, high speed motion blur
Mode
flash
Size
1472 x 832
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.48k

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AI artwork
fl
1 stickman, solo, black stickman, solid black silhouette, circular head, simple thin limbs, running, running toward viewer, sprinting mid-stride, arms pumping, legs extended in full stride, leaning forward into the wind, high speed motion blur, heavy blizzard, snowstorm, dense driving snow, whiteout, broken glass door, shattered glass panes, jagged glass shards, abandoned concrete building, concrete basement entrance, staircase descending, bare concrete wall, rebar, survival concept, minimal line art, monochrome, high contrast, black on white, dutch angle, from below, wide shot, dynamic composition, snow particles streaking, no text The camera sits low and tilted a few degrees off level, looking up from ground level so the stickman towers and the concrete mass leans over him: a solid black stick figure with a perfect circular head, no face, no clothing, no fill detail beyond flat black, caught at the peak of a sprint — his torso pitched forward into the wind, front leg driving knee-high with the foot off the ground, back leg extended straight behind with only the toe touching down, both arms bent and pumping in opposition, one fist up near the chest, the other thrown back. His head is angled a touch down and forward, sightline fixed past the lens on the shattered doorway ahead of him, not at the viewer. Everything about him is smeared: a high-speed motion blur drags his trailing arm, back leg and the after-edge of his head into soft horizontal streaks, while the leading edges of his front knee, front shoulder and the crown of his head stay sharp — the blur runs along the direction of his travel only. The blizzard is drawn, not painted: dense diagonal hatching of white streaks and short dashes slanting from upper right to lower left across the entire frame, thicker and faster near the lens in the foreground so a few flakes pass as long white slashes in front of him, thinning into fine stipple where they pile against the building. The abandoned basement entrance fills the midground: a raw concrete wall with damp stains and exposed rebar ends, a wide door frame whose glass door has been smashed, the frame holding a fringe of jagged shards around empty blackness, splinters of glass scattered on the snow-dusted threshold step, a short flight of concrete steps leading down into the dark interior. The interior beyond the door is flat, absolute black — the only true void in a white frame. Light is a single flat, cold overcast wash from above and slightly behind the viewer, with no visible sun: it bleaches the snow field into the paper-white ground, throws no cast shadow, and leaves the stickman as pure unmodulated black with a hard rim where the snow behind him reads through the gap between his legs and under his pumping arm. Palette is strictly black and white with one value of cold blue-grey reserved for the concrete, the shadowed side of the door frame and the glass edges; nothing else is admitted. Detail budget goes to the stride silhouette and the glass fringe; the snow field and the upper wall stay almost empty so the blur streaks read. Stark, relentless.
Foxy Limbo
AI artwork
fl
1 stickman, solo, black stickman, solid black silhouette, circular head, simple thin limbs, running, running toward viewer, sprinting mid-stride, arms pumping, legs extended in full stride, leaning forward into the wind, high speed motion blur, heavy blizzard, snowstorm, dense driving snow, whiteout, broken glass door, shattered glass panes, jagged glass shards, abandoned concrete building, concrete basement entrance, staircase descending, bare concrete wall, rebar, survival concept, minimal line art, monochrome, high contrast, black on white, dutch angle, from below, wide shot, dynamic composition, snow particles streaking, no text The camera sits low and tilted a few degrees off level, looking up from ground level so the stickman towers and the concrete mass leans over him: a solid black stick figure with a perfect circular head, no face, no clothing, no fill detail beyond flat black, caught at the peak of a sprint — his torso pitched forward into the wind, front leg driving knee-high with the foot off the ground, back leg extended straight behind with only the toe touching down, both arms bent and pumping in opposition, one fist up near the chest, the other thrown back. His head is angled a touch down and forward, sightline fixed past the lens on the shattered doorway ahead of him, not at the viewer. Everything about him is smeared: a high-speed motion blur drags his trailing arm, back leg and the after-edge of his head into soft horizontal streaks, while the leading edges of his front knee, front shoulder and the crown of his head stay sharp — the blur runs along the direction of his travel only. The blizzard is drawn, not painted: dense diagonal hatching of white streaks and short dashes slanting from upper right to lower left across the entire frame, thicker and faster near the lens in the foreground so a few flakes pass as long white slashes in front of him, thinning into fine stipple where they pile against the building. The abandoned basement entrance fills the midground: a raw concrete wall with damp stains and exposed rebar ends, a wide door frame whose glass door has been smashed, the frame holding a fringe of jagged shards around empty blackness, splinters of glass scattered on the snow-dusted threshold step, a short flight of concrete steps leading down into the dark interior. The interior beyond the door is flat, absolute black — the only true void in a white frame. Light is a single flat, cold overcast wash from above and slightly behind the viewer, with no visible sun: it bleaches the snow field into the paper-white ground, throws no cast shadow, and leaves the stickman as pure unmodulated black with a hard rim where the snow behind him reads through the gap between his legs and under his pumping arm. Palette is strictly black and white with one value of cold blue-grey reserved for the concrete, the shadowed side of the door frame and the glass edges; nothing else is admitted. Detail budget goes to the stride silhouette and the glass fringe; the snow field and the upper wall stay almost empty so the blur streaks read. Stark, relentless.
Foxy Limbo
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Avatar image of Prodigal Sun
burn_legend_art_style, illustration, detailed environment, purgatory_art_style, classic rpg maker aesthetic, colette_the_lovesick_girl, latina, colored skin, monster-girl, ice-monster, short dark hair, black-hole heart, vaporous limbs, metallic roots, black ice, cold haze, sad, Solo, fantasy setting, feudal era, colette the lovesick girl, When on the streets, she wears a nondistinct hoodie as she walks around. The Lovesick Girl looks to be like any other girl with dark hair. Regardless of her garb, however, she always looks sad and in need of help, begging anyone she meets to want to reach out and care for her., exalted_1st_edition_rpg_art_style, ink illustration
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