Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "20261027" featuring #Hat, #Looking at viewer and #Crane Game
Generate for Free

20261027

#Hat#Looking at viewer#Crane Game
More to See

Comments

1girl, solo, long wavy pink hair, green eyes, exhausted, cynical, dark circles under eyes, half-closed eyes, blush, sweat, distressed khaki green baseball cap, retro camera patch, loose oversized olive green tactical safari jacket, multiple pockets, undershirt, denim shorts, weathered brown leather messenger bag, bag strap across chest, double v, looking at viewer, crouch, legs up, spread legs, m legs, bare feet, soles, feet up, foot on glass, ass on glass, ass press, against glass, inside crane game, many stuffed animal, large stuffed animal wedged at bottom center, from front and side, two-shot framing, anime screenshot, anime coloring, clean thin lineart, flat cel-shading, vivid colors, no gradients, no realistic texture, sfw, fully clothed A two-part anime screenshot composition, the same girl shown at two angles in one wide frame: at frame left a three-quarter front view of her crouched inside the glass-walled crane game, and at frame right a side view of her back and hips, so the front of her body and the compression of her rear are both readable in a single wide shot, camera below her waistline looking up through the front glass. She is crouched low inside the machine with her knees pulled high and spread wide apart, both bare feet lifted and planted flat against the inside of the front pane, soles facing the lens with toes splayed and heels dug in; the glass fogs in two faint ovals where her soles meet it. Her hips sit back and down so the seat of her denim shorts is pressed hard and visibly flattened against the rear glass, the fabric straining in radiating creases from the pressure point, and through the pane the flattened contour of her rear reads clearly as a pale compressed shape under the denim seam. A single very large stuffed animal — a plush tan bear nearly as tall as her torso — is wedged in at the bottom center of the frame between the lower front glass and her hips, squashed into an oval with its ears bent and one paw flattened against the pane, its bulk hiding the front seam of her shorts. Both hands are raised at chest height in a jaunty double v: thumbs hooked under her index fingers, the two vee signs tilted outward, wrists loose. Above them her face is a dead-eyed, exhausted mask — heavy purple-grey dark circles drawn as hard flat crescents under half-lowered green eyes that stare straight into the lens, one brow arched higher than the other, mouth a flat sideways smirk, blush a pair of flat pink ovals on her cheekbones, three crisp white sweat drops on temple and neck. Her long wavy pink hair spills out from under the cap, strands pressed flat where it meets the glass, the loose waves bunching at her shoulders. The distressed khaki green baseball cap sits low with frayed brim and a small retro camera patch stitched slightly crooked on the front panel. Under the oversized olive green safari jacket — its many pockets bulging square, sleeves shoved to the elbows — a plain undershirt shows at the open collar. All around and behind her the machine is packed with dozens of stuffed animals in rows against the back panel, flat cel-colored plush masses of tan, cream, mint and dusty rose, some pressed close enough to the glass to squash their noses flat. The glass carries crisp hard-edged highlights, a vertical bevel at the corner where the two panes meet, and a faint reflection grid of the arcade's ceiling lights. Light comes from above and slightly behind the camera: a cool white strip light inside the cabinet rim lights the top of her cap and the tops of the plush rows, second warm pink neon from outside the machine rims her shoulders and the near edges of her soles, and the shadow pools under her hips and beneath the stuffed-animal wall. Palette confined to khaki and olive greens, the pink of her hair and blush, denim indigo, plush tans and creams, and the glass's cool cyan-white highlights. Everything drawn with clean thin lineart, flat cel-shading, vivid colors, hard color boundaries with no gradient or photographic texture. Playful theatrical confidence, deadpan and smug.
Show Parameters
Original Prompt
long wavy pink hair and green eyes, looking exhausted and cynical with dark circles under her eyes. She is wearing a distressed khaki green baseball cap with a subtle retro camera patch. Her clothing includes a loose-fitting, oversized olive green tactical safari jacket with multiple pockets, an undershirt, and casual denim shorts. A weathered brown leather messenger bag crosses her chest, 1girl, solo, looking at viewer, anime screenshot, anime coloring, The artwork features clean thin lineart, flat cel-shading, and vivid colors, completely free of blurry gradients or realistic textures, maintaining high quality key visual style. Playful theatrical confidence, , many stuffed animal , against glass, ass, ass on glass, ass press, blush, cameltoe, crane game, feet, feet up, foot on glass, from front and side, double v, ,in crane game, legs up, looking at viewer, crouch on glass, soles, spread legs, , sweat, sfw, 화면 맨 아래 중앙 부분의 유리와 고간 사이에 매우 큰 stuffed animal 하나를 끼워 넣는다
Mode
flash
Size
1824 x 1104
Prompt Helper

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬