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- Original Prompt
- ##全体品質・スタイル設定 (best quality), (ultra highres), (very aesthetic), (HDR effect), (extremely detailed CG unity 8k wallpaper), (depth of field), (vibrant colors), (cinematic vividness), (intricate colors), (vibrant colors), (ray tracing), (best lighting), (glowing), (glowing particles), (beautiful detailed eyes), (Perfect human body depiction), (Beautiful skin tones), (EyesHD:1.2), (elaborately designed clothes), (detailed background), 浮世絵、 日本画、 ###キャラクター: (キャラデータ:中年男性, 45歳, 陽気な元ヤクザ,) (性格:陽気, 豪快, 面倒見が良い,) (頭髪: (bald head with no hair:2.0,)) (顔:強面の顔, 黒い眉毛, (整えられた黒い顎髭), 黒フレームの大きめの黒いサングラスを着用, (サングラスの下は優し気目つき, 金色瞳),) (体型:がっちりとした筋肉質,) (身長:高身長,) (服装:無地の黒い半袖tシャツ, ジーンズ, スニーカー,) (身体的特徴:(右腕のみメカニカルアーム),) 楽し気な目つき、 楽しんでいる表情、 ###背景: ###Background, SF世界、 サイバーパンクの日常風景、 サイバーパンク都市、 ラーメン店の厨房、 蛍光レッドに発光する日本提灯、 中華風デザインの鮮やかなネオンサイン、 赤色と金色を基調とした中華風装飾、 漢字が描かれた発光看板、 ネオンに照らされた金属製の壁面、 やや古びた業務用厨房、 ステンレス製の厨房、 壁掛け式の調味料棚、 大量の調味料が並ぶ棚、 香辛料容器、 火力の強い業務用ガスコンロ、 複数口のガスレンジ、 青白いガスの炎、 ステンレス製調理台、 (調理台の上: 調理用ボウルの中には四角く切られた南瓜が積まれている。 調理用に切られた南瓜が複数置かれている、) 壁に掛けられた調理器具、 立ち上る大量の湯気、 ホログラムメニュー、 アジアンサイバーパンク、 ###シーン: 南瓜料理の調理シーン、 南瓜料理を作ろうとしている、 キャラクターは中華鍋を右手に持つ、 中華鍋はガスコンロの上で強火にかけられている、 中華鍋の中身は調理用に四角く切られた南瓜が入っている、 南瓜は中華風に調理されようとしている、 キャラクターは中華鍋を振るって料理をしている、 (激しく中華鍋を振るうモーション:1.5.) キャラクターの視線は中華鍋に向ける、 中華鍋にフォーカスし描写、 圧倒的な迫力, ダイナミックな構図, 映画的演出,
- Size
- 1280 x 768
- Sampling Steps
- 17
- Sampling Method
- DDIM
- CFG Scale
- 6.7
- Negative
- lowres, (worst quality, bad quality:1.2), 3d, realistic, photorealistic, watermark, censored,
Face Fix
Model & LoRA used
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"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ゚◼️
生魚2(Raw Fish 2)
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음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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