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AI art "ドアを開けて笑顔の彼女" featuring #Barefoot, #Blonde hair, #Black Dress and #Girl
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ドアを開けて笑顔の彼女

ドアの向こうから元気いっぱいに手を振ってくれる彼女。その無邪気なウインクと笑顔を見ると、どんなに疲れていても一瞬で心が軽くなる気がします。思わず私も笑顔になれる、そんなお気に入りの一枚です。気に入ったらいいねとフォローをお願いします！コメントで感想も聞かせてくださいね。

#Barefoot#Blonde hair#Black Dress#Girl
v2

vrrtvbkd2j@privaterelay.appleid.com

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1girl, solo, blonde hair, long hair, black dress, sleeveless black velvet cocktail dress, small black pearl earrings, welcoming, greeting gesture, waving, from below, close-up, cowboy shot, dutch angle, head tilt, arm up, outstretched arm, looking at viewer, grin, :d, open mouth, one eye closed, standing on one leg, indoor, doorway, warm interior light, wooden floor Seen from a low camera tilted a few degrees off level, a single blonde girl fills the doorway and welcomes the viewer in. She is caught mid-greeting: her weight has rolled onto her straight left leg while her right foot lifts just off the floor behind the doorframe, toes pointed, so the black velvet of her skirt swings a little to the left of her hips. Her right arm is thrown up and out toward the lens, palm open, fingers spread in a waving arc, the elbow bent, the sleeve edge cutting a straight line across her bare shoulder; her left hand rests flat on the doorframe's edge, fingertips curled around the wood, thumb braced on the face of the jamb. Her head tips toward her raised hand, chin lifted, and she looks straight into the camera with a wide open-mouthed grin, one eye squeezed shut in a wink, a smear of warmth high on both cheeks. Her long blonde hair falls forward over the raised shoulder in a loose sheen and swings back behind the other in a single heavy lock, stirred by the motion. The sleeveless black velvet dress reads dark and nap-soft, swallowing the light along the torso and picking it up at the shoulder seam and the fold at her waist; small black pearl earrings sit close to each lobe and catch one tiny highlight apiece from the lamp behind her left. She stands in the doorway of a narrow wooden-floored hall: the doorjamb cuts vertically through the left of frame close to the lens, its paint worn pale along the edge where hands have caught it, and the warm hallway beyond recedes dim and brown behind her shoulder. The only light is a warm lamp somewhere behind and to her right, so the right side of her face and the front of her raised forearm are lit gold while the left side of her neck and the left half of the dress fall into deep shadow; her cast shadow spills forward across the floorboards toward the viewer, broken into slats by the plank seams, and the raised arm throws a soft doubled shadow on the jamb behind it. Palette held to warm umber wood, gold lamplight and the flat black of the velvet. Intimate, warmly inviting.
Show Parameters
Original Prompt
黒いドレスの金髪の少女が出迎えてくれた。
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.10k

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1girl, solo, long hair, light-colored eyes, standing on one leg, leaning forward, looking at viewer, light smile, blush, wide-eyed, from above, cowboy shot, seamless studio sweep, off-white background An angled view from above looks down at a young woman who leans her torso forward toward the lens, her weight shifted onto her left leg while her right foot is lifted slightly off the ground. She has long, flowing hair that cascades over her shoulders, with a few stray strands floating upward from the momentum of her tilt. Her gaze is locked onto the viewer with wide, sparkling eyes and a faint, closed-lip smile, her cheeks touched by a soft pink blush. She wears a simple, form-fitting white sundress that clings slightly to her frame, the hem fluttering just above her knees. The entire scene is set against a seamless, featureless off-white studio sweep; a soft, diffused light from the upper right casts a gentle, blurred shadow beneath her feet, grounding her in the empty space. The palette is limited to creamy whites, pale skin tones, and the soft gold of her hair. Effortlessly stylish.
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character: kanae_(nijisanji), copyright: nijisanji 1boy, solo, kanae (nijisanji), brown hair, long hair tied in a high ponytail, loose strands between the eyes, blue-grey eyes, mole under left eye, mole on neck, white shirt, long sleeves, jacket, streetwear, y2k fashion, earrings, usual clothes, standing at a genkan, entryway, front door, half-open door, leaning out from behind the door frame, one hand on the door edge, sheepish, embarrassed, awkward smile, closed-lip smile, blush, looking away, looking to the side, averted gaze, head tilt, from below, cowboy shot, dutch angle, indoor, warm interior light, evening, The camera sits low and slightly tilted, looking up at him from the sunken concrete floor of a Japanese house's genkan, so the raised wooden threshold and the doorway loom above the lens. Through the sliding front door, pushed half open, he has popped out into the gap between the door edge and the frame — the neighbour who always appears like this — his body angled three-quarters toward the viewer but his head turned a little aside. His right hand grips the vertical edge of the door, fingers curled around the pale wooden stile, thumb pressed flat on the inner face; his left hand is tucked behind his neck, elbow lifted, shoulder drawn up. Weight rests on his back foot in the doorway's shadow, front foot just over the threshold in a half-step he has not finished committing to. His ponytail swings forward over his right shoulder from the turn; loose strands hang between his eyes and shift with the same motion, the long sleeves of the jacket riding back from his wrist on the raised arm. He looks off past the camera's left, not into the lens — his chin slightly down, one brow lifted, lips pressed together into a small closed smile that keeps pulling wider and being caught; a faint blush high on both cheeks, ears a bit pink, the mole under his left eye and the mole on his neck both clear on the lit side. The light comes from the warm interior behind and to his right — a low ceiling lamp inside the hall — so warm lamplight rims the door edge, the jacket shoulder and the top of his ponytail, while the entrance mouth in front of him stays a dimmer, cooler grey; his shadow falls forward across the concrete step and the doorway's shadow cuts a diagonal across the floor. Beyond the opening the hallway recedes into warm dark, wood-grain and a shoe rack legible, further detail unreadable. Palette is restricted to warm wood browns, lamp amber, the off-white of the shirt, and cool grey-blue shadow in the foreground. The half-open door is the revealer: its swing angle measures exactly how far he has leaned out to talk. Sheepish, neighbourly warmth.
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Avatar image of タコの助
character: kanae_(nijisanji), copyright: nijisanji 1boy, solo, kanae (nijisanji), brown hair, long hair, hair between eyes, blue eyes, mole under eye, earrings, jewelry, white shirt, jacket, long sleeves, streetwear, y2k fashion, leaning forward, head tilt, looking to the side, slight blush, light smile, shy, closed mouth, half-closed eyes, raised eyebrow, doorway, interior, from side, close-up, cowboy shot, standing on one leg, hand on own cheek, arm support From side, close-up framing at chest height: a young man leans in through the open doorframe of the viewer's room, one shoulder already past the jamb, hips still out in the corridor so his body cuts the doorway on a diagonal. His brown hair falls long past his shoulders with a strand down between his eyes, and a short ponytail gathers at the back of his head, its tail swinging forward over his collar from the lean. His weight rests on his right leg, left foot lifted and tucked behind the right ankle, toe of the shoe hovering just off the corridor floor. His right palm presses flat against the doorframe at head height, fingers curled over the painted edge; his left hand rises to his own cheek, knuckles grazing the skin just under his blue-grey eyes. His eyes cut sideways and down toward the floorboards of the viewer's room rather than meeting the lens, lids lowered, the mole beneath his right eye catching the hallway light. A small closed-mouth smile pulls harder on one side and he has bitten the inside of his lip, so the shyness lives in the uneven corners of the mouth; one brow lifts faintly. He wears his usual streetwear -- a white shirt buttoned high under an open long-sleeved jacket with Y2K cut and hardware, earrings visible at both ears against his jaw. Cool corridor light comes from behind and above him through the hallway, rimming his hair and the top of his shoulder in a pale line and throwing his face into soft half-shadow from the doorframe; inside the room a warm low light from the viewer's side catches the edge of his cheek and the white of his shirt, so the two temperatures meet across the doorway. Dust hangs in the wedge of light between the two rooms. The floorboards under his hovering toe show nothing yet -- he has not stepped in. Quiet, tender.
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