Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "超天酱" featuring #Needy Streamer Overload and #OMGkawaiiAngel-chan
Generate for Free

超天酱

#Needy Streamer Overload#OMGkawaiiAngel-chan
Avatar image of Rem
avatar-frame

Rem

More to See

Comments

character: chouzetsusaikawa_tenshi-chan mika pikazo, chouzetsusaikawa tenshi-chan, drawn as a Japanese-style decorative illustration intertwining red and blue line art with lush flowers, using a 9:16 slender vertical aspect ratio, presented as an extreme close-up facial composition. The character's face is located center-right, with the head slightly tilted; the forehead, sides of the hair, and jawline are naturally cropped at the edges of the frame. The eyes are wide and round, gazing toward the viewer, and the lips are slightly open in a small oval, with an expression that is quiet, surprised, and slightly dreamy. The face maintains large areas of clean negative space, with only very few lines defining the tip of the nose, lips, and cheeks, while dense flowers and hair strands unfold around the facial features, forming a decorative framing effect with a sharp contrast between sparse and dense areas. <The character has fluffy long curly hair; the bangs are composed of overlapping wide arcs and thin hair strands, with a few strands brushing across the brows and eyes; the curly hair at the sides of the face swirls inward, and the long hair on the periphery coils and extends vertically, forming many soothing and intersecting circular curves; the interior of the eyes organizes iris reflections using petals, heart-shaped negative space, and simple arcs, with long eyelashes and a few short lines and small dots decorating the eye area.> The foreground is filled with five-petaled flowers of various sizes, with broad, rounded petals and slight ripples or notches at the edges; the flower centers consist of slender filaments, oval anthers, and short radial lines. The flowers overlap each other, partially covering hair strands, the side of the face, and the edges of the eyes, while preserving the primary gaze. Larger flowers are concentrated in the top-left, bottom-left, and bottom-right, with smaller flowers scattered near the bridge of the nose, the side of the forehead, and around the jawline, some petals being cropped at the edges to create a continuous expanse of flowers. The overall background is a light cool gray close to white, using only two line colors: bright coral red and deep cobalt blue. The character's hair, interior details of hair strands, and a few clothing outlines are mainly drawn with blue lines; the petals, stamens, eyes, and facial details are mainly drawn with red lines. In some areas, red and blue outlines intersect, run parallel, or are slightly offset, creating a rhythm similar to two-color overprinting. The interiors of the flowers mostly remain as negative space, with only the backs of obscured petals, gaps between flowers, and a few decorative fragments filled with solid coral red; some areas are accented with very pale pink flat color, without adding gradient shadows. At the bottom, only a small amount of collar, ribbons, and fabric edges are visible, naturally disappearing behind the flowers. Use thin, fluid pen line art with restrained variation in line weight; long hair lines are continuous and expansive, while stamen lines are short and delicate; repeating curves are dense but have clear directions, avoiding heavy outer outlines. Remove realistic lighting, volumetric rendering, and material highlights; rely on negative space, overlapping petals, interwoven hair, and a few solid color blocks to establish layers. The image is flat and clear, with the feel of fine printing and a picture book frontispiece, presenting a clean and romantic scene of a face surrounded by flowers and gently flowing thoughts, with no text, borders, signatures, or watermarks.
Show Parameters
Original Prompt
mika pikazo, chouzetsusaikawa tenshi-chan，绘制成红蓝双色线描与繁花交织的日系装饰插画，采用9:16修长竖幅，以极近距离的面部特写构图呈现，人物面容位于中央偏右，头部略微侧倾，额头、两侧头发与下颌在画面边缘自然裁切。双眼睁得圆润，目光朝向观者，嘴唇微张成一条细小椭圆，表情安静、惊讶而略带梦幻感。面部保持大片干净留白，仅用极少线条交代鼻尖、嘴唇与脸颊，四周密集的花朵和发丝围绕五官展开，形成疏密鲜明的装饰框景。<人物拥有蓬松的长卷发，刘海由宽大弧线和细长发束交叠组成，几缕发丝掠过眉眼，脸侧卷发向内回旋，外围长发沿上下方向盘绕伸展，形成大量舒缓而相互交错的环形曲线；眼睛内部以花瓣、爱心状留白和简洁弧线组织虹膜反光，睫毛细长，眼周装饰少量短线与小圆点。>前景铺满大小不一的五瓣花朵，花瓣宽阔圆润，边缘有轻微起伏与缺口，花心由纤细花丝、椭圆花药和短促放射线构成，花朵彼此遮挡，局部覆盖发束、脸侧和眼睛边缘，但保留主要眼神。较大的花集中在左上、左下和右下方，小花散布于鼻梁附近、额侧与下颌周围，部分花瓣在画面边缘裁切，形成连续延展的花海。整体以接近白色的浅冷灰底色为主，仅使用明亮珊瑚红与深钴蓝两种线色，人物头发、发束内部细节和少量服装轮廓主要用蓝线勾画，花瓣、花蕊、眼睛和面部细节主要用红线勾画；局部红蓝轮廓交错、并行或轻微偏移，形成双色套印般的节奏。花朵内部大多保持底色留白，只有被遮挡的花瓣背面、花间缝隙和少量装饰片使用整块珊瑚红填充，个别区域点缀极淡粉色平涂，不增加渐变阴影。下方仅露出少量衣领、缎带与衣料边线，随花朵遮挡自然消失。采用纤细、流畅、粗细变化克制的钢笔线描，长发线条连续舒展，花蕊线条短促精巧，重复曲线密集但走向清楚，避免粗重外轮廓。取消写实光照、体积渲染和材质高光，依靠留白、花瓣叠压、发丝交织与少量实色色块建立层次，画面平整清晰，带精细印刷与绘本扉页气息，呈现繁花包围面容、思绪轻轻流动的清丽与浪漫，无文字、边框、署名或水印。
Mode
pro
Size
1232 x 1632
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.10k

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
10#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
4#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile