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View detailsLizzie
Show Parameters
- Original Prompt
- The image shows an animated woman in a pink kimono standing in front of a wall, with a chair to her left. maomao (kusuriya no hitorigoto), kusuriya no hitorigoto, 1girl, solo, long hair, long sleeves, hair ornament, standing, closed eyes, green hair, japanese clothes, blunt bangs, hair flower, wide sleeves, hair bun, kimono, double bun, cone hair bun, hands in opposite sleeves
- Mode
- flash
- Size
- 1232 x 1632
Prompt Helper
Model & LoRA used
Similar Images
Show morecharacter: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto
1girl, solo, maomao, green hair, long hair, blunt bangs, double bun, cone hair bun, hair bun, hair flower, hair ornament, pink kimono, japanese clothes, long sleeves, wide sleeves, hands in opposite sleeves, standing, closed eyes, from below, full body, wall, chair, indoor, wood floor, soft window light
The camera sits low, looking up from floor level at a slight diagonal, so the woman's full standing figure rises against the wall behind her. She stands facing three-quarters toward the viewer, weight settled on her right leg while her left foot angles outward, toes turned a little aside. Both hands are hidden inside the wide opposite sleeves of her pink kimono, each hand slipped up the other sleeve and gone from sight, the cuffs hanging heavy and slack at her waist. The kimono wraps left over right across her chest, its collar crossing high at her throat, and the long wide sleeves hang in deep folds so the fabric stops short of her wrists and nothing of her arms shows. Her green hair is long and falls straight down her back and past her shoulders, blunt bangs cut straight across her forehead, and above them the hair is gathered into double buns that rise in two pointed cone shapes over each side of her head; a hair flower and a hair ornament sit pinned at the base of the buns on the right. Her eyes are shut, lashes a dark line across her cheeks, and her face is calm and level, chin lifted very slightly toward the low camera.
Behind her the wall runs flat and pale, meeting the floor in a straight low line, and to her left a plain wooden chair stands empty, its seat and straight back set back from her hip so it reads clearly beside her rather than behind her. Soft light comes from a window off to one side, layering a gentle brightness across the left of her face and the lifted cheek of the wall, while the kimono's folds fall into soft shadowed creases and the chair casts a faint shadow on the floor to its right; the pink of the kimono, the green of her hair, and the pale wall and wood are the only colors, held soft and muted. Quiet, still, softly lit.
Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto
1girl, solo, maomao, green hair, long hair, blunt bangs, double bun, cone hair bun, hair bun, hair flower, hair ornament, pink kimono, japanese clothes, long sleeves, wide sleeves, hands in opposite sleeves, standing, closed eyes, from below, full body, wall, chair, indoor, wood floor, soft window light
The camera sits low, looking up from floor level at a slight diagonal, so the woman's full standing figure rises against the wall behind her. She stands facing three-quarters toward the viewer, weight settled on her right leg while her left foot angles outward, toes turned a little aside. Both hands are hidden inside the wide opposite sleeves of her pink kimono, each hand slipped up the other sleeve and gone from sight, the cuffs hanging heavy and slack at her waist. The kimono wraps left over right across her chest, its collar crossing high at her throat, and the long wide sleeves hang in deep folds so the fabric stops short of her wrists and nothing of her arms shows. Her green hair is long and falls straight down her back and past her shoulders, blunt bangs cut straight across her forehead, and above them the hair is gathered into double buns that rise in two pointed cone shapes over each side of her head; a hair flower and a hair ornament sit pinned at the base of the buns on the right. Her eyes are shut, lashes a dark line across her cheeks, and her face is calm and level, chin lifted very slightly toward the low camera.
Behind her the wall runs flat and pale, meeting the floor in a straight low line, and to her left a plain wooden chair stands empty, its seat and straight back set back from her hip so it reads clearly beside her rather than behind her. Soft light comes from a window off to one side, layering a gentle brightness across the left of her face and the lifted cheek of the wall, while the kimono's folds fall into soft shadowed creases and the chair casts a faint shadow on the floor to its right; the pink of the kimono, the green of her hair, and the pale wall and wood are the only colors, held soft and muted. Quiet, still, softly lit.
Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto
1girl, solo, maomao, green hair, long hair, blunt bangs, double bun, cone hair bun, hair bun, hair flower, hair ornament, pink kimono, japanese clothes, long sleeves, wide sleeves, hands in opposite sleeves, standing, closed eyes, from below, full body, wall, chair, indoor, wood floor, soft window light
The camera sits low, looking up from floor level at a slight diagonal, so the woman's full standing figure rises against the wall behind her. She stands facing three-quarters toward the viewer, weight settled on her right leg while her left foot angles outward, toes turned a little aside. Both hands are hidden inside the wide opposite sleeves of her pink kimono, each hand slipped up the other sleeve and gone from sight, the cuffs hanging heavy and slack at her waist. The kimono wraps left over right across her chest, its collar crossing high at her throat, and the long wide sleeves hang in deep folds so the fabric stops short of her wrists and nothing of her arms shows. Her green hair is long and falls straight down her back and past her shoulders, blunt bangs cut straight across her forehead, and above them the hair is gathered into double buns that rise in two pointed cone shapes over each side of her head; a hair flower and a hair ornament sit pinned at the base of the buns on the right. Her eyes are shut, lashes a dark line across her cheeks, and her face is calm and level, chin lifted very slightly toward the low camera.
Behind her the wall runs flat and pale, meeting the floor in a straight low line, and to her left a plain wooden chair stands empty, its seat and straight back set back from her hip so it reads clearly beside her rather than behind her. Soft light comes from a window off to one side, layering a gentle brightness across the left of her face and the lifted cheek of the wall, while the kimono's folds fall into soft shadowed creases and the chair casts a faint shadow on the floor to its right; the pink of the kimono, the green of her hair, and the pale wall and wood are the only colors, held soft and muted. Quiet, still, softly lit.
Lizzie
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto
1girl, solo, maomao (kusuriya no hitorigoto), green hair, long hair, blunt bangs, hair bun, double bun, cone hair bun, hair ornament, hair flower, blue eyes, japanese clothes, kimono, long sleeves, wide sleeves, standing, closed eyes, hands in opposite sleeves, arms hidden in sleeves, full body, from side, profile, dutch angle, looking to the side, light smile, calm
Seen from the side in a slight dutch tilt, tilted just off level so the verticals of the architecture lean, a single small figure stands alone in three-quarter profile facing to the right of the frame, the whole figure inside the picture from the crown of her hair to the hem of her kimono, with clear headroom and floor beneath her feet. She stands perfectly still with her weight settled on her right foot, left foot placed a half-step behind at a narrow angle, both feet flat on the worn wooden floorboards, her hips shifted slightly back and her shoulders squared and relaxed. Her long green hair falls straight past her shoulder blades in a dense curtain, the ends flipping faintly outward at the small of her back; the blunt fringe is cut straight across her forehead just above her brows; above it her hair is gathered into a pair of rounded buns set high on either side of her crown, and above them two tall cone-shaped coils of hair rise like tapering flames, their tips leaning with the weight; wound at the base of one cone sits a fabric flower with soft rounded petals in a pale pink, the ornament's small tie hanging free so it sways a hair's breadth off her hair. Her eyes are closed, both lids lowered into calm horizontal curves, lashes resting against her cheeks, brows level and easy; her lips carry only the faintest closed-mouth curve, a light smile held on the breath, and her chin is angled slightly up and turned aside as if she is listening to something beyond the frame. Both hands are slipped inside the opposite sleeve: her right hand vanishes into the wide left cuff and her left hand into the wide right cuff, so the sleeves cross and hang in front of her waist in a heavy inverted V, the long fabric drawn down by the hidden arms and swaying a little more than gravity alone would give it; the cuffs gape open just enough, dark inside, to show the ambient glow catching the rims of both openings and to show the sleeve fabric pulling taut in faint stress creases where the wrists press. The kimono is a soft muted green with a small repeating botanical print, the obi bound flat and low at her waist, the long sleeves hanging almost to her knees. She stands mid-room in a quiet wooden interior of pale plaster and dark beams, her shadow laid long and thin behind her to the left; warm low daylight comes in from the right-hand side of the frame through a slatted window, striping her cheek, the petals of the hair flower and one cone coil with bands of light while the far side of her face falls into a soft green-grey half-darkness, and the light carries a faint warmth against the cool greens and woods around it. Palette of muted moss green, dark honey wood, chalk white and a single pale pink of the flower petal; fine clean linework, restrained cel shading with soft interior gradients, quiet.
to the left of the frame, her shadow falls across the floorboards, dark and soft at its edges, the opposite direction from the warmth that rakes her sleeve. And on the leftmost window frame a small carved wooden ornament hangs motionless, a fine dust spark drifting in the beam between her and the light. Composed, still, faintly amused.
Lizzie
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