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3girls, 1boy, male focus, three people, man in the center, two brides on either side, bride on the left, bride on the right, double cheek kiss, kissing both cheeks, lips pressed to his cheeks, heart-shaped eyes, heart pupils, glowing heart-shaped frame, heart-shaped light border, cleavage, plunging neckline, white wedding dress, satin wedding gown, lace wedding gown, strapless gown, bare shoulders, bridal veil, long hair, looking at each other, closed eyes, blush, half-closed eyes, from front, upper body, close-up, centered composition, pink and white palette, cel shading, clean outlines, flat colors, TV anime frame A symmetrical upper-body close-up shot from the front, cropped just below the bust so the three faces, the two brides' décolletage and the whole heart-shaped light frame all sit inside the picture. In the center stands a young man with short dark hair, head tipped back a little and chin lifted, both cheeks caught between two women leaning in from left and right; his eyes are wide open and his pupils are crisp glowing pink hearts, no normal iris left around them, and his mouth hangs slightly open in a dazed grin with a shine of colour at the lips. On the left, a bride with her hair swept up under a short tulle veil presses her lips to his right cheek, her near hand resting flat on his shoulder, the other arm curled behind his back; she wears a white satin gown with a plunging neckline that opens a deep V, the satin catching a hard highlight along the edge of the fabric. On the right, a second bride with long loose hair flowing out behind her shoulders kisses his left cheek, her fingers spread lightly over his chest, her gown white lace with a matching plunging neckline showing the same open cleavage, lace scallops tracing the neckline edge. Both brides' heads tilt inward toward his face, their eyes shut in the kiss, lashes down, cheeks flushed; neither looks at the camera. Shoulders overlap in a clean occlusion order: the brides' veils and falling hair cross in front of the man's shoulders, the man's collar sits behind both women's arms. The environment is a warm pale-pink field behind them, out of focus, and ringing the whole group is a heart-shaped frame of glowing light, a continuous luminous outline with a soft pink-white bloom, brightest at the top cleft of the heart and thinning as it runs down the sides; it is the only light source, so its glow rims the tops of all three heads, rims the brides' veils in a luminous edge, and falls off into a slightly darker pink at the bottom corners of the frame. Colour is disciplined: white and warm skin tones, pink glow, and a single saturated rose-red landing only in the two heart pupils and the flush on all three pairs of cheeks. Where the glow crosses the brides' veils the chiffon goes translucent and the light shows through it. Rendering is a cute cel-shaded anime look with strong hand-drawn TV-anime energy: flat high-contrast colour fills, clean confident outlines, simple two-tone shadows with no gradients inside the shadow shapes. Sweet, giddy, joyfully shameless.
Show Parameters
Mode
flash
Style
90s Retro-Cell
Size
1632 x 1232
Style: 90s Retro-Cell

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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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息
3girls, 1boy, male focus, three people, man in the center, two brides on either side, bride on the left, bride on the right, double cheek kiss, kissing both cheeks, lips pressed to his cheeks, heart-shaped eyes, heart pupils, glowing heart-shaped frame, heart-shaped light border, cleavage, plunging neckline, white wedding dress, satin wedding gown, lace wedding gown, strapless gown, bare shoulders, bridal veil, long hair, looking at each other, closed eyes, blush, half-closed eyes, from front, upper body, close-up, centered composition, pink and white palette, cel shading, clean outlines, flat colors, TV anime frame A symmetrical upper-body close-up shot from the front, cropped just below the bust so the three faces, the two brides' décolletage and the whole heart-shaped light frame all sit inside the picture. In the center stands a young man with short dark hair, head tipped back a little and chin lifted, both cheeks caught between two women leaning in from left and right; his eyes are wide open and his pupils are crisp glowing pink hearts, no normal iris left around them, and his mouth hangs slightly open in a dazed grin with a shine of colour at the lips. On the left, a bride with her hair swept up under a short tulle veil presses her lips to his right cheek, her near hand resting flat on his shoulder, the other arm curled behind his back; she wears a white satin gown with a plunging neckline that opens a deep V, the satin catching a hard highlight along the edge of the fabric. On the right, a second bride with long loose hair flowing out behind her shoulders kisses his left cheek, her fingers spread lightly over his chest, her gown white lace with a matching plunging neckline showing the same open cleavage, lace scallops tracing the neckline edge. Both brides' heads tilt inward toward his face, their eyes shut in the kiss, lashes down, cheeks flushed; neither looks at the camera. Shoulders overlap in a clean occlusion order: the brides' veils and falling hair cross in front of the man's shoulders, the man's collar sits behind both women's arms. The environment is a warm pale-pink field behind them, out of focus, and ringing the whole group is a heart-shaped frame of glowing light, a continuous luminous outline with a soft pink-white bloom, brightest at the top cleft of the heart and thinning as it runs down the sides; it is the only light source, so its glow rims the tops of all three heads, rims the brides' veils in a luminous edge, and falls off into a slightly darker pink at the bottom corners of the frame. Colour is disciplined: white and warm skin tones, pink glow, and a single saturated rose-red landing only in the two heart pupils and the flush on all three pairs of cheeks. Where the glow crosses the brides' veils the chiffon goes translucent and the light shows through it. Rendering is a cute cel-shaded anime look with strong hand-drawn TV-anime energy: flat high-contrast colour fills, clean confident outlines, simple two-tone shadows with no gradients inside the shadow shapes. Sweet, giddy, joyfully shameless.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, three people, man in the center, two brides on either side, bride on the left, bride on the right, double cheek kiss, kissing both cheeks, lips pressed to his cheeks, heart-shaped eyes, heart pupils, glowing heart-shaped frame, heart-shaped light border, cleavage, plunging neckline, white wedding dress, satin wedding gown, lace wedding gown, strapless gown, bare shoulders, bridal veil, long hair, looking at each other, closed eyes, blush, half-closed eyes, from front, upper body, close-up, centered composition, pink and white palette, cel shading, clean outlines, flat colors, TV anime frame A symmetrical upper-body close-up shot from the front, cropped just below the bust so the three faces, the two brides' décolletage and the whole heart-shaped light frame all sit inside the picture. In the center stands a young man with short dark hair, head tipped back a little and chin lifted, both cheeks caught between two women leaning in from left and right; his eyes are wide open and his pupils are crisp glowing pink hearts, no normal iris left around them, and his mouth hangs slightly open in a dazed grin with a shine of colour at the lips. On the left, a bride with her hair swept up under a short tulle veil presses her lips to his right cheek, her near hand resting flat on his shoulder, the other arm curled behind his back; she wears a white satin gown with a plunging neckline that opens a deep V, the satin catching a hard highlight along the edge of the fabric. On the right, a second bride with long loose hair flowing out behind her shoulders kisses his left cheek, her fingers spread lightly over his chest, her gown white lace with a matching plunging neckline showing the same open cleavage, lace scallops tracing the neckline edge. Both brides' heads tilt inward toward his face, their eyes shut in the kiss, lashes down, cheeks flushed; neither looks at the camera. Shoulders overlap in a clean occlusion order: the brides' veils and falling hair cross in front of the man's shoulders, the man's collar sits behind both women's arms. The environment is a warm pale-pink field behind them, out of focus, and ringing the whole group is a heart-shaped frame of glowing light, a continuous luminous outline with a soft pink-white bloom, brightest at the top cleft of the heart and thinning as it runs down the sides; it is the only light source, so its glow rims the tops of all three heads, rims the brides' veils in a luminous edge, and falls off into a slightly darker pink at the bottom corners of the frame. Colour is disciplined: white and warm skin tones, pink glow, and a single saturated rose-red landing only in the two heart pupils and the flush on all three pairs of cheeks. Where the glow crosses the brides' veils the chiffon goes translucent and the light shows through it. Rendering is a cute cel-shaded anime look with strong hand-drawn TV-anime energy: flat high-contrast colour fills, clean confident outlines, simple two-tone shadows with no gradients inside the shadow shapes. Sweet, giddy, joyfully shameless.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, three people, man in the center, two brides on either side, bride on the left, bride on the right, double cheek kiss, kissing both cheeks, lips pressed to his cheeks, heart-shaped eyes, heart pupils, glowing heart-shaped frame, heart-shaped light border, cleavage, plunging neckline, white wedding dress, satin wedding gown, lace wedding gown, strapless gown, bare shoulders, bridal veil, long hair, looking at each other, closed eyes, blush, half-closed eyes, from front, upper body, close-up, centered composition, pink and white palette, cel shading, clean outlines, flat colors, TV anime frame A symmetrical upper-body close-up shot from the front, cropped just below the bust so the three faces, the two brides' décolletage and the whole heart-shaped light frame all sit inside the picture. In the center stands a young man with short dark hair, head tipped back a little and chin lifted, both cheeks caught between two women leaning in from left and right; his eyes are wide open and his pupils are crisp glowing pink hearts, no normal iris left around them, and his mouth hangs slightly open in a dazed grin with a shine of colour at the lips. On the left, a bride with her hair swept up under a short tulle veil presses her lips to his right cheek, her near hand resting flat on his shoulder, the other arm curled behind his back; she wears a white satin gown with a plunging neckline that opens a deep V, the satin catching a hard highlight along the edge of the fabric. On the right, a second bride with long loose hair flowing out behind her shoulders kisses his left cheek, her fingers spread lightly over his chest, her gown white lace with a matching plunging neckline showing the same open cleavage, lace scallops tracing the neckline edge. Both brides' heads tilt inward toward his face, their eyes shut in the kiss, lashes down, cheeks flushed; neither looks at the camera. Shoulders overlap in a clean occlusion order: the brides' veils and falling hair cross in front of the man's shoulders, the man's collar sits behind both women's arms. The environment is a warm pale-pink field behind them, out of focus, and ringing the whole group is a heart-shaped frame of glowing light, a continuous luminous outline with a soft pink-white bloom, brightest at the top cleft of the heart and thinning as it runs down the sides; it is the only light source, so its glow rims the tops of all three heads, rims the brides' veils in a luminous edge, and falls off into a slightly darker pink at the bottom corners of the frame. Colour is disciplined: white and warm skin tones, pink glow, and a single saturated rose-red landing only in the two heart pupils and the flush on all three pairs of cheeks. Where the glow crosses the brides' veils the chiffon goes translucent and the light shows through it. Rendering is a cute cel-shaded anime look with strong hand-drawn TV-anime energy: flat high-contrast colour fills, clean confident outlines, simple two-tone shadows with no gradients inside the shadow shapes. Sweet, giddy, joyfully shameless.
息耐者カール
AI artwork
息
3girls, 1boy, man in center, two brides flanking him, one bride on each side, cheek kiss, kissed on both cheeks simultaneously, heart-shaped eyes, heart eyes, cleavage, visible cleavage on both brides, heart-shaped glowing frame border, glowing pink heart border framing the composition, symmetrical three-figure composition, close-up, from front, upper body, heads and shoulders, low angle, warm blush, open mouth, blissful expression, eyes closed brides, leaning in, pressing lips to cheek, hands on his shoulders, bridal gowns, white wedding dresses, veil, bare shoulders, bouquet, romantic lighting, pink and gold palette, cel-shaded, flat high-contrast colors, clean outlines, simple shadows, retro TV anime frame Close-up, slightly from below, bust framing: a man stands dead centre facing the lens, and the two brides press in from either side so that their faces meet his cheeks at the same instant, their lips flattened against his skin. The bride on the left leans her whole weight into him, her left hand splayed flat on his far shoulder, her veil sliding forward across her own hair and brushing his ear; the bride on the right mirrors her, right hand gripping his near shoulder, her fingers curled into the fabric of his collar, her veil swinging out behind her shoulder with the momentum of her lean. Both brides have their eyes shut, lashes down, brows faintly drawn with the effort of the kiss, and both have tilted their heads inward so their chins almost touch his jaw. His head is tipped straight back a little from the double pressure, mouth open in a loose delighted gasp, a deep flush spread across both cheeks and the bridge of his nose; his eyes are two glossy pink hearts, pupils replaced entirely, catching a small specular highlight. He is crushed between them, shoulders squeezed inward, unable to hold any weight of his own. Both brides wear white bridal gowns with sweetheart necklines, and the framing crops at the collarbone so the deep V of each bodice and the shadowed line of cleavage on each side are clearly visible where their chests press against his arms; the gowns' white satin catches the light in long soft folds. A heart-shaped frame of glowing pink light encloses the trio, its point at the bottom of the frame and its lobes arcing over their heads, the tube of light bleeding a warm halo onto the hair and veils nearest it while the corners beyond it fall into soft magenta darkness. The glow is the only light source: it rims every face in pink from outside, leaves the centres of their faces comparatively shaded, and throws three overlapping shadows inward onto the man's chest. No background detail, only a seamless deep rose-to-violet gradient behind the heart. Palette locked to white, rose pink, magenta glow and warm skin tones, nothing else admitted. Cute cel-shaded anime rendering: flat high-contrast colour, clean black outlines, simple two-tone shadows, a faint paper-white highlight on the heart-eyes. Overwhelmingly sweet.
息耐者カール

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