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View details「カラス」― 欲望と破滅の群像劇
この「カラス」の世界観に、私はすっかり心を奪われてしまいました。登場人物たちの渦巻く思惑と、カラスが舞う不穏で美しい空気感がたまらなく好きです。この作品をもっと多くの人に知ってほしいので、いいねとフォローで応援していただけると嬉しいです!次回作も構想中なので、ぜひコメントで感想を聞かせてくださいね。
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- 映画『バッド・ルーテナント:トウキョウ』, 主人公の矢吹恭二(小栗旬)は暴力団とズブズブの関係にある刑事で、普段からドラッグ三昧に博打三昧。多額の借金を抱えており、妻子からも逃げられてしまう。 そんな矢吹が2つの猟奇的な連続殺人事件を追うことでストーリーが駆動していくのだが、体感で言えば前半30分ほどは矢吹のクズで自堕落な生活ぶりがひたすら描かれるところから映画は始まる。小栗といえば、現在放送中のドラマ『LOST10』(TBS系)でも、クズとは言わないまでもかなり胡散臭い保険調査員を演じており、いずれも一筋縄ではいかないその姿が独特のいろけを漂わせている。 そして、ようやくストーリーが本格的に動き出すところで登場するのが、ある人物を追って来日したFBI捜査官グエン(リリー・ジェームズ)である。彼女だって決して正義のヒロインではない。初登場シーンで挿入される、彼女のバックの曇天の空に大量のカラスが舞い飛ぶショットはとくに印象的だ。やけに口が悪く、喫煙所で小栗とすこし話してすぐに「こいつが私のバディだ」と確信するところからもすでに彼女のダーティな雰囲気が漏れ伝わってきているのだが、視覚的にもわかりやすく悪側にいることを示すのである。実際、のちほど彼女が携わっている捜査は政治的にかなりきな臭いものであり、その仕事を引き受けざるを得ない彼女自身にもなにか後ろ暗い過去があることが示唆される。 その他、主な登場人物は暴力団関係者、薬の売人、薬物中毒者などで構成されている。野村周平演じるロン毛のこれまた胡散臭い売人が、悪がはびこるこの街ではむしろお人好しの部類に入るくらいに見えてくる(このキャラクターのすっとぼけた感じがなんとも言えず良い)。そして、そんな彼らが繰り広げるのが、ひたすらsekkusu&バイオレンスの世界である。 三池監督が描くsekkusu&バイオレンスは、ご存じのとおりケレン味たっぷりだ。挙げだすときりがないが、最も印象的だったのは終盤に出てくる複数の車を使ったアクションシーン。その途中で、ある人物が車と車のあいだで押しつぶされて絶命するのだが、少し引きの画角から、押しつぶされる人物が車の影に隠れるかたちでその様子が収められたかと思うと、一瞬の間をおいて大量の血しぶきが車のあいだからビュッと上方に向けて飛び出す。思わず笑いを上げずにはいられない痛快な最期である。そうやって、この映画はこの世界を笑い飛ばしているように見える。 この映画にシリアスな展開が全くないわけではない。小栗演じる矢吹はかつて相棒を裏切って死なせてしまったことにトラウマを抱えているし、後半ではある登場人物の台詞をきっかけに「お前はなんのために生きているのか?」が複数の登場人物に対して繰り返し問われることにもなる。しかしながら、半分ネタバレを覚悟で言えば、最終的に矢吹は実に身も蓋もない結末を迎える。途中で現れたトラウマや問いは、ラスト近くでもう一度映される曇天の空とそこを飛び交うカラスたちとともに、どこかに雲散霧消してしまうのだ。 豪華な俳優陣と舞台を使いながら「この世界に意味なんてないよ」と嘯く、ただ観ていて楽しいだけの映画。極めてポジティブな意味で、これこそ最高の“贅沢”の1つだと思わせられる一本である。
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