Oct 23, 2026

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AI artwork featuring #Original, #Kemonomimi, #blush, #brown hair, #Bottle, #Alcohol and #Girl

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Kemonomimi, blush

大晴妖狐草紙（タイセイアヤカシキツネソウシ）：北寺颯（きたでらはやて）　キャラデザ

#Original #Kemonomimi #blush #brown hair #Bottle #Alcohol #Girl

Published on Oct 26, 2026

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1girl, solo, fluffy dog ears, dog ears, fluffy dog tail, tail, light brown hair, medium hair, fluffy hair, green eyes, large breasts, dark green kimono, sheer shoulders, see-through fabric, bare shoulders, floral print, bougainvillea motif, red flowers, pink flowers, white flowers, orange flowers, yellow flowers, gold trim, gold leaf, embroidery, zentangle, spiral pattern, passionflower, obi, wave pattern, safflower motif, holding sake cup, ochoko, sake, tipsy, flushed face, blush, half-closed eyes, light smile, sitting, seiza, on zabuton, izakaya, washitsu, tatami floor, wooden interior, box tray, sashimi, tempura, carpaccio, from above, looking down at cup, depth of field From a high three-quarter angle looking down into the tatami room, a young woman with soft fluffy medium-length light brown hair sits seiza-style on a zabuton, the cushion compressed under her weight and her kimono pooled around her knees. Her fluffy dog ears rise through the hair at the crown, twitching slightly, and her thick fluffy tail curls out behind her right hip, its tip resting on the tatami weave. She holds a small white ochoko in her right hand at chest height, tilted a little too far, and her green eyes, half-lidded and warm, look down into the cup with a loose, self-amused tilt to her mouth; her cheeks are flushed pink from the sake. The dark green kimono falls open at the collar, the sheer fabric over her shoulders letting the skin and the strap-line of the collar show through, and every panel of the silk is dense with bougainvillea — papery red, pink, white, orange and yellow bracts in fine Japanese embroidery, edged in raised gold paint and foil-stamped veins that catch the light — while the lower skirt carries red, orange and yellow zentangle spirals and passionflower motifs that turn and coil. The wide obi, light brown and white, is drawn with flowing wave lines and scattered safflower blossoms. In front of her, on the low dark wood of a square box tray, sit a small flask of clear ginjo sake and a second ochoko, a plate of translucent hirame sashimi fanned thin, a basket of crisp mountain-vegetable tempura, and a shallow dish of carpaccio drizzled with oil. The room is an old, wooden, long-established izakaya: dark beams, worn polished floorboards, a shoji screen behind her glowing faintly, and a single warm hanging lantern above the tray casting amber light on her face and hands while the corners of the room fall into deep brown shadow. The lantern's light pools on the sake's surface and on the gold embroidery, and her shadow falls short and soft on the tatami mat. Quiet, warm, pleasantly tipsy.

Kemonomimi, blush

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