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copyright: persona, persona_5 1girl, solo, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, waist-up, cowboy shot, from below, three-quarter view, looking to the side, head tilt, screen print aesthetic, cel shading, crisp flat colors, bold black outlines, flat graphic shadows, minimal gradients, limited color palette, vivid cyan, deep navy blue, pure white, vivid red accents, high contrast color blocking, layered flat shapes, angular polygons, abstract blue shapes, cutout composition, geometric shapes, thick graphic lines, vector-like graphic elements, sharp edges, asymmetric editorial layout, magazine cover layout, poster composition, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, diagonal text arrangement, overlapping text and character, extreme scale contrast, negative space, striking silhouette, typographic hierarchy. Waist-up, shot from slightly below, the girl is turned three-quarters away from the frame and caught mid-turn back toward the lens: her right shoulder drops toward the camera, her chin is tilted down and swung over that shoulder, and her gaze slides off to camera-left instead of meeting the viewer, so only one bright turquoise eye is fully lit and the other sits in flat navy shadow. Her short midnight blue hair is tousled, one cowlick flicking up at the crown while the sharp side bangs cut a clean diagonal across her brow; the windless graphic air leaves it weightless, a hard-edged mass in navy with a single white specular streak. Her mouth is a flat, closed, unimpressed line, one brow faintly arched -- cool, not hostile. Both hands are shoved into her jacket pockets, so the black school uniform jacket pulls taut across her shoulders and the cuffs ride up her wrists; beneath it the white collared shirt shows a crisp pointed collar standing open, and the red ribbon is tied in a neat angular knot at her throat, its two short tails hanging over the white. Nothing else is on her -- bare earlobes, hair completely unadorned. The figure is cut out and pasted into an editorial layout rather than standing in a room. Behind her, flat navy field built up in stacked layers: a huge vivid cyan triangle rises from the lower left past her elbow, a thin white slab cuts horizontally behind her collarbone, and a cluster of small angular polygons and a dotted halftone square drift toward the upper right -- all flat, no depth, no atmosphere. A sliver of white ground shows through where her silhouette has been trimmed a hair too tight, so the cyan polygon reads as a paper cutout an eighth of an inch inboard of her outline. The lighting is a poster's, not a room's: hard flat light from upper right lays a single solid navy shadow-shape along the left of her jaw, her neck and the left half of the shirt, with no gradient inside it, and a crisp white rim separates her dark shoulder from the dark field. Palette is closed -- vivid cyan, deep navy, pure white and the red of the ribbon alone; the turquoise of her irises is the only other colour admitted. Typography does the layout work. A massive white uppercase word is cropped off both edges of the sheet and runs clean across the top third, overlapping her hair, its counters showing slivers of navy beneath; a second line of smaller stacked uppercase white letters runs diagonally down the right margin from top to bottom, tilted on the same axis as her shoulder; the magazine's masthead sits huge across the very top edge, half cut off, with a small white coverline block low on the left above her elbow and a fine rule of illegible micro-credit text at the bottom edge. The cyan shape prints a touch out of register from its navy keyline, the way a two-colour screen print does when the squeegee is pulled once, hard and fast. Effortlessly stylish, icy-cool.
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Original Prompt
persona 5 art style, persona 5 promotional artwork, stylish Japanese graphic design, editorial magazine cover, graphic design illustration, 2D anime illustration, cel shading, crisp flat colors, bold black outlines, limited color palette, high contrast color blocking, vivid cyan, deep navy blue, pure white, vivid red accents, 1girl, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, stylish modern Japanese fashion, waist-up character illustration, character integrated into graphic layout, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, dynamic typographic hierarchy, diagonal text arrangement, overlapping text and character, geometric shapes, angular polygons, thick graphic lines, abstract blue shapes, cutout composition, layered flat shapes, asymmetric editorial layout, extreme scale contrast, negative space, screen print aesthetic, vector-like graphic elements, sharp edges, flat graphic shadows, minimal gradients, magazine art direction, bold visual rhythm, experimental typography, contemporary Japanese editorial design, iconic game key visual, stylish youth culture magazine, poster composition, clean graphic layout, striking silhouette, masterpiece
Mode
pro
Quality Tag
﹝Prompts﹞
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1888 x 1056
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Avatar image of hitdress
copyright: persona, persona_5 1girl, solo, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, waist-up, cowboy shot, from below, three-quarter view, looking to the side, head tilt, screen print aesthetic, cel shading, crisp flat colors, bold black outlines, flat graphic shadows, minimal gradients, limited color palette, vivid cyan, deep navy blue, pure white, vivid red accents, high contrast color blocking, layered flat shapes, angular polygons, abstract blue shapes, cutout composition, geometric shapes, thick graphic lines, vector-like graphic elements, sharp edges, asymmetric editorial layout, magazine cover layout, poster composition, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, diagonal text arrangement, overlapping text and character, extreme scale contrast, negative space, striking silhouette, typographic hierarchy. Waist-up, shot from slightly below, the girl is turned three-quarters away from the frame and caught mid-turn back toward the lens: her right shoulder drops toward the camera, her chin is tilted down and swung over that shoulder, and her gaze slides off to camera-left instead of meeting the viewer, so only one bright turquoise eye is fully lit and the other sits in flat navy shadow. Her short midnight blue hair is tousled, one cowlick flicking up at the crown while the sharp side bangs cut a clean diagonal across her brow; the windless graphic air leaves it weightless, a hard-edged mass in navy with a single white specular streak. Her mouth is a flat, closed, unimpressed line, one brow faintly arched -- cool, not hostile. Both hands are shoved into her jacket pockets, so the black school uniform jacket pulls taut across her shoulders and the cuffs ride up her wrists; beneath it the white collared shirt shows a crisp pointed collar standing open, and the red ribbon is tied in a neat angular knot at her throat, its two short tails hanging over the white. Nothing else is on her -- bare earlobes, hair completely unadorned. The figure is cut out and pasted into an editorial layout rather than standing in a room. Behind her, flat navy field built up in stacked layers: a huge vivid cyan triangle rises from the lower left past her elbow, a thin white slab cuts horizontally behind her collarbone, and a cluster of small angular polygons and a dotted halftone square drift toward the upper right -- all flat, no depth, no atmosphere. A sliver of white ground shows through where her silhouette has been trimmed a hair too tight, so the cyan polygon reads as a paper cutout an eighth of an inch inboard of her outline. The lighting is a poster's, not a room's: hard flat light from upper right lays a single solid navy shadow-shape along the left of her jaw, her neck and the left half of the shirt, with no gradient inside it, and a crisp white rim separates her dark shoulder from the dark field. Palette is closed -- vivid cyan, deep navy, pure white and the red of the ribbon alone; the turquoise of her irises is the only other colour admitted. Typography does the layout work. A massive white uppercase word is cropped off both edges of the sheet and runs clean across the top third, overlapping her hair, its counters showing slivers of navy beneath; a second line of smaller stacked uppercase white letters runs diagonally down the right margin from top to bottom, tilted on the same axis as her shoulder; the magazine's masthead sits huge across the very top edge, half cut off, with a small white coverline block low on the left above her elbow and a fine rule of illegible micro-credit text at the bottom edge. The cyan shape prints a touch out of register from its navy keyline, the way a two-colour screen print does when the squeegee is pulled once, hard and fast. Effortlessly stylish, icy-cool.
hitdress
AI artwork
Avatar image of hitdress
copyright: persona, persona_5 1girl, solo, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, waist-up, cowboy shot, from below, three-quarter view, looking to the side, head tilt, screen print aesthetic, cel shading, crisp flat colors, bold black outlines, flat graphic shadows, minimal gradients, limited color palette, vivid cyan, deep navy blue, pure white, vivid red accents, high contrast color blocking, layered flat shapes, angular polygons, abstract blue shapes, cutout composition, geometric shapes, thick graphic lines, vector-like graphic elements, sharp edges, asymmetric editorial layout, magazine cover layout, poster composition, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, diagonal text arrangement, overlapping text and character, extreme scale contrast, negative space, striking silhouette, typographic hierarchy. Waist-up, shot from slightly below, the girl is turned three-quarters away from the frame and caught mid-turn back toward the lens: her right shoulder drops toward the camera, her chin is tilted down and swung over that shoulder, and her gaze slides off to camera-left instead of meeting the viewer, so only one bright turquoise eye is fully lit and the other sits in flat navy shadow. Her short midnight blue hair is tousled, one cowlick flicking up at the crown while the sharp side bangs cut a clean diagonal across her brow; the windless graphic air leaves it weightless, a hard-edged mass in navy with a single white specular streak. Her mouth is a flat, closed, unimpressed line, one brow faintly arched -- cool, not hostile. Both hands are shoved into her jacket pockets, so the black school uniform jacket pulls taut across her shoulders and the cuffs ride up her wrists; beneath it the white collared shirt shows a crisp pointed collar standing open, and the red ribbon is tied in a neat angular knot at her throat, its two short tails hanging over the white. Nothing else is on her -- bare earlobes, hair completely unadorned. The figure is cut out and pasted into an editorial layout rather than standing in a room. Behind her, flat navy field built up in stacked layers: a huge vivid cyan triangle rises from the lower left past her elbow, a thin white slab cuts horizontally behind her collarbone, and a cluster of small angular polygons and a dotted halftone square drift toward the upper right -- all flat, no depth, no atmosphere. A sliver of white ground shows through where her silhouette has been trimmed a hair too tight, so the cyan polygon reads as a paper cutout an eighth of an inch inboard of her outline. The lighting is a poster's, not a room's: hard flat light from upper right lays a single solid navy shadow-shape along the left of her jaw, her neck and the left half of the shirt, with no gradient inside it, and a crisp white rim separates her dark shoulder from the dark field. Palette is closed -- vivid cyan, deep navy, pure white and the red of the ribbon alone; the turquoise of her irises is the only other colour admitted. Typography does the layout work. A massive white uppercase word is cropped off both edges of the sheet and runs clean across the top third, overlapping her hair, its counters showing slivers of navy beneath; a second line of smaller stacked uppercase white letters runs diagonally down the right margin from top to bottom, tilted on the same axis as her shoulder; the magazine's masthead sits huge across the very top edge, half cut off, with a small white coverline block low on the left above her elbow and a fine rule of illegible micro-credit text at the bottom edge. The cyan shape prints a touch out of register from its navy keyline, the way a two-colour screen print does when the squeegee is pulled once, hard and fast. Effortlessly stylish, icy-cool.
hitdress
AI artwork
Avatar image of hitdress
copyright: persona, persona_5 1girl, solo, original anime character, short tousled midnight blue hair, sharp side bangs, bright turquoise eyes, cool expression, black school uniform jacket, white collared shirt, red ribbon, waist-up, cowboy shot, from below, three-quarter view, looking to the side, head tilt, screen print aesthetic, cel shading, crisp flat colors, bold black outlines, flat graphic shadows, minimal gradients, limited color palette, vivid cyan, deep navy blue, pure white, vivid red accents, high contrast color blocking, layered flat shapes, angular polygons, abstract blue shapes, cutout composition, geometric shapes, thick graphic lines, vector-like graphic elements, sharp edges, asymmetric editorial layout, magazine cover layout, poster composition, oversized bold sans serif typography, huge cropped letters, stacked uppercase text, diagonal text arrangement, overlapping text and character, extreme scale contrast, negative space, striking silhouette, typographic hierarchy. Waist-up, shot from slightly below, the girl is turned three-quarters away from the frame and caught mid-turn back toward the lens: her right shoulder drops toward the camera, her chin is tilted down and swung over that shoulder, and her gaze slides off to camera-left instead of meeting the viewer, so only one bright turquoise eye is fully lit and the other sits in flat navy shadow. Her short midnight blue hair is tousled, one cowlick flicking up at the crown while the sharp side bangs cut a clean diagonal across her brow; the windless graphic air leaves it weightless, a hard-edged mass in navy with a single white specular streak. Her mouth is a flat, closed, unimpressed line, one brow faintly arched -- cool, not hostile. Both hands are shoved into her jacket pockets, so the black school uniform jacket pulls taut across her shoulders and the cuffs ride up her wrists; beneath it the white collared shirt shows a crisp pointed collar standing open, and the red ribbon is tied in a neat angular knot at her throat, its two short tails hanging over the white. Nothing else is on her -- bare earlobes, hair completely unadorned. The figure is cut out and pasted into an editorial layout rather than standing in a room. Behind her, flat navy field built up in stacked layers: a huge vivid cyan triangle rises from the lower left past her elbow, a thin white slab cuts horizontally behind her collarbone, and a cluster of small angular polygons and a dotted halftone square drift toward the upper right -- all flat, no depth, no atmosphere. A sliver of white ground shows through where her silhouette has been trimmed a hair too tight, so the cyan polygon reads as a paper cutout an eighth of an inch inboard of her outline. The lighting is a poster's, not a room's: hard flat light from upper right lays a single solid navy shadow-shape along the left of her jaw, her neck and the left half of the shirt, with no gradient inside it, and a crisp white rim separates her dark shoulder from the dark field. Palette is closed -- vivid cyan, deep navy, pure white and the red of the ribbon alone; the turquoise of her irises is the only other colour admitted. Typography does the layout work. A massive white uppercase word is cropped off both edges of the sheet and runs clean across the top third, overlapping her hair, its counters showing slivers of navy beneath; a second line of smaller stacked uppercase white letters runs diagonally down the right margin from top to bottom, tilted on the same axis as her shoulder; the magazine's masthead sits huge across the very top edge, half cut off, with a small white coverline block low on the left above her elbow and a fine rule of illegible micro-credit text at the bottom edge. The cyan shape prints a touch out of register from its navy keyline, the way a two-colour screen print does when the squeegee is pulled once, hard and fast. Effortlessly stylish, icy-cool.
hitdress
AI artwork
Avatar image of hitdress
copyright: persona asymmetrical composition, widescreen composition, vibrant cyan blue background, deep navy blue, black and white palette, vivid turquoise accents, hot pink accents, high contrast, geometric shapes, abstract angular shapes, diagonal lines, sharp edges, abstract patterns, oversized typography, bold sans-serif lettering, condensed typography, layered text elements, overlapping graphic elements, clean vector graphics, flat graphic shapes, cel shading, sharp shadows, crisp lineart, cinematic anime illustration, one girl, solo, dramatic placement, modern Japanese magazine aesthetic, contemporary editorial design, urban aesthetic, black hair, long hair, straight hair, black eyes, school uniform, blazer, white shirt, plaid skirt, thighhighs, from below, dutch angle, cowboy shot, looking at viewer, confident smirk, hand on hip, male silhouette in background, from behind Widescreen cinematic anime key visual in the register of a modern Japanese game magazine spread, tilted low dutch angle, the frame dominated edge to edge by a saturated vibrant cyan blue field. A single girl with long straight black hair and black eyes stands off-centre to the right of frame, drawn in crisp lineart and flat cel shading, her school blazer rendered in deep navy blue over a white shirt, black plaid skirt and black thighhighs, each shape cut with sharp edges and one hard-edged black cast shadow thrown to her left by a light source high in the upper left. She is caught mid-turn with her weight on her back left leg, her right hip pushed out, right hand planted flat on her hip with fingers spread, her chin lifted and one brow arched, a confident smirk as her eyes look straight into the lens; her hair swings out to the left of her shoulder from the spin. Behind her, in the middle distance at a smaller scale, the flat black silhouette of a tall young man in a long coat stands with his back to the camera, shoulders squared, hands buried in his pockets, and the figure crosses in front of part of her swinging hair so that the hair disappears behind his shoulder and reappears on the other side. The background is architecture stripped to flat vector geometry: deep navy blue rectangular slabs stacked and overlapped at diagonal angles, a wedge of black, a band of white running on a true diagonal from lower left to upper right. Turquoise accents appear only as thin outlines on two of the angular shapes and as a reflective sheen along the blazer's lit shoulder; hot pink appears in exactly three places, one small rectangle behind her elbow, the two accent stripes on her shoe soles, and the dot of the "i" in the largest lettering. A row of oversized condensed bold sans-serif white letters runs along the lower left corner, so large that they are cropped by the frame and read only as partial letterforms, and behind the girl's shoulder a second layer of deep navy text at a smaller scale overlaps the first; both are the abstract display lettering of the design, set in clean flat vector type with hard edges, and they sit beneath a thin turquoise rule line. The white plaid lines of her skirt curve with the fabric; the large lettering tilts with the dutch angle rather than lying flat. Colour discipline: cyan, deep navy, black, white, with turquoise and hot pink admitted only in the places named. A single hard specular streak runs down the white shirt where it catches the high light, and the navy blazer goes almost black in its own shadow. Effortlessly stylish, ultra-modern.
hitdress
#Persona

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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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