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AI artwork featuring #Original and #Pixel art
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Pixel art

#Original#Pixel art
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Convert image1 into a retro pixel art style, characterized by visible square pixels, sharp aliased edges, flat blocky shading, and a limited color palette, while keeping image1's composition — the fox-eared girl with a fluffy tail, wearing a green floral kimono and geta sandals, standing with one leg lifted while winking and holding an open red paper umbrella — and the plain white background unchanged.
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Original Prompt
@image1 キャラクターをドット絵にする。
Mode
flash
Size
1088 x 1824
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Model & LoRA used

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AI artwork
Avatar image of NK
A full-body super deformed chibi illustration of the character from image1 against a plain white background. She has fluffy blonde hair, animal ears, a fluffy tail, and is winking with one green eye visible. She is wearing the same dark green floral kimono, patterned obi, and wooden geta as image1. Her pose is identical to image1, standing on her right leg with her left foot lifted behind her, her right hand resting on her chest, and her left hand holding up a red wagasa umbrella. The style is changed to a super deformed chibi art style with an oversized head, small body, and cute, rounded features.
NK
AI artwork
Avatar image of NK
1girl, solo, fluffy dog ears, fluffy dog tail, soft fluffy light brown hair, medium hair, green eyes, large breasts, dark green kimono, sheer see-through shoulders, bougainvillea decoration, red pink white orange yellow flowers, gold paint, gold foil stamping, japanese embroidery, zentangle pattern, red orange yellow spiral patterns, passionflower motif, obi, wave pattern line art, light brown and white obi, safflower decoration, vermilion lacquered geta, gold wave motifs on geta, holding wagasa, vermilion wagasa, gold decorated umbrella, white background, full body, from below, standing on one leg, head tilt, looking at viewer, light smile, one eye closed, tail wagging, arm up, dutch angle, simple background, no background elements, A girl seen from a low three-quarter angle, the camera slightly below her hip line and tilted a few degrees so her vertical axis runs off-plumb and the umbrella's shaft cuts a long diagonal across the empty white field. She stands balanced on her right geta alone, the left leg lifted and bent back at the knee so the left geta hangs behind her calf, its lacquered sole catching a thin highlight; her weight drives through the right hip, the right shoulder dropping in answer, torso twisted a half-turn toward the lens. Her left arm is raised high and the vermilion wagasa rests across the open palm and curled fingers at shoulder height, canopy tipped back so its underside of gold wave motifs faces the camera in a shallow dome; her right hand sits flat against her own collarbone, fingers spread over the sheer shoulder panel, pushing the dark green silk slightly askew so the transparent fabric there shows the skin beneath and the embroidered bougainvillea behind it in two overlapping planes. Her head tips toward her raised hand, right ear perked upright and left ear flopped forward over her brow, both edges fuzzed with fine fur lit from the front; her fluffy light brown medium hair breaks into soft clumps around the ears and lifts at the ends as if caught mid-motion, one strand flicking across her cheek. She looks straight into the lens with her left eye wide and green, the right eye squeezed shut in a wink, mouth pulled into a small closed-lip smile with one corner higher, cheeks faintly warmed. A large fluffy tail curls out from behind her right hip, sweeping forward in a loose arc that ends level with her thigh, the fur separating into visible tufts at the tip where the pose's momentum has thrown it. The kimono is dense with ornament: bougainvillea in saturated red, pink, white, orange and yellow clustered over the whole dark green ground, their papery bracts picked out by raised gold foil stamping and Japanese embroidery whose metallic thread ridges catch the light on each petal edge; between the flowers run zentangle bands of red, orange and yellow line work whose spirals turn tighter as the curve travels toward her waist, one large passionflower drawn out in that spiral idiom across the left sleeve. The obi at her waist is a light brown and white wave-patterned line-art band, its crests rolling horizontally, with safflower blooms laid over the waves in small repeated groups; the obi's knot sits at her back, visible as a shape behind her right hip where the twist of her torso has brought it round. The geta on her supporting foot are vermilion lacquer so glossy the studio white reflects in a hard bright patch along the sole's edge, their thongs disappearing between her toes, and the gold wave motifs on the platform flash where the light rakes across them. The wagasa's vermilion paper is taut between its bamboo ribs, gold wave painting riding over the curve of each panel, and the thin gold-and-red handle passes through her fingers. One frontal studio light, cool and even, no second source; its presence reads only through soft contact shadows pooled under the supporting geta and a pale shadow of her lifted leg on the white floor, and through the gold threads and lacquer throwing brighter specular hits than the matte silk. The background is a completely empty white field with no horizon, no floor line, no props; she and the umbrella are the only shapes in it. Palette restricted to the deep green kimono ground, the warm red-pink-orange-yellow of the flower and spiral work, the metallic gold, her light brown hair and the white void. Playful, cleanly graphic.
NK
AI artwork
Avatar image of NK
1girl, solo, fluffy dog ears, fluffy dog tail, light brown hair, medium hair, green eyes, large breasts, dark green kimono, sheer see-through fabric on shoulders, bougainvillea print, floral print, red flowers, pink flowers, white flowers, orange flowers, yellow flowers, gold paint detailing, gold foil, japanese embroidery, zentangle, spiral pattern, passionflower motif, obi, wave pattern, safflower motif, geta, vermilion lacquered geta, gold wave motif, holding wagasa, vermilion wagasa, gold decoration, white background, full body, from below, standing on one leg, looking up, light smile, wind, floating hair, dynamic angle, Seen from a low camera placed near the floor, the girl rises against a pure white seamless void with no horizon line, no floor plane and no cast environment beyond a soft contact shadow tucked under her geta; the low angle lengthens her from the soles of her red-lacquered geta to the tips of her fluffy dog ears. She balances on her right geta with the left foot lifted and tucked slightly behind the right ankle, toes pointed, the raised wooden tooth of the left sandal catching the light; her weight rides through the right hip so her torso tilts in a gentle counter-curve, chest pushed forward and the dark green silk of the kimono drawn taut across her large breasts. Her right hand grips the bamboo shaft of the vermilion wagasa at shoulder height, fingers wrapped around the ribbed handle, the umbrella canopy open and tilted back over her head so its underside of red lacquer and gold wave motifs arcs above her and its ribs radiate outward; her left arm hangs loose with the sleeve swinging free, fingertips barely brushing the air. Her head is tipped back, chin lifted, green eyes looking up along the shaft of the umbrella and past its paper rim toward the white nothing above; her mouth curves into a faint closed-lip smile, one eyebrow faintly raised, a fresh open curiosity rather than a pose for the lens. The fluffy light brown medium-length hair is stirred by a wind that also lifts the hem of her kimono: strands sweep sideways across her cheek and the blunt ends of the medium cut flick outward, while her two soft dog ears flop and bounce against that gust, and her fluffy tail swings up behind her hip, its plume splayed by the same gust. The dark green kimono is a full tapestry: sheer gauze panels at both shoulders let the white light pass through so the fabric floats translucent over her skin, and below them the whole garment is encrusted with bougainvillea in red, pink, white, orange and yellow, each papery bract stitched in Japanese silk thread and edged with gold foil and painted gold leaf that catches highlights; between the blossoms, zentangle line-art in red, orange and yellow coils into dynamic spirals and opens into passionflower motifs with their filaments drawn as fine radiating curls. The obi cinches her waist in light brown and white bands of continuous wave-pattern line art, small safflower rosettes scattered along the crests of the waves. The wagasa's red lacquer canopy shows gold-painted wave motifs running over each rib; light passes through the paper so the ribs read darker against it, and the gold leaf on the outside glints only along the upper curve, a single-variable truth of a translucent surface lit from behind and above. On her feet, the vermilion lacquered geta shine with the same gold wave decoration across their platforms and thongs, one sandal planted, the other lifted with its tooth clear of the ground. The palette is held to dark green, vermilion red, light brown, white and the warm gold of the foil, with the bougainvillea's five colours breaking through as accents. Bright, ornate, buoyant.
NK

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