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AI art "シンプルな男性" featuring #Male, #Final Fantasy, #Jeans, #Boy, #full body and #black shirt

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シンプルな男性

#Male #Final Fantasy #Jeans #Boy #full body #black shirt

Published on Oct 27, 2026

マスク丸

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1boy, solo, male character, full body, 7 heads tall, 175cm tall, slim athletic build, short hair, center part, hair falling at the sides, dark brown hair, black slim-fit short-sleeved t-shirt, black t-shirt, short sleeves, indigo blue skinny jeans, slim legs, black running shoes, black soles, natural standing pose, arms at sides, arms down, hands relaxed, standing straight, front view, slightly angled from the front, three-quarter view, cel shading, hard shadow edges, plain white background, empty white background, studio lighting, looking at viewer, calm expression, light smile A single male figure stands full-body against a completely empty, seamless white field -- no floor line, no horizon, no props -- the paper-white ground running unbroken to all four edges of the tall 9:16 frame, the figure centred and standing on the invisible ground plane with his black soles flattened along the bottom third of the image. The camera is near eye level but rotated a little off the frontal axis, so his torso faces the lens while his left shoulder sits marginally further back than his right, giving a slight three-quarter read: the left side of his chest and the left arm are seen a touch in profile, the right side square to the viewer. He stands at 175cm with a 7-heads proportion, the head compact, the shoulders narrow but squared, the waist and hips slim in an athletic, low-body-fat way -- flat chest planes, a lean taper from ribs to hip rather than bulk. His weight rests mostly on the right leg, that leg straight and vertical under the hip, while the left knee is very slightly unlocked and the left foot set a hand's width out from the body, so the hips tip a few degrees and the hem of the t-shirt pulls subtly across one hip. Both arms hang down along the outside of the body, clear of the torso, elbows nearly straight with only a faint inward bend, wrists loose, fingers curled naturally and relaxed with the thumbs forward; on the side turned slightly away, the arm passes just in front of the jeans' seam, and the gap of white background shows cleanly between arm and waist on both sides. His chin is level, head straight on the centre part, and his gaze goes directly at the viewer, calm and level, with a faint closed-lip smile that lifts one corner a hair more than the other. The hair is short and dark brown, split cleanly by a centre part down the middle of the scalp, the crown strands lying flat and combed away to either side, and at the temples and in front of the ears the side strands hang down in short, slightly tapered locks that reach toward the jaw and fall forward of the ear line; a few fine strands sit loose over the forehead, away from the part. The t-shirt is a slim-fit black short-sleeved tee, the collar a snug crew band sitting on the collarbones, the sleeves capping the upper arm a third of the way down the biceps and hugging the deltoid, the fabric clinging at the chest and drawn in at the waist, breaking into a few taut diagonal creases at the armpit and across the lower abdomen where the torso turns. The indigo blue skinny jeans are deep, slightly desaturated blue, cut tight the whole leg and stacking into a short crumple above each ankle; the denim shows pale whisker-fade across the front of the thighs and lighter abrasion down the shin, with the vertical outseam running straight down the visible leg. The running shoes are matte black uppers with mesh texture, black laces tied, a low athletic collar at the ankle, and the soles are black too -- a rubber midsole and outsole in the same black, edge-lit only by a thin grey rim where the sole meets the floor, threaded with a faint tread groove. The light is a single, soft but directional studio key from the upper front-left, and the cel shading is fully committed: each form is cut into a lit plane and a shadow plane with a hard, crisp boundary between them, no soft gradient. Bright planes sit on the left cheek, the left side of the nose, the left shoulder cap and the forward thigh; hard shadow shapes fall across the right side of the face, deep under the jaw and throat, along the right side of the torso, inside the left arm, and in a sharp wedge between the legs; the t-shirt's shadows read as flat near-black rather than glossy, the jeans' shadows as a much darker indigo than the lit blue, and the hair carries a broad bright band across the crown with a hard-edged shadow band beneath the side strands. Contact shadow is a small dense pool directly under each sole, tight to the shoe and fading quickly to nothing on the white -- no long cast shadow, no environmental bounce. Palette is closed: black, indigo blue, warm skin tone, dark brown hair, and the paper white ground, nothing else admitted. Moody only in restraint -- clean, quietly athletic.

シンプルな男性

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