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Tatsu Yuikane

Contest Entry

PixAI × zeta Original Character Creation Contest 2026 #zetaCollab

Published on Oct 27, 2026

Tatsu Yuikane

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artist: kanikama 1girl, solo, red eyes, white hair, white eyelashes, single hairbun, side bangs, exposed forehead, hair antenna, (oppai_Loli:1.5), (toddler_body:1.2), (baby_body:1.2), (shortstack:1.5), gigantic breasts, small hands, small feet, wide hips, thick legs, squared glasses, serious expression, expressionless, beauty mole under left eye, elf ears, fairy wings, black and dark purple fairy wings with gradient to red, white shirt, black vest, black pants, butler outfit, nipples visible through clothing, breasts pushup, nipples, puffy nipples, large nipples, chibi, crossed legs, sitting, looking at viewer, oversized office chair, swivel chair with wheeled base and armrests, hands folded in lap, elbows in, knees crossed, detailed face, detailed background, from below, cowboy shot, half-closed eyes, blunt gaze Seen from a low camera placed just above the seat cushion, the chibi girl sits dwarfed inside the oversized office chair, her tiny toddler-proportioned body swallowed by the black leather backrest that rises well above her hairbun — a shortstack build with wide hips spreading on the cushion, thick legs crossed at the knee so the upper thigh presses plump against the lower, small feet in black shoes dangling clear of the floor, one ankle hooked behind the other. Both small hands fold together in her lap, fingers laced, wrists resting on the crossed knee; the sleeves of the white shirt are rolled to the elbow so her forearms show bare and short. Her head is lifted to meet the lens dead-on: exposed forehead broad and pale under the white side bangs that frame it, one hair antenna springing up and curling forward at the crown, white eyelashes lowered a half-lid over flat red eyes that give back nothing — mouth a straight closed line, one brow level, the beauty mole a single dark point under the left eye below the rim of the squared glasses whose lenses catch a thin vertical reflection. Pointed elf ears push through the white hair at both temples. Behind the chair's shoulders, her fairy wings spread wide — black at the root, deepening through dark purple across the mid-panel and bleeding into red at the frayed, translucent tips, the gradient running cleanly along each vein, edges thin as stained glass. The butler vest is buttoned tight over a white shirt strained by the pushed-up bust, the black fabric pulled into taut diagonals across the chest so the nipples stand out as distinct raised points through cloth and shirt together, puffy and large, haloing the strained buttons. Black pants run smooth over the thick thighs. The chair's black leather backrest and padded armrests occupy the middle ground, a chrome gas cylinder and five-wheeled base visible beneath the seat, and beyond the chair a dim study stretches back — dark wood shelving in soft focus, a shaded desk lamp off to the right, books and a glass paperweight catching chill highlights. Cool, low-key light comes from a single tall window high at the left, raking down across the white hair, the left lens of the glasses and the left wingtip, so the right side of her face falls into a soft grey shadow and the mole sits in half-light; a faint rim of red glows along the wing edges where the window grazes them. Palette held to white, black, deep purple and the red in her eyes and wingtips, with the room's brown shadow behind. Clean digital art with soft, smooth shading and a polished, modern illustration finish. Still, unreadable, quietly imposing.

Tatsu Yuikane

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