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AI art "おまえら行くぞ〜" featuring #The Idolmaster, #The Idolmaster Cinderella Girls, #Gakuen Idolmaster, #Saki Hanami, #Temari Tsukimura and #Kotone Fujita

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おまえら行くぞ〜

#The Idolmaster #The Idolmaster Cinderella Girls #Gakuen Idolmaster #Saki Hanami #Temari Tsukimura #Kotone Fujita

Published on Oct 27, 2026

山本

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character: fujita_kotone, tsukimura_temari, hanami_saki 3 girls, fujita kotone, tsukimura temari, hanami saki, little devil costume, horns, tail, hallway, corridor, school hallway, corner, leaning out from corner, jumping out, surprise attack, startled, wide-eyed, open mouth, scared, arms up in shock, hiding, hiding behind corner, peeking around corner, embarrassed, blush, blank stare, expressionless, looking away, not looking at another, deadpan, fang, blonde hair, twin braids, hair ribbon, yellow eyes, green hair, long hair, hair flaps, green eyes, brown hair, hair bun, blue eyes, dutch angle, from side, cowboy shot, three-quarter view, dramatic perspective, corridor perspective, fluorescent lighting, cold overhead light, tension, comedic timing Dutch-tilted side view down a school corridor, the camera low and canted so the long row of classroom doors and ceiling lights runs diagonally into depth. In the near-left foreground, Fujita Kotone bursts out around the corner of the corridor wall, caught mid-lunge: her weight thrown forward onto her front foot, one hand still flat on the corner's edge, the other flung out at Saki; her blonde twin braids swing outward and up behind her shoulders from the momentum, the ribbon ends trailing, her yellow eyes wide and fixed on Saki, a small fang showing in a sharp open grin — her little devil costume's tail whipping sideways around her hip, horns catching the ceiling light. Saki stands a half-step back from her in the midground, body recoiling backward with her shoulders up and her chin pulled in, blue eyes blown wide, mouth open on a caught breath, one hand lifted at her chest — she is turned toward Kotone but her head has twisted away to the far side, eyes sliding off Kotone toward the right of the frame rather than meeting her. Behind them, at the right of the composition, Tsukimura Temari presses herself flat into the recess of the corner wall, half behind the doorframe: her very long green hair falls forward over her shoulder and hides the side of her face, her hands grip the frame's edge at chest height, her body curled small and turned away from the corridor; her face is perfectly blank — mouth flat, lids heavy, deadpan stare aimed off to the side, past Kotone entirely, never at her — while a hot blush still burns high on her cheeks and the tips of her ears, and her little devil horns and tail poke out above the doorframe and past her hip. The three read in depth: Kotone nearest and largest, Saki recoiling across the middle of the frame, Temari compressed into the right edge. Cold white fluorescent tubes run the length of the ceiling and repeat down the corridor, throwing pooled light on the polished floor and stacking each figure's shadow long and soft toward the lower left; the floor reflects a dull elongation of the light strips, brightest right under each tube and darkening toward the wall base. Corridor palette: pale green-grey walls, cold white light, the three costumes' deep red and black cutting against them. Comedic timing, awkward tension.

おまえら行くぞ〜

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