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AI art "巨大LEDビジョンと朗読劇" featuring #solo, #Coat and #Shirt
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巨大LEDビジョンと朗読劇

#solo#Coat#Shirt
Avatar image of mochokoi

mochokoi

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A photorealistic knee-up editorial portrait of a 20-year-old Japanese woman named Yuno, captured from a front-facing, eye-level angle. Yuno has a balanced oval face, naturally arched eyebrows, and deep-set dark-brown eyes with an intelligent, neutral gaze. Her medium-length wavy chestnut-brown hair with a light fringe falls naturally around her shoulders. She wears a white fitted cotton shirt tucked into dark-grey wide-leg trousers, layered with a light-grey matte wool-blend mid-length coat worn open. She stands still on a pale stone promenade, holding a plain cloth-bound paper book with both hands at waist height, her fingers relaxed and visible. Behind her, a large digital-art wall displays abstract, slow-moving streams of soft blue-white light, while the distant waterfront and cloudy sky are softly blurred. The lighting is a diffused overcast morning glow, creating soft natural shadows on her skin and a faint cool rim light on her hair and coat. The image features an 85mm lens look with a shallow depth of field, rendering fine skin pores, individual hair strands, and realistic fabric tension with extreme precision.
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Original Prompt
OBJECTIVE Knee-up editorial shot, 85mm lens look, vertical 4:5. Photorealistic fashion editorial portrait of one distinct adult Japanese woman, Yuno (Sase Yuno), solo. Yuno is a fictional Japanese idol, 20 years old and an adult. A weekday morning on a waterfront promenade: she stands before a large public digital-art wall whose surface carries slow, abstract streams of light, holding one paper book in both hands — the most human object in the frame. The mood is calm and intelligent: not replaced by AI, not amazed by it, simply reading beside it. The scene, fashion, camera and story may change; Yuno does not. Never redesign her face and never substitute a generic AI beauty face. IDENTITY — YUNO (fidelity mitigation v2) Use the attached Yuno01.png as her exclusive identity anchor (the face visual sheet supports angles/expressions, and the attached studio frontal close-up supports close identity detail; the primary governs frontal structure). Preserve: a balanced, longer oval face with a smooth forehead-to-chin flow, a gently tapered jaw and a softly defined chin — her face must NOT be slimmed, narrowed, sharpened or made smaller-eyed, and must NOT be rounded, shortened, widened or softened either: no added cheek volume, no rounder jaw curve, no fuller lower face than her reference; clearly defined, naturally arched eyebrows with real presence above her eyes; deep-set, clearly defined dark-brown eyes with a defined double-eyelid line and a crisp lash line, and a sharp yet gentle, intelligent gaze — her expression must NOT go muted, sleepy or unfocused; a straight, well-defined nose bridge with a refined, slightly narrower tip; full, well-defined lips in a saturated rosy pink with a natural glossy sheen, at her reference's natural mouth width — her lips must NOT go pale, matte, thin or muted; light, fair skin with natural texture; medium-length wavy chestnut-brown hair with soft volume, loose waves and light fringe. No facial redesign, no generic AI beauty-face substitution, and no trait borrowed from Lumina. Default expression: neutral with lips gently together — she does not smile by default; any smile must be specified explicitly in the brief. BODY LINE (shared setting, §5 three-block assembly, CCAL2 step-2 level) Preserve her established body proportions and silhouette: balanced, realistic proportions throughout; soft, smooth skin with natural texture and subtle tonal variation; a graceful, continuous curve from her waist to her hips, maintained across outfits, poses, angles and scenes, with natural variation from pose and lighting only, and no artificial exaggeration. Give her the shared approved body-line setting: a beautifully full, softly rounded bustline — a rich, attractive, feminine fullness with a smooth, generously rounded silhouette, shaped and supported elegantly by the garment's fit, with realistic fabric tension that follows the curve without distorting surface detail; the fuller rounded line set against a clearly defined, narrower waist. Carry the chest simply: one plain, continuous garment surface over the bust, with no cup-style seam panels across the bust and no ruching or gathering sculpting the chest; the fullness is expressed through the precisely fitted silhouette, smooth drape and fabric tension against the defined waist. Garment interaction (layered / outerwear): her mid-length coat is worn open at the front over the precisely fitted white shirt named in the wardrobe construction below, the shirt tucked into the trousers' high waistband, so the shared body line is carried by the fitted shirt and the defined waist at the tuck; the coat's own weight and open front edges follow gravity naturally, and its fabric behaviour is specified in the wardrobe construction. Established proportions are preserved without exaggeration. CAST, POSITION AND ACTION (frame terms) Vertical portrait frame, solo, framed from the top of her head to just below her knees. Yuno stands on the waterfront promenade, torso facing the camera squarely with her face near-frontal, no head turn and no head tilt, her sharp-yet-gentle gaze meeting the camera, rosy lips together, unsmiling. She holds one closed paper book with BOTH hands at waist height in front of her: both hands support the book from below and at its sides, fingers relaxed and fully visible, nothing floating. Her posture is upright and still, a reader paused between pages. No other person in the frame. WARDROBE — YUNO (Design → Construction → Material → Behavior) Design: a light-grey minimal mid-length coat worn open, over a white fitted shirt and dark-grey wide trousers, with loafers — a quiet, intelligent morning outfit. Construction: the coat has clean, unadorned lapels and a single-breasted open front falling straight to mid-thigh; the white shirt is precisely fitted with a plain, continuous surface over the bust, its hem tucked into the trousers' high waistband so her waist is defined at the tuck; the trousers fall in wide, straight legs. Material: a smooth matte wool-blend coat cloth; a fine cotton shirt fabric; a smooth woven trouser fabric; the book is a plain cloth-bound paper book with no title, no lettering and no cover art. Behavior: the coat hangs with natural weight, its open edges resting still in the calm morning air; the fitted shirt follows her contours with even tension; the trousers' wide folds hang vertically; the book sits with real weight in both hands, its edges catching the morning light. HAIR AND EXPRESSION (scene styling only — identity hair unchanged) Her medium wavy chestnut hair worn loose with its natural waves and light fringe as in her reference, tidy in the calm air. Expression: her default neutral — defined brows, sharp-yet-gentle direct gaze, rosy glossy lips together, no smile. ENVIRONMENT (space, foreground to background) Foreground: the promenade's pale paving under her feet, with her soft contact shadow consistent with the overcast morning light. Midground, a few metres behind her: the large digital-art wall, spanning the background width — its surface carries slow, abstract streams of soft blue-white light, like water made of light; the streams are pure light patterns with no letters, no logos, no faces and no readable shapes. Background: at the frame's edges beyond the wall, the waterfront itself — calm bay water and a pale cloudy sky, softly out of focus. No other people, no signage, no readable text anywhere. LIGHTING (by role, one consistent scheme) Key: soft, diffused overcast morning light from above and frame-left, modelling her face and the coat's clean lines with soft natural shadows, keeping her skin's colour neutral and true. Practical/reflected: the art wall's glow returns a faint cool sheen along the edge of her coat and the rim of her hair from behind — kept off her face, so the light motif reads on fabric and hair, not on skin. Fill: the pale promenade's ambient bounce keeping shadow detail open. One calm morning colour story: neutral subject, cool glowing background. FINISH — PHOTOREAL TEXTURE & OPTICS Skin: photorealistic skin texture with fine pore detail and a natural subsurface warmth where the light passes at her ears; subtle natural imperfections only where her own reference shows them; never plastic, never airbrushed, never waxy. Eyes: highly detailed irises with natural catchlights from the pale morning sky. Hair: individually rendered strands, with fine wisps catching the light at the edges; no helmet-like hair mass. Optics: cinematic depth of field — the art wall and waterfront softened with organic bokeh while she stays tack-sharp; she is lit by the same light as her environment. INTEGRATION One photographic environment: consistent perspective, scale, light direction, reflections and shadows across Yuno, the book, the promenade and the art wall; her contact shadow on the paving agrees with the overcast key; the wall's cool rim on her coat and hair agrees with its position behind her; nothing looks pasted on. CAMERA AND FRAMING Vertical 4:5 portrait. Knee-up framing: Yuno visible from the top of her head (about 5% headroom) to just below her knees, the book and both of her hands fully inside the lower frame, her head occupying roughly 24–27% of the frame height so facial identity reads clearly. 85mm lens look, camera at her eye level. Clear margins at both edges — do not crop her hair, hands or the book. Photorealistic editorial finish: natural skin texture, realistic fabric behaviour, shallow depth of field on the background only. NEGATIVES No facial redesign, no generic beauty-face substitution, no trait borrowed from Lumina. No additional people. No smile, no parted lips, no teeth. No profile turn, no head tilt. No letters, numbers or logos anywhere — including on the book cover and the art wall; no text, no watermark. No merged or extra fingers, no ghost limbs, no floating book. No cup-style seam panels or ruching over the bust. No plastic skin, no airbrushed or waxy skin, no 3D-render look, no oversaturated colour. No change to her face structure, jaw, lip tone or hair color tone from her own reference.
Mode
lite
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.17k

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