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hi its me

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hi its me

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1boy, solo, young boy, child, short messy white hair, white hair, yellow sticky note covering entire face, yellow paper mask, crudely drawn smiley face in black marker on the note, two dot eyes, simple curved upward smile line, uneven marker strokes, white button-up office shirt, long sleeves, collar, yellow necktie, black pants, tucked-in shirt, from below, cowboy shot, leaning forward, head tilt, hands behind back, looking down at viewer, empty pale background, soft overhead light The camera sits low and looks up at a small boy from below, cowboy shot framing him from mid-thigh to the top of his head, so his narrow shoulders and the knot of his tie sit above the lens and his white hair catches the top of the frame. He leans far forward toward the viewer, weight rocked onto the balls of his feet with his heels just lifting off the ground, hips pushed back, chest angled down, both hands clasped behind his back so his arms pull the white shirt taut across his shoulder blades and drag two soft fold lines from each armpit to the waistband. His head tilts down toward the lens so the flat yellow sticky note that is his whole face angles forward and slightly to his left; the note's top edge sits just under his hairline, its lower edge passes under his chin, and the short messy white strands fall over its upper corners. The crudely drawn black marker smiley sits low on the note, two uneven dot eyes and a single wobbly upward curve that overshoots on the right, the marker slightly bled into the paper's fibers and one stroke doubled where the pen was pressed twice. The yellow tie hangs free of the waistband and swings a little forward away from his chest with his lean, its tip floating clear of the tucked-in white shirt; the black trousers crease sharply at the hips where the shirt is tucked in, and the cuffs bunch over his shoes. The sticky note's lower edge lifts very slightly away from his jaw, the adhesive only holding along the top strip, so the paper bows and its shadow falls on the collar beneath. The light comes from high above and slightly behind the camera, a soft neutral office key that catches the top plane of the sticky note and the top of his white hair while leaving the underside of the note and the hollow of his open collar in gentle shadow; the note casts a small hard shadow across the upper chest and the tie knot. The background is a completely empty pale grey field with no wall detail, no furniture and no other figure, keeping all detail on the boy, the paper face and the shirt's fabric. Palette limited to white, pale grey, black, and the note and tie's single saturated yellow. Quietly unsettling, deadpan playful.
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Original Prompt
a young boy, with white hair, a yellow sticky note for a face, with a smiley face crudely drawn on it, a white button up office shirt, a yellow tie, alongside black pants.
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.47k

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AI artwork
Avatar image of hi its me
1boy, solo, young boy, child, short messy white hair, white hair, yellow sticky note covering entire face, yellow paper mask, crudely drawn smiley face in black marker on the note, two dot eyes, simple curved upward smile line, uneven marker strokes, white button-up office shirt, long sleeves, collar, yellow necktie, black pants, tucked-in shirt, from below, cowboy shot, leaning forward, head tilt, hands behind back, looking down at viewer, empty pale background, soft overhead light The camera sits low and looks up at a small boy from below, cowboy shot framing him from mid-thigh to the top of his head, so his narrow shoulders and the knot of his tie sit above the lens and his white hair catches the top of the frame. He leans far forward toward the viewer, weight rocked onto the balls of his feet with his heels just lifting off the ground, hips pushed back, chest angled down, both hands clasped behind his back so his arms pull the white shirt taut across his shoulder blades and drag two soft fold lines from each armpit to the waistband. His head tilts down toward the lens so the flat yellow sticky note that is his whole face angles forward and slightly to his left; the note's top edge sits just under his hairline, its lower edge passes under his chin, and the short messy white strands fall over its upper corners. The crudely drawn black marker smiley sits low on the note, two uneven dot eyes and a single wobbly upward curve that overshoots on the right, the marker slightly bled into the paper's fibers and one stroke doubled where the pen was pressed twice. The yellow tie hangs free of the waistband and swings a little forward away from his chest with his lean, its tip floating clear of the tucked-in white shirt; the black trousers crease sharply at the hips where the shirt is tucked in, and the cuffs bunch over his shoes. The sticky note's lower edge lifts very slightly away from his jaw, the adhesive only holding along the top strip, so the paper bows and its shadow falls on the collar beneath. The light comes from high above and slightly behind the camera, a soft neutral office key that catches the top plane of the sticky note and the top of his white hair while leaving the underside of the note and the hollow of his open collar in gentle shadow; the note casts a small hard shadow across the upper chest and the tie knot. The background is a completely empty pale grey field with no wall detail, no furniture and no other figure, keeping all detail on the boy, the paper face and the shirt's fabric. Palette limited to white, pale grey, black, and the note and tie's single saturated yellow. Quietly unsettling, deadpan playful.
hi its me
AI artwork
Avatar image of hi its me
1boy, solo, young boy, child, short messy white hair, white hair, yellow sticky note covering entire face, yellow paper mask, crudely drawn smiley face in black marker on the note, two dot eyes, simple curved upward smile line, uneven marker strokes, white button-up office shirt, long sleeves, collar, yellow necktie, black pants, tucked-in shirt, from below, cowboy shot, leaning forward, head tilt, hands behind back, looking down at viewer, empty pale background, soft overhead light The camera sits low and looks up at a small boy from below, cowboy shot framing him from mid-thigh to the top of his head, so his narrow shoulders and the knot of his tie sit above the lens and his white hair catches the top of the frame. He leans far forward toward the viewer, weight rocked onto the balls of his feet with his heels just lifting off the ground, hips pushed back, chest angled down, both hands clasped behind his back so his arms pull the white shirt taut across his shoulder blades and drag two soft fold lines from each armpit to the waistband. His head tilts down toward the lens so the flat yellow sticky note that is his whole face angles forward and slightly to his left; the note's top edge sits just under his hairline, its lower edge passes under his chin, and the short messy white strands fall over its upper corners. The crudely drawn black marker smiley sits low on the note, two uneven dot eyes and a single wobbly upward curve that overshoots on the right, the marker slightly bled into the paper's fibers and one stroke doubled where the pen was pressed twice. The yellow tie hangs free of the waistband and swings a little forward away from his chest with his lean, its tip floating clear of the tucked-in white shirt; the black trousers crease sharply at the hips where the shirt is tucked in, and the cuffs bunch over his shoes. The sticky note's lower edge lifts very slightly away from his jaw, the adhesive only holding along the top strip, so the paper bows and its shadow falls on the collar beneath. The light comes from high above and slightly behind the camera, a soft neutral office key that catches the top plane of the sticky note and the top of his white hair while leaving the underside of the note and the hollow of his open collar in gentle shadow; the note casts a small hard shadow across the upper chest and the tie knot. The background is a completely empty pale grey field with no wall detail, no furniture and no other figure, keeping all detail on the boy, the paper face and the shirt's fabric. Palette limited to white, pale grey, black, and the note and tie's single saturated yellow. Quietly unsettling, deadpan playful.
hi its me
AI artwork
Avatar image of hi its me
1boy, solo, young boy, child, short messy white hair, white hair, yellow sticky note covering entire face, yellow paper mask, crudely drawn smiley face in black marker on the note, two dot eyes, simple curved upward smile line, uneven marker strokes, white button-up office shirt, long sleeves, collar, yellow necktie, black pants, tucked-in shirt, from below, cowboy shot, leaning forward, head tilt, hands behind back, looking down at viewer, empty pale background, soft overhead light The camera sits low and looks up at a small boy from below, cowboy shot framing him from mid-thigh to the top of his head, so his narrow shoulders and the knot of his tie sit above the lens and his white hair catches the top of the frame. He leans far forward toward the viewer, weight rocked onto the balls of his feet with his heels just lifting off the ground, hips pushed back, chest angled down, both hands clasped behind his back so his arms pull the white shirt taut across his shoulder blades and drag two soft fold lines from each armpit to the waistband. His head tilts down toward the lens so the flat yellow sticky note that is his whole face angles forward and slightly to his left; the note's top edge sits just under his hairline, its lower edge passes under his chin, and the short messy white strands fall over its upper corners. The crudely drawn black marker smiley sits low on the note, two uneven dot eyes and a single wobbly upward curve that overshoots on the right, the marker slightly bled into the paper's fibers and one stroke doubled where the pen was pressed twice. The yellow tie hangs free of the waistband and swings a little forward away from his chest with his lean, its tip floating clear of the tucked-in white shirt; the black trousers crease sharply at the hips where the shirt is tucked in, and the cuffs bunch over his shoes. The sticky note's lower edge lifts very slightly away from his jaw, the adhesive only holding along the top strip, so the paper bows and its shadow falls on the collar beneath. The light comes from high above and slightly behind the camera, a soft neutral office key that catches the top plane of the sticky note and the top of his white hair while leaving the underside of the note and the hollow of his open collar in gentle shadow; the note casts a small hard shadow across the upper chest and the tie knot. The background is a completely empty pale grey field with no wall detail, no furniture and no other figure, keeping all detail on the boy, the paper face and the shirt's fabric. Palette limited to white, pale grey, black, and the note and tie's single saturated yellow. Quietly unsettling, deadpan playful.
hi its me

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