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AI art "一期一振 - ナイロンの一般向け発表" featuring #Touken Ranbu and #Ichigo Hitofuri
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一期一振 - ナイロンの一般向け発表

#Touken Ranbu#Ichigo Hitofuri
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character: ichigo_hitofuri puka_hiyo_style, A square 1:1 intimate illustration set in a late-1930s American textile research room, inspired by the public announcement of nylon on October 27, 1938. Ichigo Hitofuri discovers the extraordinary fineness of an early synthetic fiber by examining one small pale skein stretched gently across his hands. The encounter between his curious expression and the real thread is the center of the image. Crop from the top of his head to his lower ribs. His face occupies the upper-right portion; the two hands, skein and near edge of the worktable remain clearly visible below and to the left. The camera is slightly above the table at his front-left, close enough for the shape of both eyes and the fine thread to be read without enlarging his hands. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). His eyebrows lift distinctly with genuine surprise. His narrow lips separate in an almost spoken exclamation, the corners rising in fascinated delight. He looks at a short section of the off-white fiber between his right fingertips and the loop supported by his left hand. His head inclines toward that single point and one shoulder draws forward; the rest of his posture remains steady and considered. The light keeps both visible irises readable. He wears a softly structured slate-blue cotton laboratory smock over a fine ivory shirt. The smock has a short, folded notched collar, with a narrow V-shaped opening from the throat to the upper sternum revealing the shirt's small pointed collar. Below the V, a straight placket fastens with three flat dark buttons toward the visible lower edge; its two front panels overlap cleanly at the closure. A slim gray tie is tucked beneath the smock. Long sleeves finish in plain narrow cuffs, one pushed just above the right wrist and the other folded back once. The right elbow raises a diagonal fan of creases; at the left forearm, the fabric rests softly against the table edge. The matte cotton weave contrasts with the fine silky sheen of the synthetic threads and the dull wooden tabletop. One continuous small skein of pale nylon yarn is laid over his open left palm. Its loop is no wider than his hand and its lower portion is visibly supported by the palm. His right thumb and index finger hold a few strands at the opposite upper edge, making a gently taut diagonal between the hands; the other fingers curve freely alongside the thread. The yarn is made of numerous very fine, nearly parallel off-white filaments with modest silvery highlights rather than light emitted from within. One short loose tail hangs toward the tabletop. At the left edge of the worktable sits a single plain wooden bobbin with a little yarn wound around its central core; it is secondary to the skein in his hands. A short row of dull metal yarn carriers sits along a rear shelf, partly cropped behind his lower shoulder. A shaded inspection lamp above the right side of the worktable sends controlled warm white light across his fingers and the pale nylon. The strands catch narrow highlights, while the cotton smock returns a broad muted reflection. The pale table surface supplies gentle fill to his jaw and the undersides of his hands. A brick wall segment and the metal carriers identify a practical 1930s research room, but the background ends below and beside his head, preserving the near encounter with the fiber. The shadow beneath the skein lies on the supporting palm and table rather than turning the thread into a floating object. masterpiece, best quality
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Original Prompt
A square 1:1 intimate illustration set in a late-1930s American textile research room, inspired by the public announcement of nylon on October 27, 1938. Ichigo Hitofuri discovers the extraordinary fineness of an early synthetic fiber by examining one small pale skein stretched gently across his hands. The encounter between his curious expression and the real thread is the center of the image. Crop from the top of his head to his lower ribs. His face occupies the upper-right portion; the two hands, skein and near edge of the worktable remain clearly visible below and to the left. The camera is slightly above the table at his front-left, close enough for the shape of both eyes and the fine thread to be read without enlarging his hands. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). His eyebrows lift distinctly with genuine surprise. His narrow lips separate in an almost spoken exclamation, the corners rising in fascinated delight. He looks at a short section of the off-white fiber between his right fingertips and the loop supported by his left hand. His head inclines toward that single point and one shoulder draws forward; the rest of his posture remains steady and considered. The light keeps both visible irises readable. He wears a softly structured slate-blue cotton laboratory smock over a fine ivory shirt. The smock has a short, folded notched collar, with a narrow V-shaped opening from the throat to the upper sternum revealing the shirt's small pointed collar. Below the V, a straight placket fastens with three flat dark buttons toward the visible lower edge; its two front panels overlap cleanly at the closure. A slim gray tie is tucked beneath the smock. Long sleeves finish in plain narrow cuffs, one pushed just above the right wrist and the other folded back once. The right elbow raises a diagonal fan of creases; at the left forearm, the fabric rests softly against the table edge. The matte cotton weave contrasts with the fine silky sheen of the synthetic threads and the dull wooden tabletop. One continuous small skein of pale nylon yarn is laid over his open left palm. Its loop is no wider than his hand and its lower portion is visibly supported by the palm. His right thumb and index finger hold a few strands at the opposite upper edge, making a gently taut diagonal between the hands; the other fingers curve freely alongside the thread. The yarn is made of numerous very fine, nearly parallel off-white filaments with modest silvery highlights rather than light emitted from within. One short loose tail hangs toward the tabletop. At the left edge of the worktable sits a single plain wooden bobbin with a little yarn wound around its central core; it is secondary to the skein in his hands. A short row of dull metal yarn carriers sits along a rear shelf, partly cropped behind his lower shoulder. A shaded inspection lamp above the right side of the worktable sends controlled warm white light across his fingers and the pale nylon. The strands catch narrow highlights, while the cotton smock returns a broad muted reflection. The pale table surface supplies gentle fill to his jaw and the undersides of his hands. A brick wall segment and the metal carriers identify a practical 1930s research room, but the background ends below and beside his head, preserving the near encounter with the fiber. The shadow beneath the skein lies on the supporting palm and table rather than turning the thread into a floating object. masterpiece, best quality, puka_hiyo_style
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Style
Cool Softlight
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﹝Prompts﹞
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lowres, worst quality, low quality, bad anatomy, explicit
Style: Cool Softlight
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