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Lee Hunter

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1girl, solo, young woman, long hair, layered hair, two-tone hair, turquoise hair, black hair, hair buns, cat-ear hair buns, two cat-ear buns, scarlet corset, long sleeves, black bow, bow at front of corset, black skirt, ankle-length skirt, long skirt, red frilled hem, white trim, red stockings, black boots, scarlet heels, high heels, standing on one leg, tiptoes, leaning forward, hand on own hip, head tilt, looking at viewer, one eye closed, light smile, from below, cowboy shot, dutch angle The camera sits low and to her left, tilted a few degrees off level, looking up at her in a cowboy shot cut just below the knee: she is caught mid-spin on the ball of her right foot, her left heel lifted off a bare, seamless pale-grey floor, the toe of the raised boot a hand's width above its own faint contact shadow. Her layered turquoise-and-black hair — black through the crown and the short feathered layers at the nape, turquoise through the long streaked lengths — is flung sideways by the turn, the two cat-ear-shaped buns standing up crisp and separate at the top of her head while the loose strands beneath them swing out past her left cheek; the skirt's ankle-length black wool billows back from the spin and snaps taut against her right shin. From this low angle the scarlet corset reads tall and close: long sleeves running tight from shoulder to wrist, the black bow tied at the centre front of the bodice with its two loops slightly unequal, one ribbon tail hanging a little lower than the other, and the laced front seams catching the light along their ridges. Her right hand rests flat on her hip, fingers spread, thumb hooked over the waistband; her left arm is flung out and back for balance, sleeve pulled straight, palm open. The skirt's hem rises with the spin to reveal the red frilled underlayer with its white-trimmed edge flaring in scalloped waves, and below it the red stockings run smooth from the knee down into black boots whose scarlet heels flash as she pivots. She looks straight down into the lens, chin tipped, left eye squeezed shut in a wink, the corner of her mouth pulled up in a small lopsided closed-lip smile, one brow arched. One soft, cool key light from above the frame falls across her shoulders, the turquoise strands of her hair, and the glossy tops of the boots, throwing a short soft shadow beneath her raised foot and leaving the underside of the skirt and the far side of her neck in gentle shade; the background is an empty, seamless pale cool grey with nothing else in it. Clean linework, gentle colours, smooth glossy skin, expressive eyes. Effortlessly playful.
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Original Prompt
una giovane donna con lunghi capelli turchini e neri a strati che ha due nodi a forma di orecchie di gatto. Indossa un corsetto scarlatto con maniche lunghe con un fiocco nero sul davanti, abbinato a una gonna nera lunga fino alla caviglia con un orlo a balze rosso che ha bordi bianchi, calze rosse e stivali neri con un tacco scarlatto.
Mode
pro
Style
Classic Anime
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Classic Anime
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sa
character: maomao_(kusuriya_no_hitorigoto), copyright: kusuriya_no_hitorigoto 1girl, maomao (kusuriya no hitorigoto), green hair, long hair, blunt bangs, hair bun, blue eyes, wearing erika itsumi costume, white collared shirt, short red pleated skirt, black thigh-high stockings, high heels, from above, leaning forward, looking up at viewer, playful grin, blush, wide-eyed, one eye closed, standing on one leg, asymmetrical pose, weight on left leg, right foot slightly lifted, hand on hip, head tilt A high-angle shot looking down at the girl. She leans her upper body forward toward the lens, her green hair falling in soft strands around her face while her hair bun remains perched atop her head. She wears a crisp white short-sleeved collared shirt tucked into a short, high-waisted red pleated skirt that flares slightly from her tilted posture. Black thigh-high stockings hug her legs, meeting the hem of the skirt with a sliver of pale skin visible, ending in sleek high heels. She balances precariously on her left leg, the right foot lifted an inch off the ground. One hand is pressed firmly against her hip, while the other hangs loosely at her side. Her gaze is directed straight up at the viewer with a mischievous, wide-eyed expression, one eye winked shut and a playful, open-mouthed grin accompanied by a soft blush on her cheeks. The scene is a seamless, bright off-white studio sweep, with a strong key light from the top-right casting a soft, short shadow beneath her lifted foot. The palette is dominated by the stark white of the background and shirt, the vibrant red of the skirt, and the deep green of her hair. Effortlessly stylish.
Sure Aso
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Avatar image of Lee Hunter
1girl, solo, full body, from below, standing on one leg, tiptoes, twisting, looking down at viewer, victorian dress, lolita fashion, black corset bustier, tightly laced waist, wide three-layer skirt, tiered skirt, black skirt layer, gray skirt layer, pink skirt layer, ruffled hem, red thighhighs, red stockings, black and red shoes, mary janes, long black hair, blue hair highlights, two black hair ribbons, hair bows, bare ears, hair unadorned aside from two ribbons, empty pale backdrop, soft studio light, clean linework, glossy skin, expressive eyes, playful, coquettish. Seen from below at a slight upward angle, full body in frame, the figure balances on the ball of her left foot with her right leg bent back and lifted so the toe of her black-and-red shoe hovers clear of the floor, red stockings running unbroken up each shin. Her torso twists a quarter turn away while her chin drops and her eyes travel down the lens, one brow arched, one lip corner pulled up in a lopsided smirk, loose strands of blue-sheened black hair swinging across her cheek with the turn. Both black ribbons sit close to the crown, tied with their loops flaring outward, one slightly larger than the other; her ears are bare and nothing else decorates the hair. The black corset grips her waist with visible boning and a taut laced back, and above it the victorian bodice closes to a high ruffled collar. From the waist the skirt falls in three stacked tiers, black over gray over pink, the pink ruffle at the hem lifting and curling with her spin so the layers separate and cast small shadows on one another, the hem's fabric riding the current of air her turn sets moving. Both hands are occupied: her left hand pinches the skirt's black top tier and lifts it a fraction, her right hand rests knuckles-light against the corset's side seam. She stands on a seamless pale off-white studio sweep with no horizon line, a soft key light from the upper left wrapping her shoulders and the tops of the skirt tiers while a gentle falloff darkens the floor beneath her lifted foot; only the small ellipse of shadow under her planted toe anchors her. The palette is held to black, gray, pink, red and the pale ground, with the blue sheen surfacing only where the key light rakes the hair. Crisp cel-clean edges, smooth glossy skin, lively and teasing.
Lee Hunter

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