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standing, Hat
このコンセプトアートは、青と白の衣装をまとった**Priest（修道院の修道士）**の全身像を示している。正面、背面、左側、右側の4つの視点から、武器や杖、帽子などの装備が詳細に描かれている。
Show Parameters
- Original Prompt
- The image shows an animated scene of a man and a woman in a priest's robes, with the man holding a sword and the woman holding a cloth and a hat. The background is white and there is some text at the bottom of the image. looking at viewer, simple background, blonde hair, holding, 1boy, closed mouth, hat, standing, full body, male focus, boots, holding weapon, from behind, multiple views, hand on own hip, capelet, back, staff, brown boots, toned, holding staff, toned male, reference sheet, bald, male underwear, turnaround, priest, mitre
- Mode
- flash
- Size
- 1888 x 1056
Prompt Helper
Model & LoRA used
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reference sheet, turnaround, multiple views, character design sheet, 2girls and 1boy? no — 1boy, 1girl, two characters, full body, standing, from behind, back view, rear view, front view, side view, simple background, white background, blonde hair, bald, toned, toned male, muscular male, closed mouth, hat, mitre, priest, capelet, priest robes, male underwear, brown boots, boots, holding, holding weapon, holding sword, holding staff, staff, sword, cloth, hand on own hip, male focus, text at bottom of image
A character turnaround sheet on a pure, seamless white field: the sheet is arranged as three full-body views of the same two figures, drawn at matching scale and standing on one shared invisible baseline that runs across the lower third. At the left, a FRONT view of the pair facing the viewer; at the centre, a SIDE view in profile; at the right, a BACK view showing the two of them from behind with their backs turned to the camera. Each view is separated by generous white negative space, with thin graphite-grey construction lines marking shoulder height and hip height horizontally across the whole sheet.
The man: bald, with a clean-shaven scalp that catches a soft highlight along the crown, a heavy jaw, broad shoulders and a thick, toned, muscular male build with defined arms and a solid chest. He wears a floor-length priest's robe in bone-white and deep indigo, a short capelet in the same indigo sitting over his shoulders and clasped at the throat, and a tall pointed mitre on his head with a plain banded front. His calves and feet are in sturdy brown leather boots laced to mid-calf. In the front view he stands with his weight on his right leg, hips slightly offset, his left hand planted flat on his own hip with the elbow flared out, the fingers spread over the robe's sash; his right hand grips a long straight sword, the blade pointing down and slightly out from his body, the pommel resting against his palm. The same left hand-on-hip stance repeats identically in the side and back views, and in the back view a tall wooden staff is slung diagonally across his back, held loosely by his right hand behind him, the shaft running from his right hip up past his left shoulder. His expression is fixed and stern, mouth closed in a hard flat line, brow level, and in the front and side views his eyes are aimed straight out at the viewer.
The woman: blonde hair falling straight past her shoulders in a pale gold that reads clearly against the white, her build slimmer, her robe the same bone-white and indigo priest's cut, a smaller capelet over her shoulders. In the front view she holds a folded white cloth draped over her left forearm, the fabric hanging in soft folds, and a wide-brimmed dark hat in her right hand by its brim, held out and slightly downward so the crown tilts toward her hip. In the side view the cloth and hat stay in the same hands, the hat's silhouette breaking the line of her robe; in the back view her hands are turned behind her, the cloth and hat still gripped and hanging at her sides. Her weight sits on her left leg with her right knee slightly bent, chin lifted, mouth closed, eyes on the viewer in the front and side views.
Beneath the three views, centred along the bottom edge of the sheet, a band of clean sans-serif label lettering runs in two rows: on the top row "PRIEST — ORDINATION GARB", and on the bottom row smaller, evenly spaced character-sheet captions reading "FRONT", "SIDE", "BACK" beneath each corresponding view, plus a thin illegible block of fine print at the far right.
Lighting is a single soft, even studio source from the upper left, casting only faint, short contact shadows beneath each pair of boots on the white ground and a light shading gradient down the right side of every robe and face; the white field stays luminous and unmarked beyond the thin grey guide lines. The palette is restricted to bone-white, indigo, pale gold, warm brown leather, and cool steel, nothing else admitted. The blade of the sword shows one crisp specular streak and a darker, softer reflection of the white ground along its flat, and the cloth's folds deepen to a grey-blue in their creases where the light cannot reach. Clean, orderly, quietly authoritative.
........................
reference sheet, turnaround, multiple views, character design sheet, 2girls and 1boy? no — 1boy, 1girl, two characters, full body, standing, from behind, back view, rear view, front view, side view, simple background, white background, blonde hair, bald, toned, toned male, muscular male, closed mouth, hat, mitre, priest, capelet, priest robes, male underwear, brown boots, boots, holding, holding weapon, holding sword, holding staff, staff, sword, cloth, hand on own hip, male focus, text at bottom of image
A character turnaround sheet on a pure, seamless white field: the sheet is arranged as three full-body views of the same two figures, drawn at matching scale and standing on one shared invisible baseline that runs across the lower third. At the left, a FRONT view of the pair facing the viewer; at the centre, a SIDE view in profile; at the right, a BACK view showing the two of them from behind with their backs turned to the camera. Each view is separated by generous white negative space, with thin graphite-grey construction lines marking shoulder height and hip height horizontally across the whole sheet.
The man: bald, with a clean-shaven scalp that catches a soft highlight along the crown, a heavy jaw, broad shoulders and a thick, toned, muscular male build with defined arms and a solid chest. He wears a floor-length priest's robe in bone-white and deep indigo, a short capelet in the same indigo sitting over his shoulders and clasped at the throat, and a tall pointed mitre on his head with a plain banded front. His calves and feet are in sturdy brown leather boots laced to mid-calf. In the front view he stands with his weight on his right leg, hips slightly offset, his left hand planted flat on his own hip with the elbow flared out, the fingers spread over the robe's sash; his right hand grips a long straight sword, the blade pointing down and slightly out from his body, the pommel resting against his palm. The same left hand-on-hip stance repeats identically in the side and back views, and in the back view a tall wooden staff is slung diagonally across his back, held loosely by his right hand behind him, the shaft running from his right hip up past his left shoulder. His expression is fixed and stern, mouth closed in a hard flat line, brow level, and in the front and side views his eyes are aimed straight out at the viewer.
The woman: blonde hair falling straight past her shoulders in a pale gold that reads clearly against the white, her build slimmer, her robe the same bone-white and indigo priest's cut, a smaller capelet over her shoulders. In the front view she holds a folded white cloth draped over her left forearm, the fabric hanging in soft folds, and a wide-brimmed dark hat in her right hand by its brim, held out and slightly downward so the crown tilts toward her hip. In the side view the cloth and hat stay in the same hands, the hat's silhouette breaking the line of her robe; in the back view her hands are turned behind her, the cloth and hat still gripped and hanging at her sides. Her weight sits on her left leg with her right knee slightly bent, chin lifted, mouth closed, eyes on the viewer in the front and side views.
Beneath the three views, centred along the bottom edge of the sheet, a band of clean sans-serif label lettering runs in two rows: on the top row "PRIEST — ORDINATION GARB", and on the bottom row smaller, evenly spaced character-sheet captions reading "FRONT", "SIDE", "BACK" beneath each corresponding view, plus a thin illegible block of fine print at the far right.
Lighting is a single soft, even studio source from the upper left, casting only faint, short contact shadows beneath each pair of boots on the white ground and a light shading gradient down the right side of every robe and face; the white field stays luminous and unmarked beyond the thin grey guide lines. The palette is restricted to bone-white, indigo, pale gold, warm brown leather, and cool steel, nothing else admitted. The blade of the sword shows one crisp specular streak and a darker, softer reflection of the white ground along its flat, and the cloth's folds deepen to a grey-blue in their creases where the light cannot reach. Clean, orderly, quietly authoritative.
........................
reference sheet, turnaround, multiple views, character design sheet, 2girls and 1boy? no — 1boy, 1girl, two characters, full body, standing, from behind, back view, rear view, front view, side view, simple background, white background, blonde hair, bald, toned, toned male, muscular male, closed mouth, hat, mitre, priest, capelet, priest robes, male underwear, brown boots, boots, holding, holding weapon, holding sword, holding staff, staff, sword, cloth, hand on own hip, male focus, text at bottom of image
A character turnaround sheet on a pure, seamless white field: the sheet is arranged as three full-body views of the same two figures, drawn at matching scale and standing on one shared invisible baseline that runs across the lower third. At the left, a FRONT view of the pair facing the viewer; at the centre, a SIDE view in profile; at the right, a BACK view showing the two of them from behind with their backs turned to the camera. Each view is separated by generous white negative space, with thin graphite-grey construction lines marking shoulder height and hip height horizontally across the whole sheet.
The man: bald, with a clean-shaven scalp that catches a soft highlight along the crown, a heavy jaw, broad shoulders and a thick, toned, muscular male build with defined arms and a solid chest. He wears a floor-length priest's robe in bone-white and deep indigo, a short capelet in the same indigo sitting over his shoulders and clasped at the throat, and a tall pointed mitre on his head with a plain banded front. His calves and feet are in sturdy brown leather boots laced to mid-calf. In the front view he stands with his weight on his right leg, hips slightly offset, his left hand planted flat on his own hip with the elbow flared out, the fingers spread over the robe's sash; his right hand grips a long straight sword, the blade pointing down and slightly out from his body, the pommel resting against his palm. The same left hand-on-hip stance repeats identically in the side and back views, and in the back view a tall wooden staff is slung diagonally across his back, held loosely by his right hand behind him, the shaft running from his right hip up past his left shoulder. His expression is fixed and stern, mouth closed in a hard flat line, brow level, and in the front and side views his eyes are aimed straight out at the viewer.
The woman: blonde hair falling straight past her shoulders in a pale gold that reads clearly against the white, her build slimmer, her robe the same bone-white and indigo priest's cut, a smaller capelet over her shoulders. In the front view she holds a folded white cloth draped over her left forearm, the fabric hanging in soft folds, and a wide-brimmed dark hat in her right hand by its brim, held out and slightly downward so the crown tilts toward her hip. In the side view the cloth and hat stay in the same hands, the hat's silhouette breaking the line of her robe; in the back view her hands are turned behind her, the cloth and hat still gripped and hanging at her sides. Her weight sits on her left leg with her right knee slightly bent, chin lifted, mouth closed, eyes on the viewer in the front and side views.
Beneath the three views, centred along the bottom edge of the sheet, a band of clean sans-serif label lettering runs in two rows: on the top row "PRIEST — ORDINATION GARB", and on the bottom row smaller, evenly spaced character-sheet captions reading "FRONT", "SIDE", "BACK" beneath each corresponding view, plus a thin illegible block of fine print at the far right.
Lighting is a single soft, even studio source from the upper left, casting only faint, short contact shadows beneath each pair of boots on the white ground and a light shading gradient down the right side of every robe and face; the white field stays luminous and unmarked beyond the thin grey guide lines. The palette is restricted to bone-white, indigo, pale gold, warm brown leather, and cool steel, nothing else admitted. The blade of the sword shows one crisp specular streak and a darker, softer reflection of the white ground along its flat, and the cloth's folds deepen to a grey-blue in their creases where the light cannot reach. Clean, orderly, quietly authoritative.
........................
reference sheet, turnaround, multiple views, 2 characters, 1boy, male focus, full body, standing, from behind, back view, looking at viewer, closed mouth, bald, toned, toned male, blonde hair, priest, priest robes, capelet, male underwear, hat, mitre, brown boots, boots, holding sword, holding weapon, holding staff, staff, hand on own hip, holding cloth, white background, text at bottom of image
A character turnaround sheet on a pure white background: the same pair of figures drawn three times in a row — a front view at left, a three-quarter view in the centre, and a full back view at right — each rendered full body head to boot, evenly spaced with generous white margin between them. The man is the focus of the sheet: a tall, heavily toned bald man with a broad bare scalp and a hard jaw, closed mouth set in a flat line, wearing layered white priest's robes with a short capelet over his shoulders and brown leather boots laced to mid-calf; in the front and three-quarter views his right hand rests flat on his own hip while his left grips a long straight sword point-down, and in the back view the sword hangs from his hand behind him with the capelet's hem and the robe's back seam fully exposed. Beside him stands a woman with blonde hair falling past her shoulders in a straight pale sheet, in matching white priest's robes, one hand holding a folded linen cloth against her waist and the other holding a tall mitre-shaped hat up at chest height; a long staff with a plain shaft rises vertically beside her, its base resting on the same invisible floor line as the boots. In the front and three-quarter views both faces turn their eyes straight out at the viewer while their bodies stay squared to the sheet; in the back view their heads are shown from behind with no faces visible, and the faint asymmetry of the stance — the man's weight on his left leg, the woman's hip canted slightly right — reads identically across all three views so the turnaround stays consistent. Ground contact is exact: boot soles and staff base sit on one shared horizontal line, and each figure casts only a thin flat shadow directly beneath itself, since the sheet is lit by an even, sourceless studio white with no directional key, no rim, and no background tone — the white stays unbroken and shadowless apart from those small contact patches. The palette is disciplined to white robes, pale blonde, warm brown boots and staff, and the flat steel of the sword, nothing else admitted. Across the bottom of the sheet runs a single line of small black sans-serif caption text, evenly spaced and legible against the white, sitting below the shared floor line, with a thin rule above it separating caption from figures. Clean, technical, effortlessly stylish.
........................
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