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View detailsEmilia, Re:ZERO -Starting Life in Another World-
Show Parameters
- Original Prompt
- white background, (outline:1.5), character:Emilia, Emilia(Re:zero), sliver hair, flower hair pin, braid hair, purple eyes, big eyes, purple body suit, white cloak, big breasts, wide hips, camel toes,
- Mode
- flash
- Size
- 1104 x 1824
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Emilia, Re zero, The body is a tight purple suit, White hooded cape, Emphasize the body line, White boots, Emilia, Re zero, The body is a tight purple suit, White hooded cape, Emphasize the body line, White boots, (masterpiece quality, 4k quality, HD), anime illustration, great quality, best quality
Sammy Velez
😱
Emilia
😱
😱
Emilia
😱
character: emilia_(re:zero), copyright: re:zero_kara_hajimeru_isekai_seikatsu
1girl, solo, full body, standing, facing viewer, straight-on, light smile, looking at viewer, long silver hair, straight bangs, purple eyes, elf ears, white star-shaped hair ornament, elegant hair accessory, braid, crown braid, hair flower, hair ribbon, tight purple bodysuit, long sleeves, high neckline, smooth stretchy fabric, fabric sheen, white hooded cape, long flowing cape, open front, scalloped edges, purple trim, gold circular clasp, emerald green jewel pendant, white ankle boots, fitted boots, slender figure, elegant posture, neutral expression, plain light background, character design reference, detailed clothing design, simple background, soft even studio light
A single young woman stands full-length and square to the camera on an unmarked light ground, seen from a straight-on eye-level view at her chin's height so her whole figure from crown to boot soles fits inside the frame with even margin above her head and a narrow strip of floor beneath her feet. She faces the viewer directly, head level, shoulders relaxed and level, chin slightly lifted; her weight rests on her right leg while her left knee loosens a fraction and her left foot turns out a few degrees, which gives the elegant posture its asymmetry without breaking it. Her left hand is raised to shoulder height, fingers loosely gathered around the cape's front edge just below the gold clasp, holding the open front apart so it reads as an open garment; her right arm hangs with the hand slack and slightly curled beside her hip, fingertips just clear of the fabric. Her face stays neutral: brows level and unworried, lids fully open over purple eyes that look straight into the lens, lips closed and even, no teeth, no smile, and her breath is quiet enough that the high collar does not move more than a hair.
Her long silver hair is straight and smooth, bangs cut in a level line across the brow just above her eyes, two thin longer strands falling in front of her ears, the rest gathered into a braid that crosses the back of her head like a crown before the length spills down her back and forward over her right shoulder blade; a white star-shaped hair ornament is pinned at the left temple where the braid begins, its points crisp against the silver, and a small elegant accessory sits at the same side with a short ribbon end trailing. Her ears taper to fine points and emerge clean and unobstructed between the falling strands, the ornament worn above the ear rather than over it.
The bodysuit is a deep even purple that grips her from the high neckline — which closes at the base of her throat with no collar showing beneath the chin — down over her shoulders and arms to her wrists, and continues into her legs; the knit is smooth and thin, pulling taut over her shoulders, ribs and thighs, and its sheen appears only where the curved surfaces turn away from the viewer, a soft lighter band running down the outer arm and the front of each thigh, dull and matte in the shadowed channels between. The white cape rests on both shoulders and hangs open down the front, its hood collapsed in folds behind her neck; the long length falls past her knees to her calves, and where her left hand grips it the cloth bunches into radiating creases running back toward her shoulder. Its edges are scalloped in shallow repeating arcs, and a delicate purple trim follows every scallop, the strip slightly heavier than the cloth so it casts a thin shadow line along the inside of the hem. A gold circular clasp closes the cape at the front of her neck, and from it a chain drops an emerald green jewel pendant that hangs free over the purple chest, swinging slightly off-centre from the pull of her lifted shoulder, its faceted face catching a bright highlight on one facet while the rest stays deep green.
Below, white ankle boots hug her ankles and feet in a fitted shape with a slim heel, their surface softly matte against the polished light floor, and the toe of the left boot points slightly outward while the right sits square. The background is a plain, light, unbroken field with nothing on it — no furniture, no scenery, no lettering anywhere — and the only illumination is a broad soft studio light from slightly above and in front, which puts a gentle shadow beneath her chin, under the cape's scalloped hem, and a short soft cast shadow on the floor that falls behind and to her right; the far side of her cape carries a faintly cooler tone where the light fails to reach. Fabric highlights are laid in with fine rendered detail, the silver hair catching a narrow rim of light along its crown. Composed, quiet catalogue calm.
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