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Thigh-highs, Elbow gloves

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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#Thigh-highs#Elbow gloves#blush#Dress Lift#standing#Dress#Sweat#long hair#solo#Black hair#Nun#brown eyes#Girl#full body#Indoors#White Gloves#Pelvic Curtain#Lifting own clothes#Clothes Lift#White thighhighs
kk

Killer King

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1 girl, solo, nun headwear, white wimple, black veil, gold trim, cleavage cutout, chest curtain, pelvic curtain, lifting skirt, white satin gloves, elbow-length gloves, sheer white thigh-high stockings, white ballet flats, flushed face, blush, embarrassed, sexy nun-style outfit, Christian dress, standing, arms up, head tilt, looking to the side, from below, cowboy shot, dutch angle, chapel interior, single candlelight, warm amber light A single girl stands in the narrow aisle of a small stone chapel, the camera tilted from below and canted a few degrees so the black veil and the fluted columns lean the same way. Her weight is on her left leg with the right knee bent inward, toes turned pigeon-toed, and both gloved hands are curled into the front hem of the white-and-gold habit, lifting it a hand's width so the fabric bells outward and the sheer white thigh-highs catch the candlelight from the hip down. The chest curtain of layered white lace hangs across the deep square cutout at her sternum, parting where she has drawn a sharp breath; the pelvic curtain swings forward off her belt in the same gesture, its edge sliding over the stockings. The wimple frames her jaw tight and clean, the veil falling behind her shoulders in one unbroken fall to mid-back. Her heels are together and her ballet flats side by side on the worn paving, left sole perfectly flat, right pressed on its outer edge; the toe of the right flat has scuffed a half-moon of pale dust off the stone. One white satin glove is peeled a finger's width at the wrist, the cuff loose and catching the light. Her chin is dipped and turned over her right shoulder, eyes cutting sideways toward the shadow beyond the last pew, mouth slightly open, breath shallow, the flush rising from her throat and burning across both cheeks and the tips of her ears. Light comes from a single tall candle in a wall sconce behind her left shoulder, low and warm: it rims the veil's edge in amber, models the near column, and falls off into absolute dark at the top of the frame and at the far end of the nave. Her shadow stretches long across the flagstones toward the altar rail, thrown by that one flame. Palette is the black of the veil, the warm bone-white of the habit and lace, the soft grey-white of stockings and flats and the low amber of candle and skin beyond the blush; nothing else is admitted. The cloth is rendered with the slight sheen of fine wool crepe, the satin's liquid highlights and the stockings' faint transmission of light along the shin. Quiet, illicit.
Show Parameters
Original Prompt
1 girl, Christian, Christian dress, Christian outfit, nun headwear, cleavage cutout, chest curtain, pelvic curtain, lifting skirt, stockings, gloves, flushed face, ballet flats, sexy clothes
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
kk
1 girl, solo, nun headwear, white wimple, black veil, gold trim, cleavage cutout, chest curtain, pelvic curtain, lifting skirt, white satin gloves, elbow-length gloves, sheer white thigh-high stockings, white ballet flats, flushed face, blush, embarrassed, sexy nun-style outfit, Christian dress, standing, arms up, head tilt, looking to the side, from below, cowboy shot, dutch angle, chapel interior, single candlelight, warm amber light A single girl stands in the narrow aisle of a small stone chapel, the camera tilted from below and canted a few degrees so the black veil and the fluted columns lean the same way. Her weight is on her left leg with the right knee bent inward, toes turned pigeon-toed, and both gloved hands are curled into the front hem of the white-and-gold habit, lifting it a hand's width so the fabric bells outward and the sheer white thigh-highs catch the candlelight from the hip down. The chest curtain of layered white lace hangs across the deep square cutout at her sternum, parting where she has drawn a sharp breath; the pelvic curtain swings forward off her belt in the same gesture, its edge sliding over the stockings. The wimple frames her jaw tight and clean, the veil falling behind her shoulders in one unbroken fall to mid-back. Her heels are together and her ballet flats side by side on the worn paving, left sole perfectly flat, right pressed on its outer edge; the toe of the right flat has scuffed a half-moon of pale dust off the stone. One white satin glove is peeled a finger's width at the wrist, the cuff loose and catching the light. Her chin is dipped and turned over her right shoulder, eyes cutting sideways toward the shadow beyond the last pew, mouth slightly open, breath shallow, the flush rising from her throat and burning across both cheeks and the tips of her ears. Light comes from a single tall candle in a wall sconce behind her left shoulder, low and warm: it rims the veil's edge in amber, models the near column, and falls off into absolute dark at the top of the frame and at the far end of the nave. Her shadow stretches long across the flagstones toward the altar rail, thrown by that one flame. Palette is the black of the veil, the warm bone-white of the habit and lace, the soft grey-white of stockings and flats and the low amber of candle and skin beyond the blush; nothing else is admitted. The cloth is rendered with the slight sheen of fine wool crepe, the satin's liquid highlights and the stockings' faint transmission of light along the shin. Quiet, illicit.
Killer King
#Thigh-highs#Elbow gloves#blush
AI artwork
o
character: anonym, rindou_(kunoichi_tsubaki_no_mune_no_uchi), artist: rindou_(radical_dream) ((masterpiece)), 1girl, solo, nun, habit, nun veil, black hair, long hair, hime cut, blunt bangs, sidelocks, purple eyes, large breasts, black gloves, elbow gloves, black thighhighs, high heels, high heel boots, thigh boots, boots, full body, from below, looking at viewer, cathedral, dramatic lighting. A low-angle full-body shot looks up at a solitary nun standing poised within a vaulted stone cathedral nave. Her body carries its weight primarily on her left hip, with her right leg stepped forward to plant the pointed stiletto heel of her black thigh-high boot firmly onto the stone flagstones. Her tailored monastic habit fits snugly over large breasts and tapers at the waist, split along the skirt to reveal sheer black thighhighs disappearing into sleek, form-fitting black leather thigh boots. Both arms are enclosed in form-fitting black elbow gloves; her right arm hangs relaxed at her flank while her left hand lifts to lightly grasp the hem of her headwear. Her long, straight black hair is styled in a precise hime cut with level blunt bangs cut straight across the forehead and sharp sidelocks framing her cheeks, while the rest of her hair falls beneath a flowing black nun veil draped over her shoulders. She tilts her chin slightly downward to cast a direct, piercing look at the viewer with brilliant purple eyes, her expression settled into a cool, self-assured composure. A high stained-glass lancet window serves as the key light, casting angled shafts of cool blue and violet light that define sharp rim highlights on the polished surfaces of her gloves and boots while leaving the background arches in deep shadow. Airborne dust particles glint only where they drift into the direct path of the sunbeams, disappearing beyond them. Solemn, commanding.
oburaien
#Dress#Nun#Church
AI artwork
o
character: anonym, rindou_(kunoichi_tsubaki_no_mune_no_uchi), artist: rindou_(radical_dream) ((masterpiece)), 1girl, solo, nun, habit, nun veil, black hair, long hair, hime cut, blunt bangs, sidelocks, purple eyes, large breasts, black gloves, elbow gloves, black thighhighs, high heels, high heel boots, thigh boots, boots, full body, from below, looking at viewer, cathedral, dramatic lighting. A low-angle full-body shot looks up at a solitary nun standing poised within a vaulted stone cathedral nave. Her body carries its weight primarily on her left hip, with her right leg stepped forward to plant the pointed stiletto heel of her black thigh-high boot firmly onto the stone flagstones. Her tailored monastic habit fits snugly over large breasts and tapers at the waist, split along the skirt to reveal sheer black thighhighs disappearing into sleek, form-fitting black leather thigh boots. Both arms are enclosed in form-fitting black elbow gloves; her right arm hangs relaxed at her flank while her left hand lifts to lightly grasp the hem of her headwear. Her long, straight black hair is styled in a precise hime cut with level blunt bangs cut straight across the forehead and sharp sidelocks framing her cheeks, while the rest of her hair falls beneath a flowing black nun veil draped over her shoulders. She tilts her chin slightly downward to cast a direct, piercing look at the viewer with brilliant purple eyes, her expression settled into a cool, self-assured composure. A high stained-glass lancet window serves as the key light, casting angled shafts of cool blue and violet light that define sharp rim highlights on the polished surfaces of her gloves and boots while leaving the background arches in deep shadow. Airborne dust particles glint only where they drift into the direct path of the sunbeams, disappearing beyond them. Solemn, commanding.
oburaien
#Dress#Nun#Church
AI artwork
kk
1boy, solo, femboy, feminine boy, youthful delicate features, short soft ash-blond hair with a pale underlayer, tear-filled amber eyes, wet eyelashes, tear tracks down both cheeks, flushed face, deep red blush across cheeks and nose, nun headwear, white coif, black veil, nun habit, christian dress, black and white nun outfit, white coif framing the face, black veil draped over the shoulders, cleavage cutout, chest curtain, white fabric curtain panel hanging in the chest opening, pelvic curtain, white pelvic curtain panel over the lap, praying, hands clasped in prayer, fingers interlaced, white gloves, white stockings, ballet flats, black ballet flats, small visible bulge, kneeling, seiza, on both knees, back straight, from above, three-quarter view, close-up, bowed head, eyes cast down at clasped hands, trembling lower lip, chapel interior, wooden pew, candlelight, single candle flame, warm gold key light, dark stone shadows, quiet devotion, fragile The camera looks down from slightly above and behind the near shoulder, three-quarter from the front-left: one lone feminine boy kneels in seiza on the stone floor of a small chapel, spine straight, both knees bearing his weight, toes tucked under, the black ballet flats peeking out behind his calves with the white stockings drawn taut over his ankles and the fine ribbing visible at the top of each calf. His head is bowed so the white coif sits forward over his brow, its stiff edge pressing a pale line into his forehead, and the black veil falls from the crown of the coif down over both shoulders to pool in a soft fold on the floor behind him. The white-and-black nun habit closes at the throat and opens in a wide cutout across the chest, and inside that opening a vertical white curtain panel hangs flat and unstirred, its hem lying across the bare skin below the collarbones; lower down a second white panel, the pelvic curtain, drops from the waist over the lap and spreads between his knees, hiding nothing of the small bulge that presses forward against the white cloth at the front of his hips. His gloved hands are clasped at chest height in prayer, white-gloved fingers laced, the thumbs crossed, knuckles blanched where he presses them together; his chin nearly touches the tips of his fingers. Tears stand in his lower lids and two wet tracks run down each cheek, catching the light, and the flush sits hot and uneven from cheekbone to ear. The only light is a small candle burning on the pew rail at his right; it strikes the right side of his face, the wet tear tracks and the white curtain at his chest, and throws his left side into deep stone darkness, the flame's glow too weak to lift the far end of the aisle. The candle flame leans very slightly, drawn toward the draught of the open chapel door, and the veil's edge stirs in the same direction while the curtain panels stay perfectly still. The palette holds to black, white, warm candle-gold and the flushed red of his face, nothing else admitted. Intimate, aching.
Killer King
#Thigh-highs#Otokonoko#Male

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