Oct 23, 2026

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AI art "グラスワンダー" featuring #Wedding dress, #Bride, #Uma Musume Pretty Derby and #Grass Wonder

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グラスワンダー

グラスワンダーにマーメイドタイプのウェディングを着せてみた。モデルを変えてみた

#Wedding dress #Bride #Uma Musume Pretty Derby #Grass Wonder

Published on Oct 27, 2026

ta2bon

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character: grass_wonder_(umamusume), copyright: umamusume 1girl, solo, grass_wonder_(umamusume), horse girl, brown hair, long hair, blue eyes, horse ears, animal ears, horse tail, bow, wedding, wedding dress, mermaid silhouette wedding dress, white dress, blue accents, blue trim, sleeveless, bare shoulders, long white wedding veil, veil over head, holding bouquet, bouquet in both hands, standing, tiptoes, leaning forward, from above, full body, looking up at viewer, light smile, blush, closed mouth, arm support, white and blue palette, bright chapel interior, sunbeam The camera looks down from slightly above and in front, so the top of her veiled head and the fall of the mermaid dress lead the eye down the frame toward the hem. She stands on the very tips of her toes with both heels lifted, weight on the balls of her feet, and her upper body leans a touch forward toward the lens; her hands meet low in front of her waist, both wrapped around the stems of a gathered bouquet, knuckles lightly taut, the wrapped stems crossing each other under her fingers. The dress is a mermaid silhouette: it hugs her torso and hips and breaks into a single soft flare below the knee, where the fabric pools slightly around her feet on the pale stone floor. The white is the base -- bodice, skirt and the long sweep of the train behind her heels -- and the blue enters as a deep sash at the waist, as applique wave motifs climbing the hip, and as the darker lining that shows at the slit flare, so that the two colours read as one scheme rather than a white dress with a blue patch. Above her shoulders the veil drops from a plain circlet hidden in the crown of her hair, the gauze falling past her shoulders and down her back, edges softly lifting and drifting half a step behind her as if delayed by the motion of her toes. Her horse ears sit upright through and above the veil, their tips pushing the gauze up in two soft tents; her long brown hair falls forward over her shoulders and spills out from under the veil on both sides, and her tail, tucked beneath the flared skirt of the dress, pushes the fabric into a rhythmic pleating along the back. Her chin is lifted slightly toward the raised lens, eyes on the viewer, a faint closed-lip smile and a small flush at the cheekbones, one brow lifted a hair more than the other. The only light is the tall window behind her left shoulder: a cool bright beam rakes across the veil from behind, so the gauze reads translucent where it crosses the light and solid where it does not, throws a soft-edged oblong of light down the stone floor and over the hem of the train, and leaves the far side of the room in a dim, warm-shadowed hush. Palette held to white, pale blue and the cool grey of stone, with the brown of her hair as the single warm note. Bridal, weightless.

グラスワンダー

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