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AI artwork featuring #Wuthering Waves, #Changli and #zetaCollab
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Changli, Wuthering Waves

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PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#Wuthering Waves#Changli
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An ultra-detailed 2.5D semi-realistic masterpiece illustration of Changli from Wuthering Waves as the private secretary and secret lover of her boss, caught in an after-hours tryst at the office — sitting up on the big office desk in her disheveled secretary suit, both sheer stockinged feet lifted toward the camera in offering, one sole presented full and close, in an intimate POV foot scene. character: changli_(wuthering_waves) Changli from Wuthering Waves, her very long white hair fading into soft pink at the ends bound up in her high ponytail with its distinctive ring hair extensions, her bright orange eyes half-lidded beneath pure white lashes. Her secretary suit is in beautiful disarray — the white shirt unbuttoned far down with the collar pulled aside, its hem pulled loose from the waistband, black lace framing her cleavage at the opened edge, her small glowing Tacet mark bared on the pale skin just below one breast; the charcoal pencil skirt creased and rucked up her thighs. Her sheer black nylon stockings, unmistakably dark against her pale skin, are torn from the hurry of it — a fine pale run snaking up the front of one calf, a small round hole at the other knee, the taut weave laddering at one thigh — but from her ankles down both stockings run whole and unbroken, the sheer dark nylon over both feet, toes and soles taut, smooth and flawless with no reinforced heel or toe panel. She sits up on the front edge of the big office desk facing the camera, her weight settled on the desktop, leaning back a little. Both her hands reach down and cradle her own legs from behind the knees, lifting them toward the camera — offering, presenting. Only the fingertips of her right hand curl visibly around the outer side of her right knee; her left hand stays entirely hidden behind her left knee with no fingers visible. Her left foot rises closest to the lens, turned so its ENTIRE SOLE FACES THE CAMERA — through the sheer dark nylon the soft light from above shows the pale skin beneath, the soft dome of the heel, the hollow of the arch, the broad pad of the ball of the foot, and the toes: exactly five toes lying side by side, relaxed and even, each toe ending in a soft rounded pad resting against the taut flawless fabric, the five toes descending in a clean smooth line from the big toe down to the little toe, the weave deepening in tone between the toes where it folds. Her right foot holds a little lower and further back, turned three-quarters inward toward its pair, so the camera reads the smooth curve of its stockinged instep and the outer edge of its arch, its toes pointing toward the far side of the frame, the ankle softly extended — a foot at ease beside a foot on offer. She looks at the camera from over her own raised knees with composed half-lidded orange eyes, the corner of her mouth lifted in a small knowing smile — a private secretary who knows exactly what she is showing, and to whom — while a faint rosy blush across her cheeks quietly betrays how much composure it costs her. The background is a single perfectly uniform flat light-grey tone from edge to edge, a featureless seamless studio backdrop with no windows, no office and no objects, the plain dark desk edge the only furniture. The camera sits where her boss sits — in the desk chair directly in front of her, looking up at her from slightly below the level of the desktop, so her offered left sole reads closest and largest in the frame, the turned right foot setting depth beside it, vertical 3:4 composition. Soft neutral studio light falls from above and slightly in front of her with no strong colored cast, laying a soft sheen band across the upturned left sole, catching the rounded toe pads as the brightest points, a glossy satiny sheen on the nylon, her face held in the same light, highly detailed skin and fabric texture, subsurface scattering, sharp focus on the offered sole, gentle depth of field toward her face.
Show Parameters
Mode
ultra
Size
960 x 1280
Negative
soles angled away from the camera, the left sole turned sideways, both soles facing the camera flat side by side, two soles pressed together, shoes, high heels, bare feet, bare legs, no stockings, white stockings, nude-colored stockings, barely visible stockings, reinforced toe panel, reinforced heel, toes hidden by opaque nylon, torn or laddered nylon anywhere on her feet, holes in the soles, runs in the stocking soles, painted toenails, six toes, an extra toe beside the little toe, duplicated toes, toe count wrong, toes fused together, uneven toe sizes, curled toes, crossed ankles, feet cut off by the frame edge, fingers of both hands visible, extra hand, phantom fingers, silver hair, grey hair, black hair, red eyes, blue eyes, missing ring hair extensions, calm expression, fully nude, exposed nipples, another person visible, visible hands reaching into the frame, office clutter, windows, city lights, scenery, patterned background, gradient background, floor line, text, watermark

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Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
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An ultra-detailed 2.5D semi-realistic masterpiece illustration of the Shorekeeper from Wuthering Waves as the secret lover of her boss, caught in an after-hours tryst at the office — sitting up on the big office desk in her disheveled secretary suit, blushing deep, both sheer stockinged feet lifted toward the camera in offering, one sole presented full and close, in an intimate POV foot scene. The Shorekeeper from Wuthering Waves, her long straight hair pale white fading into soft blue at the ends now loose and mussed, strands clinging to her flushed cheek, her gentle violet eyes glassy and half-lidded, her cheeks burning crimson, the tips of her ears red, her lips parted and soft, her fingernails painted glossy blue. Her secretary suit is in beautiful disarray — the white shirt unbuttoned at the top with the collar pulled aside, its hem pulled loose from the waistband, a glimpse of black lace at the opened edge; the charcoal pencil skirt creased and rucked up her thighs. Her sheer black nylon stockings are torn from the hurry of it — a fine pale run snaking up the front of one calf, a small round hole at the other knee, the taut weave laddering at one thigh — but from her ankles down both stockings run whole and unbroken, the sheer dark nylon over both feet, toes and soles taut, smooth and flawless. She sits up on the front edge of the big office desk facing the camera, her weight settled on the desktop, leaning back a little. Both her hands reach down and cradle her own legs from behind the knees, lifting them toward the camera — offering, presenting. Her left foot rises closest to the lens, turned so its ENTIRE SOLE FACES THE CAMERA — through the sheer dark nylon the warm lamplight shows the pale skin beneath, the soft dome of the heel, the hollow of the arch, the broad pad of the ball of the foot, and the toes: exactly five toes lying side by side, relaxed and even, each toe ending in a soft rounded pad resting against the taut flawless fabric, the five toes descending in a clean smooth line from the big toe down to the little toe, the weave deepening in tone between the toes where it folds, a whisper-thin tone-mmatched seam running under the line of each toe. Her right foot holds a little lower and further back, turned three-quarters inward toward its pair, so the camera reads the smooth curve of its stockinged instep and the outer edge of its arch, its toes pointing toward the far side of the frame, the ankle softly extended — a foot at ease beside a foot on offer. She looks at the camera from over her own raised knees through half-lidded violet eyes, blushing to the roots of her hair, biting her lower lip, the corner of her mouth betraying a small helpless smile — a secretary who knows exactly what she is showing, and to whom. The corner-suite office is dark except for one warm desk lamp beside her hip, its low amber glow pooling over her rumpled shirt and her offered soles; behind her the floor-to-ceiling windows hold the blurred cold blue lights of the night city, far away now and out of focus, the rest of the office dissolving in shadow. The camera sits where her lover sits — in the desk chair directly in front of her, looking up at her from slightly below the level of the desktop, so her offered left sole reads closest and largest in the frame, the turned right foot setting depth beside it, vertical 3:4 composition. One warm desk-lamp light family carries the scene, laying soft amber sheen bands across the upturned left sole, catching the rounded toe pads as the brightest points, rimming the outer edge of the right foot's arch against the dark office, her flushed face held in the same warm glow, the cold city lights reduced to a blurred blue bokeh field behind her, glossy satiny sheen on the nylon, highly detailed skin and fabric texture, subsurface scattering, sharp focus on the offered sole, gentle depth of field toward her burning face.
Galaxy
#zetaCollab#Wuthering Waves#Shorekeeper
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An ultra-detailed 2.5D semi-realistic masterpiece illustration of Changli from Wuthering Waves, an adult woman, standing tall directly over the camera with one stocking-clad sole slowly descending toward the viewer in a dominant worm's-eye foot-focused POV. character: changli_(wuthering_waves) Changli has very long straight white hair fading into soft pink toward the ends, tied into a high ponytail with distinctive ring-shaped hair extensions and a black bow, a single small ahoge at her crown, bright orange eyes with luminous pupils, and pure white eyelashes framing her downward gaze. Seen from far below, her long ponytail hangs down toward the camera in smooth disciplined sheets. She stands with her full weight anchored on her straight anatomical left leg, its knee locked, that standing foot resting just outside the lower edge of the frame. Her anatomical right leg is lifted from the hip with the knee softly bent, and her right foot in its sheer black stocking descends slowly toward the camera: the entire nylon-clad sole of her right foot faces the lens, hovering in the air directly above the viewer without touching anything, her raised right thigh, knee and calf forming one continuous chain rising behind the foot. The hovering stocking sole is the closest element to the camera and the dominant foreground of the image, gently and anatomically coherently enlarged by the low angle. Crucially, it stays a naturally proportioned, beautiful female foot: a compact sole with exactly five toes in one clean row, each toe ending in a soft rounded pad with small clean separations. The ultra-sheer black nylon over the sole is thin enough that her pale skin tone and every toe read clearly through the weave, the fabric at its very sheerest over the toe pads with no reinforced heel or toe panel, her natural unpainted toenails showing faintly through, the stocking dry, clean and completely intact across the sole and toes. Beyond the hovering foot her towering figure rises into the upper part of the frame: the long line of her stockinged legs and torn dress, her waist, the battle-worn front of the qipao framing her bust, and finally her face looking straight down at the viewer past her raised leg, clearly readable from below. She wears a battle-worn white qipao with slim black piping and small frog-button closures at its upright collar: the fitted dress torn open by combat — the right side seam ripped apart along its high slit all the way up past her hip so her entire lifted right leg swings free through the torn opening, a diagonal gash torn across the front beneath one breast revealing pale skin and her small glowing Tacet mark, and scorched tattered edges along the hem and every tear where a few faint dying embers still glow orange, embers that cast no light on her skin. Both of her long legs are wrapped in sheer black thighhigh stockings with delicate lace tops, the fine mesh thin enough that her pale skin tone reads through the weave, battle-scuffed with small runs and holes letting skin peek through at her knees and thighs while the stockings over her feet and soles remain fully intact. Both of her hands rest calmly on her hips, fingers relaxed against the curves of her waist, elbows angled outward in a composed commanding stance, exactly five slender fingers on each hand. She looks straight down at the viewer with a composed, faintly amused expression of quiet authority, bright orange eyes narrowed slightly, white lashes lowered, the corner of her lips lifted in a knowing half-smile. The entire background is a single perfectly uniform flat light-grey tone from edge to edge, a featureless seamless studio backdrop with no floor line, no objects and no texture, reserving the whole frame for her towering figure. Soft neutral studio light falls from above her with no strong colored cast, a gentle sheen on the sheer black mesh and the scorched white fabric. Soft cinematic lighting, glossy reflections on the black piping and sheer mesh, a soft natural sheen on clean dry skin, highly detailed fabric and skin textures, ray tracing, subsurface scattering, sharp focus, depth of field.
Galaxy
#zetaCollab#Wuthering Waves#Changli

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