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AI art "mikas teasing" featuring #Girls und Panzer and #Mika
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mikas teasing

oh great what does she want now?

#Girls und Panzer#Mika
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k72360

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character: mika_(girls_und_panzer), copyright: girls_und_panzer 1girl, solo, mika_(girls_und_panzer), brown_hair, long_hair, brown_eyes, sauna hat, saunalakki, white sauna hat, Jatkosota high school jacket, green jacket, oversized breasts, huge breasts, bedroom, indoors, on bed, sitting, leaning forward, looking at viewer, teasing, smug, one eye closed, tongue out, :p, head tilt, arms behind back, from above, cowboy shot, dutch angle, no flowers, bare hair, unadorned hair, floral-free room, warm lamp light, night A high angle from above and slightly to the side, tilted a few degrees into a dutch angle, looks down into a small bedroom at night: one girl sits on the edge of an unmade bed, leaning far forward over her own knees so the camera looks down her back and over the crown of her sauna hat toward her upturned face. Her weight settles onto her left hip, right leg folded loosely under her, left foot flat and bearing the lean; both hands are clasped behind her back, wrists stacked at the base of her spine, which pushes her chest forward and makes the oversized green Jatkosota high school jacket hang open and gape away from her body, the heavy breasts filling the front of it and pulling the fabric taut across the buttons, one button straining. The thick white felt sauna hat sits low over her brow and swallows the top of her head; her long brown hair spills out from beneath its brim, over her shoulders and down her back, and the hair is completely unadorned, bare, nothing pinned or clipped anywhere in it. Her face tilts up toward the lens with her chin lowered into a teasing dare: one eye squeezed shut in a wink, the other brown eye fixed on the viewer under a lifted brow, mouth open in a small smug grin with the tip of her tongue poking out past her lip. On the bed beside her hip, the duvet is crushed into a deep fold where she sits and the sheet is pulled into a diagonal ridge under her knee. The room is a plain small bedroom with no floral element anywhere: bare deep-teal walls, a wooden nightstand with a stack of books and a glass of water, a woven rug on bare floorboards, plain striped bedding, and a plain wooden headboard with nothing carved or printed on it. A single warm lamp on the nightstand is the only light source, its pool raking in low from camera-left, hot on her right cheek, the brim of the sauna hat, and the front of the green jacket, while her back and the far side of the bed fall into warm darkness and the corners of the room go nearly black; the lamp throws her shadow long and compressed across the bedspread behind her. Palette held tight to the green of the jacket, the off-white of the hat and sheets, warm amber lamplight, and the room's deep teal shadows. Her shadow is softest at its edge and darkest at her hip, where her body is closest to the sheet. Quiet, mischievous warmth.
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Original Prompt
Girls und panzer anime style, Girls und panzer Mika, saunalakki, huge oversized breasts, Jatkosota highschool jacket, bedroom, teasing, no flower
Mode
flash
Size
1104 x 1824
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.49k

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Avatar image of uru
character: kuwayama_chiyuki, kuwayama_chiyuki(idol_master) overhead shot, top-down, from above, looking down, 1girl, solo, lying on back, lying on bed, hotel bed, bed sheet, messy bedding, disheveled sheets, arms at sides, arms splayed, limp arms, palms up, open hands, exhausted, tired, blush, flushed face, embarrassed, averted eyes, purple eyes, brown hair, long hair, braid, ahoge, black bra, lingerie, bare shoulders, bare arms, collarbone, sweaty skin, moist skin, sweat, dim lighting, warm light, ambient light, intimate, mature female, large breasts, from ceiling, room interior, dim room The camera hangs straight overhead at the ceiling, aimed directly down, so the whole bed fills the frame as a rectangle of rumpled white sheeting and the girl lies along its diagonal. She is on her back, her long brown hair fanned out and tangled across the pillow and the sheet, the thin braid trailing to one side against the linen, the short ahoge sprung loose; her face is turned slightly toward her own left shoulder, chin tipped away, so the top-down view gives her flushed cheeks full play — colour high across both cheekbones and the bridge of her nose, mouth slightly open on a shallow breath, brows drawn up in the middle, eyelids low and glancing off to the side rather than up at the ceiling, the whole expression embarrassed and spent. Her black bra sits against her chest, the straps pushed slightly out of line by the way she has collapsed, the cups shifting as her ribcage rises and falls. Both arms lie flung out to either side, well away from her body, elbows slightly bent and wrists slack, the backs of her hands against the sheets and every finger uncurled, palms facing straight up to the lens — nothing gripped, nothing closed. Her legs stretch down the bed with one knee fallen outward and one foot turned in. The bedding is a wreck: the duvet kicked into a ridge along the foot of the bed, the flat sheet pulled loose from the near corner and creased in diagonals under her hips, one pillow shoved half off the far edge, the mattress visibly dipping where her shoulder and hip press it down. In one cupped fold of the sheet beside her hand a small pool of moisture darkens the cotton, and a fine sheen of sweat sits on her throat, her shoulders and the tops of her breasts, catching the light along the bone edges rather than glowing. The only light source is a single warm bedside lamp off-frame to the upper left, so the lamp side of her body is gilded and the opposite side falls into soft brown shadow that deepens into the corners of the room; the shadows of her splayed arms stretch short and soft across the sheets away from the lamp. The palette is held to warm amber light, cream-white linen, deep brown shadow and the flat black of the bra, with the pink flush and faint violet of her irises the only cool accents. Intimate, heavy with fatigue.
uru
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意天
1girl, solo, dimly lit room, dark room, oversized oatmeal-colored chunky knit sweater, thick cable knit sweater, sweater neckline slipping off shoulder, one shoulder bare, both shoulders bare, fair rounded shoulders, deep cleavage, very full bust, voluptuous, bare thighs, bare legs, no pants, crouching in corner of sofa, curled up, knees drawn up, hands clutching sweater neckline, gripping collar at the throat, half-hiding face, face hidden behind sweater collar, hiding mouth, shy, embarrassed, flushed cheeks, red blush across cheeks and nose, innocent timid gaze, looking up at viewer, large eyes, light hazel-brown eyes, glossy wet-looking eyes, raised inner brows, long chestnut brown hair, slightly wavy hair, hair falling over one shoulder, beautiful refined facial features, delicate skin texture, soft warm yellow lamp light, warm amber rim light, from above, close-up, cowboy shot, Korean-style aesthetic thick-paint illustration, The camera looks down from above into the corner of a sofa in a dim room, so the whole vault of the unlit ceiling is left out of frame and the girl is small inside the pooled light. One woman only, no one else anywhere in the room. She is wedged into the deep angle where the sofa's back cushion meets its arm, knees drawn up and folded to one side, her weight dropped onto her right hip, her left foot tucked under her right thigh, her back pressed flat against the cushion behind her. Both hands are bunched into the loose collar of the sweater, one fist on each side of it, knuckles pale from the grip; her left fist pulls the collar up across her mouth and nose, not quite covering it, and her right fist drags the neckline down off her left shoulder. The whole oversized oatmeal knit rides on her: the collar is stretched wide and has slid off her left shoulder onto her bare upper arm, leaving both pale round shoulders out in the open, and the coarse cable-knit body sags in deep vertical folds over the full curve of her chest, the yarn stretched thin at the strain point above the deep shadow of her cleavage. Below the hem, two bare white thighs press together, one knee higher than the other, smooth and catching a soft highlight along the top of the uppermost thigh. Her face is tipped down and then lifted a little toward the lens, so the eyes arrive first and the collar eats the lower half of her expression: the mouth is entirely hidden behind the knit and only the tip of her nose shows over the wool. Her large light hazel-brown eyes are wide and watery, the inner corners lifted, lashes dark; the two ends of her brows pinch upward and inward. Her cheeks are washed with a deep, hot blush that spreads across the bridge of the nose and up onto her ears, and the tips of her ears are red too. She is not frightened anywhere in the frame -- the eyes are soft and lowered-lidded with embarrassment, the shoulders hunched high and drawn in, no widened white, no tension in the brow. Her gaze slides up to the viewer and then edges away, half-committed; a few strands of her long, slightly wavy chestnut hair slide forward over the bare shoulder and lie across the collar. The room beyond the lamp is swallowed in darkness: the only light source is a table lamp off to the right of the frame, its warm yellow glow spilling across the cushion tops, the knit, and the side of her face, so the lit shoulder and the upper thigh are honey-coloured while the far side of her cheek, the back of the sofa and the wall behind her fall into a brown-black falloff. No window, no second source; the corners stay empty. The palette is oatmeal, warm amber, and the deep umber of the shadows against fair skin and warm chestnut hair, and the knit's heavy brushstrokes carry more detail than anything behind her. Also on the tag channel: sweater paws, gripping clothes, biting own sweater, hidden mouth, lower lip hidden, blush, ^ ^, shy, no fear, trembling, quiet, tender.
意 天

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