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View detailski11 yukii
Contest Entry
Calling All Glasses Characters 👓#Glasses Characters Assemble
Show Parameters
- Original Prompt
- (masterpiece, best quality, highres:1.2),(pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(c.c. (code geass):1.5), (teacher, mature female, long light green hair, golden eyes, beautiful face),(focused on the paper, (unaware of exposure:1.4), slight blush, (thin framed glasses:1.5)),(1girl, center focus:1.5), (standing at the podium, bending over slightly:1.5), (holding a test paper:1.3),(student's hand pointing at the paper, arm brushing against her chest:1.6),(white dress shirt, (unbuttoned top, collar hanging open, exposing black lace bra and heavy cleavage:1.6)), (black pencil skirt, black pantyhose, zettai ryouiki:1.4),(students' silhouettes in the background:1.3), (minimalist classroom background, flat blackboard:1.3),(perfect hands, delicate fingers:1.3)
- Mode
- flash
- Size
- 768 x 1280
Prompt Helper
Model & LoRA used
Similar Images
Show morek1
character: c.c., copyright: code_geass
1girl, solo female teacher, mature female, adult woman, long light green hair, very long hair, straight hair past hips, golden eyes, yellow eyes, beautiful face, thin framed glasses, delicate slender face, slight blush on cheeks, calm lowered gaze, focused on the paper, unaware of exposure, white dress shirt, shirt sleeves long and buttoned at cuffs, unbuttoned top, collar hanging open, black lace bra, lace trim, heavy cleavage, black pencil skirt, black pantyhose, zettai ryouiki, standing at podium, leaning forward, bending over slightly, holding test paper, both hands on paper, student's hand pointing at the paper, arm pressing against her chest, students' silhouettes in the background, dark flat silhouettes, minimalist classroom background, flat blackboard, center focus, medium shot, from side, three-quarter view, flat lighting, pure flat color, cel shading, bold black outlines, crisp clean lineart, no shading, perfect hands, delicate fingers
Seen from a side three-quarter angle at chest height, the frame centred on her: a mature woman with long light green hair stands behind a lectern at the front of a minimal classroom, hips set back and shoulders tipped forward as she bends over slightly toward the sheet in her hands. Her hair falls in a straight pale-green curtain over the near shoulder and pools toward the lectern's far edge, one strand slipping forward as she leans. She wears thin framed glasses sitting high on the bridge of her nose; behind them her golden eyes are cast down and to her right, fixed entirely on the test paper, and her lips are parted a fraction on a quiet breath, a slight blush warm across both cheeks — she is absorbed in the paper and unaware of exposure.
Both her hands hold the test paper flat at its upper corners in front of her chest, fingers even and slender, thumbs light on the page, the sheet hanging slightly bowed between them. From the near side a student's hand reaches in from the lower-left foreground — only the forearm and hand read in the frame — the index finger pressed to a line on the page, and the forearm lies across and lightly compresses the front of her white dress shirt, brushing against her chest; her posture does not turn toward it and her gaze stays on the paper. The white dress shirt is unbuttoned at the top with the collar hanging open in two loose points, the placket splayed wide to expose a black lace bra and heavy cleavage, the lace's open web pattern reading crisply in flat black; the long sleeves are buttoned at the cuffs. Below, a black pencil skirt hugs her hips, black pantyhose sheathes her legs, and a narrow band of bare thigh shows between the skirt hem and the stocking tops — zettai ryouiki.
Behind her the background is reduced to three flat horizontal bands: the blackboard wall, the whiteboard ledge, and the pale wall above, the blackboard a single solid unbroken black rectangle with no reflection or chalk texture. Across the lower background, students' silhouettes sit in dark, uniform, featureless shapes, small and low in the frame, none of them rendered with internal detail.
The light is entirely flat and frontal-side from the direction of the windows, casting no cast shadows and raising no gradients; every surface holds one unbroken colour — pale green hair, warm skin, white shirt, black bra, black skirt, black stockings, black board, dark grey silhouettes — with edges defined only by bold black linework. Pure flat colour throughout, cel shading with crisp clean lineart, no shading and flat lighting, high contrast between the flat white of the shirt and the flat black of the board. Focused, quietly charged.
ki11 yukii
k1
character: c.c., copyright: code_geass
1girl, solo female teacher, mature female, adult woman, long light green hair, very long hair, straight hair past hips, golden eyes, yellow eyes, beautiful face, thin framed glasses, delicate slender face, slight blush on cheeks, calm lowered gaze, focused on the paper, unaware of exposure, white dress shirt, shirt sleeves long and buttoned at cuffs, unbuttoned top, collar hanging open, black lace bra, lace trim, heavy cleavage, black pencil skirt, black pantyhose, zettai ryouiki, standing at podium, leaning forward, bending over slightly, holding test paper, both hands on paper, student's hand pointing at the paper, arm pressing against her chest, students' silhouettes in the background, dark flat silhouettes, minimalist classroom background, flat blackboard, center focus, medium shot, from side, three-quarter view, flat lighting, pure flat color, cel shading, bold black outlines, crisp clean lineart, no shading, perfect hands, delicate fingers
Seen from a side three-quarter angle at chest height, the frame centred on her: a mature woman with long light green hair stands behind a lectern at the front of a minimal classroom, hips set back and shoulders tipped forward as she bends over slightly toward the sheet in her hands. Her hair falls in a straight pale-green curtain over the near shoulder and pools toward the lectern's far edge, one strand slipping forward as she leans. She wears thin framed glasses sitting high on the bridge of her nose; behind them her golden eyes are cast down and to her right, fixed entirely on the test paper, and her lips are parted a fraction on a quiet breath, a slight blush warm across both cheeks — she is absorbed in the paper and unaware of exposure.
Both her hands hold the test paper flat at its upper corners in front of her chest, fingers even and slender, thumbs light on the page, the sheet hanging slightly bowed between them. From the near side a student's hand reaches in from the lower-left foreground — only the forearm and hand read in the frame — the index finger pressed to a line on the page, and the forearm lies across and lightly compresses the front of her white dress shirt, brushing against her chest; her posture does not turn toward it and her gaze stays on the paper. The white dress shirt is unbuttoned at the top with the collar hanging open in two loose points, the placket splayed wide to expose a black lace bra and heavy cleavage, the lace's open web pattern reading crisply in flat black; the long sleeves are buttoned at the cuffs. Below, a black pencil skirt hugs her hips, black pantyhose sheathes her legs, and a narrow band of bare thigh shows between the skirt hem and the stocking tops — zettai ryouiki.
Behind her the background is reduced to three flat horizontal bands: the blackboard wall, the whiteboard ledge, and the pale wall above, the blackboard a single solid unbroken black rectangle with no reflection or chalk texture. Across the lower background, students' silhouettes sit in dark, uniform, featureless shapes, small and low in the frame, none of them rendered with internal detail.
The light is entirely flat and frontal-side from the direction of the windows, casting no cast shadows and raising no gradients; every surface holds one unbroken colour — pale green hair, warm skin, white shirt, black bra, black skirt, black stockings, black board, dark grey silhouettes — with edges defined only by bold black linework. Pure flat colour throughout, cel shading with crisp clean lineart, no shading and flat lighting, high contrast between the flat white of the shirt and the flat black of the board. Focused, quietly charged.
ki11 yukii
k1
character: c.c., copyright: code_geass
1girl, solo female teacher, mature female, adult woman, long light green hair, very long hair, straight hair past hips, golden eyes, yellow eyes, beautiful face, thin framed glasses, delicate slender face, slight blush on cheeks, calm lowered gaze, focused on the paper, unaware of exposure, white dress shirt, shirt sleeves long and buttoned at cuffs, unbuttoned top, collar hanging open, black lace bra, lace trim, heavy cleavage, black pencil skirt, black pantyhose, zettai ryouiki, standing at podium, leaning forward, bending over slightly, holding test paper, both hands on paper, student's hand pointing at the paper, arm pressing against her chest, students' silhouettes in the background, dark flat silhouettes, minimalist classroom background, flat blackboard, center focus, medium shot, from side, three-quarter view, flat lighting, pure flat color, cel shading, bold black outlines, crisp clean lineart, no shading, perfect hands, delicate fingers
Seen from a side three-quarter angle at chest height, the frame centred on her: a mature woman with long light green hair stands behind a lectern at the front of a minimal classroom, hips set back and shoulders tipped forward as she bends over slightly toward the sheet in her hands. Her hair falls in a straight pale-green curtain over the near shoulder and pools toward the lectern's far edge, one strand slipping forward as she leans. She wears thin framed glasses sitting high on the bridge of her nose; behind them her golden eyes are cast down and to her right, fixed entirely on the test paper, and her lips are parted a fraction on a quiet breath, a slight blush warm across both cheeks — she is absorbed in the paper and unaware of exposure.
Both her hands hold the test paper flat at its upper corners in front of her chest, fingers even and slender, thumbs light on the page, the sheet hanging slightly bowed between them. From the near side a student's hand reaches in from the lower-left foreground — only the forearm and hand read in the frame — the index finger pressed to a line on the page, and the forearm lies across and lightly compresses the front of her white dress shirt, brushing against her chest; her posture does not turn toward it and her gaze stays on the paper. The white dress shirt is unbuttoned at the top with the collar hanging open in two loose points, the placket splayed wide to expose a black lace bra and heavy cleavage, the lace's open web pattern reading crisply in flat black; the long sleeves are buttoned at the cuffs. Below, a black pencil skirt hugs her hips, black pantyhose sheathes her legs, and a narrow band of bare thigh shows between the skirt hem and the stocking tops — zettai ryouiki.
Behind her the background is reduced to three flat horizontal bands: the blackboard wall, the whiteboard ledge, and the pale wall above, the blackboard a single solid unbroken black rectangle with no reflection or chalk texture. Across the lower background, students' silhouettes sit in dark, uniform, featureless shapes, small and low in the frame, none of them rendered with internal detail.
The light is entirely flat and frontal-side from the direction of the windows, casting no cast shadows and raising no gradients; every surface holds one unbroken colour — pale green hair, warm skin, white shirt, black bra, black skirt, black stockings, black board, dark grey silhouettes — with edges defined only by bold black linework. Pure flat colour throughout, cel shading with crisp clean lineart, no shading and flat lighting, high contrast between the flat white of the shirt and the flat black of the board. Focused, quietly charged.
ki11 yukii
he
character: c.c., copyright: code_geass
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, half-rim rectangular glasses, (glasses slightly falling off nose:1.4), (humiliated expression, heavy blush, teary eyes, biting lower lip, angry but helpless:1.5), (forced to bend over the podium:1.6), (face close to the wooden desk:1.4), (holding a teaching pointer tightly:1.4), (trembling:1.2), (tight black turtleneck sweater:1.5), long sleeves, (black pencil skirt, skirt pulled up slightly:1.4), (black pantyhose:1.5), (torn pantyhose on thighs, ladder rips:1.4), (black gothic cloak on shoulders:1.3), (minimalist blackboard background:1.4), (perfect hands, delicate fingers:1.3), leaning forward, tears, from side, cowboy shot,
A three-quarter side view from slightly below and to her left, the camera low enough that the podium edge cuts across the lower third and the blackboard fills the whole upper frame behind her. A single adult woman with very long light green hair is bent forward over a wooden lectern podium, her torso folded down so that her cheek hovers a hand's width above the pale wood of the desktop, her face turned toward the lens with her chin twisted up off the wood. Her hair spills over the near edge of the desk and hangs in a flat curtain past her shoulder, a few strands lying across the wood grain. Half-rim rectangular glasses sit low on the bridge of her nose, one temple arm slipped down past her ear, the frame tilted so the lenses catch the flat light; behind them her golden eyes are wet and wide, lower lids brimming, one tear already broken loose and tracking a thin line through the heavy blush that floods both cheeks and the tips of her ears. Her teeth press hard into her lower lip, denting it, and her brows are drawn down and together -- furious, and with nowhere to put it. Her right hand is clenched white-knuckled around a slender wooden teaching pointer, the shaft angled up across the blackboard, her delicate fingers wrapped tight with the knuckles strained and the tip of the pointer faintly quivering; her left forearm takes her weight on the desk edge, palm flat, elbow locked, and a fine tremor runs through that arm and through the tendons of her neck. She wears a tight black turtleneck sweater stretched taut across her back and shoulders with the collar high at her throat, long sleeves down to her wrists; a black pencil skirt pulled up slightly rides high over her hips and shows the backs of her thighs, where black pantyhose runs with ladder rips and long diagonal tears across both thighs, the sheer fabric split into pale ladders along the stretched weave. A black gothic cloak is thrown over her shoulders, unfastened, its heavy folds hanging straight down her back and slipping off the near shoulder so it bunches at her upper arm. Behind her the blackboard is bare and minimal, its dark green-black plane empty except for a faint chalk haze at the edges, its wooden frame running horizontally at the top of the frame. Everything is rendered in completely flat unmodulated colour with hard cel-shaded blocks of tone, no gradients, no cast shadows, no soft light anywhere; the palette is black, near-black, the dark green-black of the board, the warm pale brown of the desk, and the cold light green of her hair, with the red of her blush and the shine of tears as the only saturated accents. Humiliated, furious.
HASSEN E
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