Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "三人組の豊かなパーティー" featuring #Sword Art Online and #Asuna
Generate for Free

三人組の豊かなパーティー

男の娘キリトとアリス アスナの三人組の公演会

#Sword Art Online#Asuna
More to See

Comments

character: alice_zuberg, asuna_(sao), kirito_(sao-ggo) 3 girls, 1 boy, male, femboy, crossdressing, party dress, elegant ballgown, dancing, dancing together, trio, holding hands, from below, wide shot, dutch angle, crowd, spectators, audience, onlookers, looking at another, depth of field, chandelier light, warm gold light, ballroom, black hair, long hair, hair between eyes, black eyes, brown hair, very long hair, braid, brown eyes, blonde hair, very long hair, white hairband, braid, blue eyes, smile, open mouth, blush, floating hair, swirling skirt, dress flare, dynamic pose The camera sits low at knee height and tilts a few degrees off level, looking up through the dancers against a high vaulted ballroom ceiling; the three figures fill the lower two thirds while rows of spectators recede behind them. In the near centre, the black-haired boy — the only male among the three, slight and fine-boned, hair long and loose with strands falling between his eyes — leads the figure: he has spun the brown-haired woman out to his left and is pulling her back in, right arm extended and hand clasped around her fingers, left foot planted forward taking his weight while his hips twist against the turn. He wears a floor-length party gown in deep charcoal-black with a fitted bodice and a skirt that kicks out at the hem from the spin, and he is laughing with his mouth open, eyes creased, cheeks flushed, gaze locked on the brown-haired woman he is turning. To his left the brown-haired woman comes back toward him mid-step, very long hair and its braid thrown sideways by the motion, one shoulder leading, her free hand lifting her skirt clear of her feet; her gown is white with a pale gold sash at the waist and the skirt billows away from her shins. She looks straight back at the boy, lips parted, half-laughing. To his right the blonde woman in the long white hairband moves in counterpoint, very long blonde hair and its braid swinging across her back as she turns, one arm curved overhead, the other reaching across to brush the boy's shoulder; her gown is deep blue with a full skirt and pale trim, and her chin is tipped down toward the pair, blue eyes on the joined hands at the centre of the group. Contact points are explicit and load-bearing: the boy's right hand grips the brown-haired woman's fingers, his left hand rests at the blonde woman's waist above her sash, the blonde woman's right hand lies on his shoulder, and all six feet are caught at different moments of the step — one heel lifted, one toe pointed, one foot crossing behind. All three bodies lean inward toward a common centre, forming a triangle of glances none of them breaks. Behind them, at a respectful distance across the polished floor, the crowd stands in three loose arcs — men in dark formal coats, women in jewelled evening dresses — every face turned toward the trio, several hands raised in applause, a few guests half-risen from their seats, mouths open in delight. They are painted with less detail than the dancers: readable silhouettes, simplified features, no competing focal point. Tall gilt columns and a marble balustrade frame the background, and beyond that the space darkens into warm shadow. The only light source is a row of chandeliers high overhead; their warm gold light falls from above onto the dancers, catching the tops of shoulders, cheekbones, the crown of the boy's black hair, the blonde woman's hairband, and the sheen of every skirt; the undersides of chins, the folds beneath the waist sashes and the far side of each turning body fall into warmer shadow, and each dancer throws a soft elongated shadow across the polished floor that stretches toward the viewer. The room is otherwise dark beyond the chandelier pools. Palette is disciplined: warm gold light, deep charcoal-black, white and pale gold, deep blue, and the honey tones of the ballroom floor and columns, nothing else admitted. The skirts are caught at the exact instant of the turn, each flaring outward and lagging a heartbeat behind the hips, the hems lifting clear of the floor and the fabric twisting into soft spiral folds that show the direction of the spin. Festive, dazzling, theatrical.
Show Parameters
Original Prompt
男の娘キリトとアスナとアリス・シンセシス・サーティのパーティードレス衣装を身に纏い、踊る三人組が注目の的になった世界
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬