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AI artwork featuring #Pokémon
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Pokémon

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Avatar image of Joshua Froat
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Joshua Froat

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1girl, solo, mature female, tall, black newsboy cap with a large pink O on the front, black sleeveless crop top with thin straps, bare midriff, large pink O printed across the chest, black mini skirt, white flower patterns scattered over the shirt and skirt like pale splattered blooms, white thigh-high boots, holding a pokeball, sexual pose, ready to battle, standing on one leg, hip cocked, leaning forward, looking at viewer, half-closed eyes, seductive smile, blush, parted lips, tongue peek, one arm raised, head tilt, arched back, from below, cowboy shot, dutch angle, motion lines, dynamic angle, glossy skin, high contrast, dark studio backdrop, rim light, cinematic lighting The camera sits low and tips into a dutch angle, looking up at her from hip height so her white thigh-high boots stand wide in the foreground and her black cap and pink O tilt against a dark, empty studio sweep. She is caught mid-battle stance: weight shifted onto her left leg, right leg bent and lifted slightly, hips cocked hard to the right, torso leaning forward toward the lens. Her right arm is flung up and out, hand open as if releasing the pokeball, while her left hand holds the pokeball at chest height, fingers curled around the seam, the ball tipped forward toward the viewer. Her chin is lifted, gaze fixed straight down at the lens, half-closed eyes and a lopsided, teasing smile with one corner of her mouth pulled up, a faint blush across the nose and cheeks, lips parted and the tip of her tongue just visible. The black newsboy cap sits tilted on her head with the pink O front and center; loose hair strands swing forward past her jaw with the lean. The black crop top's thin straps are visible against her shoulders, the fabric pulling tight across her chest so the big pink O stretches slightly, and pale white flower shapes scatter across the black cloth like splattered blooms, some clustered near the hem and hemline of the skirt where it flares with her stance. High white thigh-high boots press into the floor, the tops squeezing the thigh just enough to show a soft indentation. A hard rim light from the left paints a bright edge down her arm, hip and boot, the right side falling into deep shadow with a cast shadow stretching away from her feet on the floor; a soft warm key from camera-front smooths her skin into blended gradients and warm highlights, and a faint cool fill keeps the shadows in the studio backdrop from going pitch black. The pokeball catches a small specular highlight on its red top, the seam of the ball visibly meeting her fingers. Smooth, minimal brushwork, glossy high-finish anime rendering, controlled color harmony of black, white and hot pink against the dark ground. Effortlessly stylish, teasing, ready to fight.
Show Parameters
Original Prompt
A sexy woman dressed in a black mini skirt with white flowers that looks more like cum stains, a black sleeveless shirt that shows her stomach and has white flowers that look like cum stains an a big pink O in the middle , her thing straps, a black news cap with a pink O on it, tall thigh high white boots, holding a pokeball in a sexual pose ready to battle
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of Joshua Froat
1boy, solo, femboy, slender, sexy pose, battle stance, holding pokeball, holding ball, black newsboy cap, pink "O" on cap, black sleeveless crop top, midriff, navel, bare shoulders, thin shoulder straps, large pink "O" emblem on chest, black short shorts, white flower print, white floral pattern, thigh straps, black straps on thighs, white thigh-high boots, tall boots, from below, full body, dutch angle, looking at viewer, half-closed eyes, lopsided smirk, blush, head tilt, weight on one leg, contrapposto, hip out, one arm raised, outstretched arm, foreshortening, dynamic angle, indoors, dark studio backdrop, single spotlight, hard rim light, high contrast, glossy highlights, confident, teasing. The camera sits low and tilted a few degrees off level, looking up the length of a single slender young man so his boots and hips read large in the foreground and his shoulders and cap taper against the dark. He is caught mid-set-up of a throw: weight sunk onto his left leg with the hip cocked hard to that side, right leg straight and slightly forward on the ball of the boot, torso twisted so the chest opens toward the lens while the pelvis stays angled away. His right arm is drawn back and up, elbow bent, the small red-and-white sphere pinched between thumb and fingertips at shoulder height with the seam of the ball catching a crescent of light; his left hand rests hooked on the strap at his thigh, fingers curled under the black band, tugging it a centimetre up the skin. The black newsboy cap is worn low with the brim tilted over one brow, its pink letter O printed large and flat on the crown and slightly stretched by the curve of the fabric; a short tuft of hair escapes beneath the brim at the temple. The black sleeveless crop top ends high across the ribs, baring the flat stomach and the navel, thin shoulder straps cutting over bare shoulders, and the big pink O sits dead centre on the chest, clean-edged and fully unobstructed; the black fabric and the black shorts both carry the same scatter of white five-petalled flowers, clustered at the hem and one thigh, some with soft blurred edges and a faint drip-trail running down from a petal onto the black. The shorts ride snug at the hip. Two black straps wrap each thigh, sitting above the tops of the tall white boots, the leather compressing the skin just enough to make a shallow crease. The boots climb to mid-thigh, glossy white, creased at the ankle and knee from the shifted stance. One hard spotlight from high camera-left is the only light: it lays a bright edge along the raised forearm, the cheekbone and the white boot shafts, throws the far side of the face and the inside of the right arm into deep shadow, and drops a crisp elongated shadow of the figure and the ball onto the seamless dark floor behind him; the background is an empty near-black sweep with no horizon. His chin is tipped down, eyes half-lidded under the cap brim, fixed straight on the viewer with a small lopsided smirk and a one-sided flush across the cheeks, one eyebrow lifted, weight and smirk together saying he has already won. The ball's reflective seam is the only specular point in the frame, brighter than the white of the boots because it sits closest to the source. Confident, teasing.
Joshua Froat
#Pokémon

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