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AI art "dark Souls 3 fire kepper" featuring #Dress, #Boots, #Blonde hair, #Church, #Cape, #Closed eyes, #Girl and #Light Rays
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dark Souls 3 fire kepper

There's something deeply moving about the quiet grace of this character standing in the silent church light. I tried to capture the solemn beauty and the mysterious aura of a warrior at peace, and I hope it resonates with you too. If you enjoy this piece, please leave a like and follow for more of my anime art journey!

#Dress#Boots#Blonde hair#Church#Cape#Closed eyes#Girl#Light Rays
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Ali Aljworaniy

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character: fire_keeper, copyright: dark_souls_(series) 1girl, solo, fire_keeper, long_hair, blonde_hair, grey_hair, grey_eyes, hair_covering_eyes, golden_dress, sleeveless_dress, cloak, capelet, layered_skirt, high_heels, black_socks, thighhighs, long_black_socks, standing, full_body, from_side, profile, from_below, dutch_angle, looking_up, hands_folded, head_tilt, faint_smile, cathedral_interior, stone_floor, glowing_embers, volumetric_light, dark_fantasy The camera sits low and off her left hip, tilted a few degrees off level, so the whole figure reads from the side in profile: a lone woman stands at the centre of a ruined cathedral nave, seen from below. She is the only figure in frame. Her long hair -- blonde paling to grey at the ends -- falls in straight strands down her back and past her shoulders, heavy and unbrushed, and a ragged pale blindfold-like band of hair and shadow lies across her eyes; only the faint grey of her irises shows through, angled up and away toward the high broken windows, not at the viewer. She wears a golden dress: a fitted sleeveless bodice of layered gold cloth that narrows at the waist and opens into a long skirt with slits up both thighs, the cloth catching the light in long vertical folds, a short dark capelet bunched at her shoulders and a cloak falling behind her into the shadow. Beneath the skirt her legs run down into long black socks that sheath calf and knee in matte darkness, and her feet are lifted on high heels, the arches steep, the slim heels planted on the flagstones. Her hands are folded loosely at her waist, the fingers laced, one thumb pressing the other's knuckle. The pose is asymmetric: her weight rides on her right leg, the right heel bearing down on the stone, the left knee slightly bent and the left heel lifted a fraction off the floor, the left toe taking the balance. Her chest is turned a quarter away from the low camera while her chin tilts up toward the window light, and her shoulder tips back so the cloak slides off one shoulder. The only light source is a shaft of pale gold falling through a shattered window high on the right of frame; it strikes the gold bodice, the outer edge of her right arm and the near cheekbone, and where it passes her body it lays a long shadow across the flagstones that stretches away from the lens. The rest of the nave -- broken pillars, a scatter of ash and rubble, an extinguished brazier -- sits in deep blue-black darkness, so that beyond that shaft and its reflection in the polished stone there is only gloom. Disturbed dust motes hang visible inside the beam, densest where the light leaves the window. The palette is confined to gold cloth and ember warmth against cold blue-black stone and matte black over the legs, with no other hue admitted. The floor's polish mirrors the beam as a dimmer, softer smear than the shaft itself, broken where her heels touch. Quiet, ruined reverence.
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Original Prompt
Dark Souls 3 fire keeperwearing vectorain golden dress and she's standing and heel high with long black socks
Mode
flash
Size
768 x 1280
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.51k

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character: oriana_thomason 1girl, solo, mature female, blonde hair, very long hair, drill hair, ringlets, hair over one eye, blue eyes, smug, half-closed eyes, haughty, head tilt, hand on hip, standing, weight shift, from below, looking down, looking at viewer, black strapless dress, high leg slit, long black gloves, high heels, opulent room, polished marble floor, red velvet drapery, rim lighting, dramatic shadows From below, an imposing low-angle shot looks up at her commanding figure as she stands tall, shifting her weight onto one hip in an imperious posture. Her chin tilts back slightly with an aloof air, allowing her striking blue eye to peer down directly at the viewer through heavy lashes with a half-lidded, amused disdain, framed by an asymmetric smirk on her lips. Thick, voluminous blonde hair cascades down past her waist in tight, sculpted spiral drills, with a heavy sweep of bangs veiling the other side of her face. One elbow-length black-gloved hand rests firmly against the curve of her waist with fingers splayed against the fabric, while her opposite shoulder rolls back, leaving her other arm relaxed at her side. She wears a sleek, form-fitting black strapless gown with a high side slit that exposes a long leg, terminating in a sharp stiletto heel planted firmly against the ground. The scene is set in an opulent interior flanked by heavy crimson velvet curtains that drape into deep folds. A single warm overhead light source illuminates her from above, casting bright rim light across her bare collarbones, the crests of her blonde ringlets, and the glossy surface of her gloves, while plunging the lower folds of her dress into dramatic shadow. Directly beneath her, the dark polished marble floor mirrors her stance in a slightly muted, darkened reflection, anchored by the crisp contact point of her pointed heel. Imperious dominance.
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1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant, The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line. Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame. The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
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