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- Original Prompt
- A dark room looking out through a heavily blurred, tear-streaked window at night. The glass is covered in thick condensation, making the outside world look hazy. Outside, there is no light at all, only a thick, cold, dark fog and an absolute empty void where someone used to be. Sitting on the wooden windowsill inside is a black raven, completely still, looking into the emptiness. No people. The mood is deeply melancholic, exhausted, sorrowful, final, and lonely. Cinematic lighting, deep blues, greys and absolute blacks. 8k, film noir, heavy film grain, hyper-detailed. No text, no watermark. --ar 16:9
- Mode
- pro
- Size
- 992 x 992
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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1 raven, no humans, animal focus, black raven, corvid, sitting, perched, completely motionless, side profile, looking out window, wooden windowsill, dark room interior, window, night, condensation, fogged glass, water droplets on glass, tear-streaks running down the pane, heavy blur, hazy exterior, thick dark fog outside, absolute black void beyond the glass, no light source outside, deep blue palette, grey palette, absolute blacks, cinematic lighting, film noir, heavy film grain, wide shot, from inside, rim light, silhouette-heavy, melancholic, exhausted, sorrowful, final, lonely, no text, no watermark, no signature, 16:9
Viewed from inside the room at a low, slightly off-center angle, a black raven sits at the right third of the frame on a bare wooden windowsill, its body in near-profile facing the glass, tail feathers trailing left along the sill's grain, both feet gripping the wood with dark claws curled over the front edge. The bird is utterly still: head level, one amber-rimmed eye fixed forward into the fog beyond the pane, beak closed and pointing slightly downward, plumage matte-black with a cold blue sheen along the crown and the folded wing where the interior light grazes it. The window fills most of the frame; its glass is thick with condensation, fine beaded droplets across the whole pane except where several long tear-streaks have run down and cleared narrow wavering channels, and through those channels -- and only there -- the outside resolves into a heavy, hopeless blur of pale grey-blue fog that fades to nothing. Beyond the fog the exterior is a flat, absolute black void: no lamps, no moon, no reflected glow, no shape of anyone standing there, only emptiness pressed against the glass. Inside, the room falls away behind the raven into pure shadow; the only light is a dim cold source from the upper left inside the room, catching the top of the bird's head, the leading edge of the windowsill and the condensation beads on the left side of the pane, while the right side of the frame and the entire bottom corner sink into absolute black, and the raven throws no readable shadow onto the sill beneath it. The palette admits nothing beyond deep blue, cool grey and absolute black, with the single small amber ring of the bird's eye as the only warm note. The condensation is heaviest in the lower half of the glass, thinning toward the top where the fog shows through clearest, and the tear-streaks are denser near the center -- the window's small proof that something was cried out and is now over. Deeply melancholic, final, and utterly lonely.
C9I
1 raven, no humans, animal focus, black raven, corvid, sitting, perched, completely motionless, side profile, looking out window, wooden windowsill, dark room interior, window, night, condensation, fogged glass, water droplets on glass, tear-streaks running down the pane, heavy blur, hazy exterior, thick dark fog outside, absolute black void beyond the glass, no light source outside, deep blue palette, grey palette, absolute blacks, cinematic lighting, film noir, heavy film grain, wide shot, from inside, rim light, silhouette-heavy, melancholic, exhausted, sorrowful, final, lonely, no text, no watermark, no signature, 16:9
Viewed from inside the room at a low, slightly off-center angle, a black raven sits at the right third of the frame on a bare wooden windowsill, its body in near-profile facing the glass, tail feathers trailing left along the sill's grain, both feet gripping the wood with dark claws curled over the front edge. The bird is utterly still: head level, one amber-rimmed eye fixed forward into the fog beyond the pane, beak closed and pointing slightly downward, plumage matte-black with a cold blue sheen along the crown and the folded wing where the interior light grazes it. The window fills most of the frame; its glass is thick with condensation, fine beaded droplets across the whole pane except where several long tear-streaks have run down and cleared narrow wavering channels, and through those channels -- and only there -- the outside resolves into a heavy, hopeless blur of pale grey-blue fog that fades to nothing. Beyond the fog the exterior is a flat, absolute black void: no lamps, no moon, no reflected glow, no shape of anyone standing there, only emptiness pressed against the glass. Inside, the room falls away behind the raven into pure shadow; the only light is a dim cold source from the upper left inside the room, catching the top of the bird's head, the leading edge of the windowsill and the condensation beads on the left side of the pane, while the right side of the frame and the entire bottom corner sink into absolute black, and the raven throws no readable shadow onto the sill beneath it. The palette admits nothing beyond deep blue, cool grey and absolute black, with the single small amber ring of the bird's eye as the only warm note. The condensation is heaviest in the lower half of the glass, thinning toward the top where the fog shows through clearest, and the tear-streaks are denser near the center -- the window's small proof that something was cried out and is now over. Deeply melancholic, final, and utterly lonely.
C9I
1 raven, no humans, black raven, perched, sitting still, windowsill, wooden windowsill, dark room interior, night, window, rain-streaked window, wet glass, condensation, fogged glass, blurred background, rain, night sky, fog, faint light, amber light, distant light, looking at light, side profile, from behind, from side, sitting, still, melancholic, lonely, sorrowful, quiet, cinematic lighting, film noir, heavy film grain, deep blue palette, grey tones, low light, backlit, wide shot, 16:9, no text, no watermark, no signature, no lettering, no people.
A wide 16:9 cinematic frame shot from inside a dark unlit room, across the room toward a large window at night. The camera sits low and slightly to the left, near the window's lower third, so the sill runs as a horizontal band across the frame and the glass fills the upper two thirds; the interior behind and around the lens is near-black, a sliver of dim wall and floor falling away into shadow at the left edge.
The window panes are heavy with condensation: dense beaded droplets crowd the corners and the lower rail, and where the beads have gathered they slump and run in slow crooked tracks down the glass, each runnel dragging a thin clear streak through the fog. Outside, rain streaks the far side of the panes diagonally, and the whole outside world is smeared into soft undefined shapes -- a crush of blurred grey-blue rooftops and tree masses with no readable edges, warped and doubled by the water, like a world seen through tears. Cold dark fog presses right up against the glass, swallowing depth until only the nearest smear of it is distinct.
Out in that fog, low and a little left of centre, burns a single tiny warm light, a small amber point no bigger than a pinhead, its soft halo bitten and broken into spikes by the condensation beads in front of it. It is visibly mid-fade: the core still glows warm amber while its outer bloom has already thinned into cold grey mist, the light bleeding away into the fog rather than shining through it. That amber point and its smeared reflection are the only warm colour in the frame.
On the wooden windowsill, right of centre and forward of the glass, sits a black raven, alone. Its body is turned away from the camera and toward the window, seen from behind in a near three-quarter back view: a heavy teardrop silhouette, tail feathers hanging down over the sill's edge, hunched shoulders, head lowered and pushed forward, beak aimed straight at the fading light. Its black plumage catches a thin cold blue rim along the crown, the shoulder line and the folded wing edge where the window's faint light wraps it; the rest of the body is a dense unbroken black. Both feet grip the sill, dark claws closed on the wood grain, and the bird is utterly motionless -- no wing lifted, no tail flicked, nothing in motion but the rain.
The sill's worn wooden grain runs horizontally under the bird, its top surface catching a faint cold sheen from the glass while the wood beneath the raven drops to shadow; a few beaded drops have slid down the pane and pooled in the sill's inner groove. The raven's eye and its whole posture aim at the amber light, and the light is too far and too far gone to answer.
The window is the only light source. Its cold blue-grey glow falls across the sill, the raven's back and the near wall, and everything behind the camera-facing edge of the frame falls off into absolute interior darkness with no second source. Deep blues and desaturated greys hold the entire image; a soft fading amber glow sits only outside at that single tiny point and in its reflection on the wet glass. Heavy film grain textures the shadows and the fog alike, edges stay soft where the glass blurs them and sharp only on the raven's rim and the sill's near grain.
Melancholic, quiet.
C9I
1 raven, no humans, animal focus, black raven, corvid, sitting, perched, completely motionless, side profile, looking out window, wooden windowsill, dark room interior, window, night, condensation, fogged glass, water droplets on glass, tear-streaks running down the pane, heavy blur, hazy exterior, thick dark fog outside, absolute black void beyond the glass, no light source outside, deep blue palette, grey palette, absolute blacks, cinematic lighting, film noir, heavy film grain, wide shot, from inside, rim light, silhouette-heavy, melancholic, exhausted, sorrowful, final, lonely, no text, no watermark, no signature, 16:9
Viewed from inside the room at a low, slightly off-center angle, a black raven sits at the right third of the frame on a bare wooden windowsill, its body in near-profile facing the glass, tail feathers trailing left along the sill's grain, both feet gripping the wood with dark claws curled over the front edge. The bird is utterly still: head level, one amber-rimmed eye fixed forward into the fog beyond the pane, beak closed and pointing slightly downward, plumage matte-black with a cold blue sheen along the crown and the folded wing where the interior light grazes it. The window fills most of the frame; its glass is thick with condensation, fine beaded droplets across the whole pane except where several long tear-streaks have run down and cleared narrow wavering channels, and through those channels -- and only there -- the outside resolves into a heavy, hopeless blur of pale grey-blue fog that fades to nothing. Beyond the fog the exterior is a flat, absolute black void: no lamps, no moon, no reflected glow, no shape of anyone standing there, only emptiness pressed against the glass. Inside, the room falls away behind the raven into pure shadow; the only light is a dim cold source from the upper left inside the room, catching the top of the bird's head, the leading edge of the windowsill and the condensation beads on the left side of the pane, while the right side of the frame and the entire bottom corner sink into absolute black, and the raven throws no readable shadow onto the sill beneath it. The palette admits nothing beyond deep blue, cool grey and absolute black, with the single small amber ring of the bird's eye as the only warm note. The condensation is heaviest in the lower half of the glass, thinning toward the top where the fog shows through clearest, and the tear-streaks are denser near the center -- the window's small proof that something was cried out and is now over. Deeply melancholic, final, and utterly lonely.
C9I
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