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AI artwork featuring #Hololive Production, #Kazama Iroha and #zetaCollab
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Kazama Iroha, Hololive Production

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#Hololive Production#Kazama Iroha
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character: kazama_iroha_(1st_costume) 1girl, solo, full body, kazama iroha (1st costume), blonde hair, long hair, high ponytail, ponytail, hairband, hair between eyes, hair ornament, blue eyes, aqua eyes, sarashi, chest sarashi, japanese clothes, haori, black haori, skirt, black fingerless gloves, gloves, bare shoulders, standing on one leg, tiptoes, leaning forward, outstretched arm, pointing at viewer, head tilt, one eye closed, grin, looking at viewer, futuristic, science fiction, cityscape, neon lights, holographic displays, flying vehicles, from below, wide shot, dutch angle The camera sits low and close to the pavement, tilted a few degrees off level so the verticals of the far towers lean, looking up past a single figure framed head to boots in full body. She is caught mid-moment on tiptoe: her weight rides entirely on the ball of her right foot, the left leg lifted and folded back behind her at the knee, toes pointed down and clear of the ground; her torso pitches forward over that supporting ankle, the long black haori swinging away from her back with the lean, its hem lifted and its wide sleeve sliding down her raised arm. That raised right arm reaches up and out toward the lens, elbow locked, black fingerless-gloved hand shaped into a pointing gesture with the index finger extended at the viewer and the other fingers curled; her left hand rests low, knuckles against her hip, gripping the edge of the skirt fabric. Her blonde hair is pulled into a high ponytail cinched by its hairband, the tail swept sideways and floated upward by the drag of her pitch and the updraft off the street, loose strands between her eyes flicking across her brow; the small hair ornament sits above one temple. Her head tips to her left shoulder, chin lifted, one blue eye squeezed shut and the other open and bright, fixed straight down the line of her pointing finger into the viewer, a wide one-sided grin pulling her cheek. The wrap of her chest sarashi and the layered Japanese clothes over the dark skirt are drawn close to her body by the rush of air, cloth edges fluttering. She stands at the edge of a raised pedestrian walkway in a future city at night: a seamless sweep of pale composite decking in the foreground carrying her single hard cast shadow, low glass parapets, and behind her a canyon of towers of frosted alloy and glass, their facades panelled with cool blue and teal light strips and stacked holographic displays whose signage is soft, illegible glow. Slender flying vehicles cross the gap between buildings as thin bright streaks, their running lights trailing faint motion lines. The light has two directions, both accounted for: a cold cyan-white glow from the tower faces and holo panels behind her rims the edge of her ponytail, her shoulders and the outer line of the raised arm, while a warm amber street lamp below and to her right throws the warmer key across the front of her face, her sarashi and her forward knee. Reflected light from the glass parapet grazes the undersides of her lifted leg and the hem of the haori. Beyond the lamp's reach, the sky between the towers deepens to near-black, and the holographic images double faintly on the polished deck where it is wet. Palette is disciplined: cool cyan and teal from the architecture, warm amber from below, black haori and blonde hair providing the two strongest values between them. The detail budget concentrates on the gesture — the foreshortened pointing hand, the taut line of the arm, the spread toes of the supporting foot and the compression of the boot sole against the deck — while the distant city is simplified into big shapes and light strata without flattening. Energetic, bright-eyed.
Show Parameters
Original Prompt
kazama iroha (1st costume), full body, 未來世界
Mode
flash
Size
944 x 1584
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.51k

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character: kazama_iroha_(1st_costume) 1girl, solo, full body, kazama iroha (1st costume), blonde hair, long hair, high ponytail, ponytail, hairband, hair between eyes, hair ornament, blue eyes, aqua eyes, sarashi, chest sarashi, japanese clothes, haori, black haori, skirt, black fingerless gloves, gloves, bare shoulders, standing on one leg, tiptoes, leaning forward, outstretched arm, pointing at viewer, head tilt, one eye closed, grin, looking at viewer, futuristic, science fiction, cityscape, neon lights, holographic displays, flying vehicles, from below, wide shot, dutch angle The camera sits low and close to the pavement, tilted a few degrees off level so the verticals of the far towers lean, looking up past a single figure framed head to boots in full body. She is caught mid-moment on tiptoe: her weight rides entirely on the ball of her right foot, the left leg lifted and folded back behind her at the knee, toes pointed down and clear of the ground; her torso pitches forward over that supporting ankle, the long black haori swinging away from her back with the lean, its hem lifted and its wide sleeve sliding down her raised arm. That raised right arm reaches up and out toward the lens, elbow locked, black fingerless-gloved hand shaped into a pointing gesture with the index finger extended at the viewer and the other fingers curled; her left hand rests low, knuckles against her hip, gripping the edge of the skirt fabric. Her blonde hair is pulled into a high ponytail cinched by its hairband, the tail swept sideways and floated upward by the drag of her pitch and the updraft off the street, loose strands between her eyes flicking across her brow; the small hair ornament sits above one temple. Her head tips to her left shoulder, chin lifted, one blue eye squeezed shut and the other open and bright, fixed straight down the line of her pointing finger into the viewer, a wide one-sided grin pulling her cheek. The wrap of her chest sarashi and the layered Japanese clothes over the dark skirt are drawn close to her body by the rush of air, cloth edges fluttering. She stands at the edge of a raised pedestrian walkway in a future city at night: a seamless sweep of pale composite decking in the foreground carrying her single hard cast shadow, low glass parapets, and behind her a canyon of towers of frosted alloy and glass, their facades panelled with cool blue and teal light strips and stacked holographic displays whose signage is soft, illegible glow. Slender flying vehicles cross the gap between buildings as thin bright streaks, their running lights trailing faint motion lines. The light has two directions, both accounted for: a cold cyan-white glow from the tower faces and holo panels behind her rims the edge of her ponytail, her shoulders and the outer line of the raised arm, while a warm amber street lamp below and to her right throws the warmer key across the front of her face, her sarashi and her forward knee. Reflected light from the glass parapet grazes the undersides of her lifted leg and the hem of the haori. Beyond the lamp's reach, the sky between the towers deepens to near-black, and the holographic images double faintly on the polished deck where it is wet. Palette is disciplined: cool cyan and teal from the architecture, warm amber from below, black haori and blonde hair providing the two strongest values between them. The detail budget concentrates on the gesture — the foreshortened pointing hand, the taut line of the arm, the spread toes of the supporting foot and the compression of the boot sole against the deck — while the distant city is simplified into big shapes and light strata without flattening. Energetic, bright-eyed.
NOTSTATUS
#zetaCollab#Hololive Production#Kazama Iroha
AI artwork
Avatar image of NOTSTATUS
character: kazama_iroha_(1st_costume) 1girl, solo, full body, kazama iroha (1st costume), blonde hair, long hair, high ponytail, ponytail, hairband, hair between eyes, hair ornament, blue eyes, aqua eyes, sarashi, chest sarashi, japanese clothes, haori, black haori, skirt, black fingerless gloves, gloves, bare shoulders, standing on one leg, tiptoes, leaning forward, outstretched arm, pointing at viewer, head tilt, one eye closed, grin, looking at viewer, futuristic, science fiction, cityscape, neon lights, holographic displays, flying vehicles, from below, wide shot, dutch angle The camera sits low and close to the pavement, tilted a few degrees off level so the verticals of the far towers lean, looking up past a single figure framed head to boots in full body. She is caught mid-moment on tiptoe: her weight rides entirely on the ball of her right foot, the left leg lifted and folded back behind her at the knee, toes pointed down and clear of the ground; her torso pitches forward over that supporting ankle, the long black haori swinging away from her back with the lean, its hem lifted and its wide sleeve sliding down her raised arm. That raised right arm reaches up and out toward the lens, elbow locked, black fingerless-gloved hand shaped into a pointing gesture with the index finger extended at the viewer and the other fingers curled; her left hand rests low, knuckles against her hip, gripping the edge of the skirt fabric. Her blonde hair is pulled into a high ponytail cinched by its hairband, the tail swept sideways and floated upward by the drag of her pitch and the updraft off the street, loose strands between her eyes flicking across her brow; the small hair ornament sits above one temple. Her head tips to her left shoulder, chin lifted, one blue eye squeezed shut and the other open and bright, fixed straight down the line of her pointing finger into the viewer, a wide one-sided grin pulling her cheek. The wrap of her chest sarashi and the layered Japanese clothes over the dark skirt are drawn close to her body by the rush of air, cloth edges fluttering. She stands at the edge of a raised pedestrian walkway in a future city at night: a seamless sweep of pale composite decking in the foreground carrying her single hard cast shadow, low glass parapets, and behind her a canyon of towers of frosted alloy and glass, their facades panelled with cool blue and teal light strips and stacked holographic displays whose signage is soft, illegible glow. Slender flying vehicles cross the gap between buildings as thin bright streaks, their running lights trailing faint motion lines. The light has two directions, both accounted for: a cold cyan-white glow from the tower faces and holo panels behind her rims the edge of her ponytail, her shoulders and the outer line of the raised arm, while a warm amber street lamp below and to her right throws the warmer key across the front of her face, her sarashi and her forward knee. Reflected light from the glass parapet grazes the undersides of her lifted leg and the hem of the haori. Beyond the lamp's reach, the sky between the towers deepens to near-black, and the holographic images double faintly on the polished deck where it is wet. Palette is disciplined: cool cyan and teal from the architecture, warm amber from below, black haori and blonde hair providing the two strongest values between them. The detail budget concentrates on the gesture — the foreshortened pointing hand, the taut line of the arm, the spread toes of the supporting foot and the compression of the boot sole against the deck — while the distant city is simplified into big shapes and light strata without flattening. Energetic, bright-eyed.
NOTSTATUS
#zetaCollab#Hololive Production#Kazama Iroha
AI artwork
Avatar image of NOTSTATUS
character: kazama_iroha_(1st_costume) 1girl, solo, full body, kazama iroha (1st costume), blonde hair, long hair, high ponytail, ponytail, hairband, hair between eyes, hair ornament, blue eyes, aqua eyes, sarashi, chest sarashi, japanese clothes, haori, black haori, skirt, black fingerless gloves, gloves, bare shoulders, standing on one leg, tiptoes, leaning forward, outstretched arm, pointing at viewer, head tilt, one eye closed, grin, looking at viewer, futuristic, science fiction, cityscape, neon lights, holographic displays, flying vehicles, from below, wide shot, dutch angle The camera sits low and close to the pavement, tilted a few degrees off level so the verticals of the far towers lean, looking up past a single figure framed head to boots in full body. She is caught mid-moment on tiptoe: her weight rides entirely on the ball of her right foot, the left leg lifted and folded back behind her at the knee, toes pointed down and clear of the ground; her torso pitches forward over that supporting ankle, the long black haori swinging away from her back with the lean, its hem lifted and its wide sleeve sliding down her raised arm. That raised right arm reaches up and out toward the lens, elbow locked, black fingerless-gloved hand shaped into a pointing gesture with the index finger extended at the viewer and the other fingers curled; her left hand rests low, knuckles against her hip, gripping the edge of the skirt fabric. Her blonde hair is pulled into a high ponytail cinched by its hairband, the tail swept sideways and floated upward by the drag of her pitch and the updraft off the street, loose strands between her eyes flicking across her brow; the small hair ornament sits above one temple. Her head tips to her left shoulder, chin lifted, one blue eye squeezed shut and the other open and bright, fixed straight down the line of her pointing finger into the viewer, a wide one-sided grin pulling her cheek. The wrap of her chest sarashi and the layered Japanese clothes over the dark skirt are drawn close to her body by the rush of air, cloth edges fluttering. She stands at the edge of a raised pedestrian walkway in a future city at night: a seamless sweep of pale composite decking in the foreground carrying her single hard cast shadow, low glass parapets, and behind her a canyon of towers of frosted alloy and glass, their facades panelled with cool blue and teal light strips and stacked holographic displays whose signage is soft, illegible glow. Slender flying vehicles cross the gap between buildings as thin bright streaks, their running lights trailing faint motion lines. The light has two directions, both accounted for: a cold cyan-white glow from the tower faces and holo panels behind her rims the edge of her ponytail, her shoulders and the outer line of the raised arm, while a warm amber street lamp below and to her right throws the warmer key across the front of her face, her sarashi and her forward knee. Reflected light from the glass parapet grazes the undersides of her lifted leg and the hem of the haori. Beyond the lamp's reach, the sky between the towers deepens to near-black, and the holographic images double faintly on the polished deck where it is wet. Palette is disciplined: cool cyan and teal from the architecture, warm amber from below, black haori and blonde hair providing the two strongest values between them. The detail budget concentrates on the gesture — the foreshortened pointing hand, the taut line of the arm, the spread toes of the supporting foot and the compression of the boot sole against the deck — while the distant city is simplified into big shapes and light strata without flattening. Energetic, bright-eyed.
NOTSTATUS
#zetaCollab#Hololive Production#Kazama Iroha

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