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AI art "アビゲイル thigh cutout, zettai ryouiki," featuring #Parasol, #Race Queen, #Fate series, #Fate/Grand Order and #Abigail Williams
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アビゲイル thigh cutout, zettai ryouiki,

#Parasol#Race Queen#Fate series#Fate/Grand Order#Abigail Williams
Avatar image of 鮭男秋刀魚

鮭男秋刀魚

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character: abigail_williams_(fate), copyright: megami_magazine 1girl, solo, abigail_williams_(fate), megami_magazine, chromatic_aberration, eye level, standing, long blonde hair, sidelocks, large childlike blue eyes, blue eyes, holding parasol, one hand on own chest, hand on own chest, exposed shoulders, bare shoulders, sleeveless, black and white bodysuit, skin tight, white side panels, black high-cut front panel, high-cut leotard, black panel narrowing at waist widening over chest, thigh cutout, zettai ryouiki, right leg black tights, left leg white tights, asymmetrical legwear, closed mouth, faint confident smile, looking at viewer, head tilt, indoor, large plaza, huge hall, wall mural, painted outdoor scenery on wall, mini 4wd track, race queen, glossy finish, bright commercial lighting, red and cyan fringes, high contrast, light smile, dutch angle A single girl stands at eye level in a vertiginous indoor plaza, the camera lens dead-level with her eyes so the vast hall opens out behind her shoulders and the floor recedes behind her hips. She is small in build and stands with her weight settled on the white-stockinged left leg, right hip cocked out and right knee slightly bent, the black-stockinged calf carrying no weight at all. Her right hand lifts a pale parasol straight up beside her head, its shaft gripped at the ferrule and its canopy cropped by the top edge of the frame; the ribs cast a faint warm shadow across her left cheek and the blonde of her sidelocks. Her left hand presses flat against her own sternum, fingertips just above the point where the black front of the bodysuit widens into a chest panel, and the gesture pulls her bare left shoulder slightly forward. Her shoulders are fully exposed, rounded and clean, with no sleeve, strap or shawl crossing them. Her long blonde hair falls well past her waist in loose strands, with a heavy symmetric pair of sidelocks framing the jaw and the bangs parted in the center. Her eyes are large, childlike and blue, chin dipped toward the parasol shoulder so she looks out at the lens from under her brow, one corner of her mouth lifted in a faint, composed smile. The costume reads as one continuous black-and-white skin-tight body: the white portion covers both flanks as clean vertical side panels, while the black portion climbs from her crotch like a high-cut swimsuit, narrows to a thin string at the waist, vanishes, then widens again to sheath the chest. Both thighs are bare above the stocking hems, the black on the right and the white on the left rising only to the upper thigh so the bare band of skin reads as a clean horizontal gap on both legs. Nothing drapes over it. A breath's worth of tension shows in the fabric over her ribs, and the white side panels pull faintly against her waist at the twist of her torso. The plaza behind her is enormous and empty of other people: a curving continuous wall painted with an outdoor mural of blue sky, distant trees and rolling hills, so the painted horizon line sits at her shoulder height and the indoor marble floor meets the mural's base in a hard straight seam. To her right, mid-distance, a raised mini 4WD track loops in grey and orange plastic, its banked curve and narrow lane channel visible in sharp perspective, one striped car frozen at the highest point of the ramp. Overhead lights run in receding rows toward a distant vanishing point, and the wall mural repeats into the depth of the hall. Bright commercial lighting floods her from the front-left, glossy and even, picking out specular highlights along the parasol shaft, the white side panels and the white left stocking, while soft grey shadow sits behind her under the chest and along the inner right leg. The palette stays clean and commercial: white, black, warm blonde, sky-blue mural and a single stripe of orange from the track. Red and cyan color fringing shivers along her silhouette against the mural — strongest on the parasol edge and the ends of her hair, thinning across the center of the frame. Effortlessly poised.
Show Parameters
Original Prompt
1girl, solo, abigail_williams_(fate), megami_magazine, chromatic_aberration, eye level, standing, long blonde hair, sidelocks, large childlike blue eyes, blue eyes, holding parasol, one hand on own chest, hand on own chest, exposed shoulders, bare shoulders, sleeveless, black and white bodysuit, skin tight, white side panels, black high-cut front panel, high-cut leotard, black panel narrowing at waist widening over chest, thigh cutout, zettai ryouiki, right leg black tights, left leg white tights, asymmetrical legwear, closed mouth, faint confident smile, looking at viewer, head tilt, indoor, large plaza, huge hall, wall mural, painted outdoor scenery on wall, mini 4wd track, race queen, glossy finish, bright commercial lighting, red and cyan fringes, high contrast, light smile, dutch angle A single girl stands at eye level in a vertiginous indoor plaza, the camera lens dead-level with her eyes so the vast hall opens out behind her shoulders and the floor recedes behind her hips. She is small in build and stands with her weight settled on the white-stockinged left leg, right hip cocked out and right knee slightly bent, the black-stockinged calf carrying no weight at all. Her right hand lifts a pale parasol straight up beside her head, its shaft gripped at the ferrule and its canopy cropped by the top edge of the frame; the ribs cast a faint warm shadow across her left cheek and the blonde of her sidelocks. Her left hand presses flat against her own sternum, fingertips just above the point where the black front of the bodysuit widens into a chest panel, and the gesture pulls her bare left shoulder slightly forward. Her shoulders are fully exposed, rounded and clean, with no sleeve, strap or shawl crossing them. Her long blonde hair falls well past her waist in loose strands, with a heavy symmetric pair of sidelocks framing the jaw and the bangs parted in the center. Her eyes are large, childlike and blue, chin dipped toward the parasol shoulder so she looks out at the lens from under her brow, one corner of her mouth lifted in a faint, composed smile. The costume reads as one continuous black-and-white skin-tight body: the white portion covers both flanks as clean vertical side panels, while the black portion climbs from her crotch like a high-cut swimsuit, narrows to a thin string at the waist, vanishes, then widens again to sheath the chest. Both thighs are bare above the stocking hems, the black on the right and the white on the left rising only to the upper thigh so the bare band of skin reads as a clean horizontal gap on both legs. Nothing drapes over it. A breath's worth of tension shows in the fabric over her ribs, and the white side panels pull faintly against her waist at the twist of her torso. The plaza behind her is enormous and empty of other people: a curving continuous wall painted with an outdoor mural of blue sky, distant trees and rolling hills, so the painted horizon line sits at her shoulder height and the indoor marble floor meets the mural's base in a hard straight seam. To her right, mid-distance, a raised mini 4WD track loops in grey and orange plastic, its banked curve and narrow lane channel visible in sharp perspective, one striped car frozen at the highest point of the ramp. Overhead lights run in receding rows toward a distant vanishing point, and the wall mural repeats into the depth of the hall. Bright commercial lighting floods her from the front-left, glossy and even, picking out specular highlights along the parasol shaft, the white side panels and the white left stocking, while soft grey shadow sits behind her under the chest and along the inner right leg. The palette stays clean and commercial: white, black, warm blonde, sky-blue mural and a single stripe of orange from the track. Red and cyan color fringing shivers along her silhouette against the mural — strongest on the parasol edge and the ends of her hair, thinning across the center of the frame. Effortlessly poised.
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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