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AI art "Jia Xichu" featuring #Limbus Company, #Project Moon, #Hong Lu, #Jia Xichun and #zetaCollab

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Jia Xichu

시춘이가 강해진 세계선!

Contest Entry

PixAI × zeta Original Character Creation Contest 2026

#Limbus Company #Project Moon #Hong Lu #Jia Xichun

Published on Oct 28, 2026

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character: hong_lu_(project_moon), jia_xichun_(project_moon), jia_xichu_(limbus_company), hong_lu(limbus_company), copyright: limbus_company 1girl, 1boy, jia_xichu, hong_lu, giant, giantess, 4meter tall girl, tall girl, extremely tall female, height difference, size difference, maid, maid outfit, maid headdress, frilled apron, big chest, giant chest, giant boobs, biggest boobs, giant ass, big hips, wide hips, sexy thighs, thick thighs, sexy, kawaii, wink, one eye closed, finger hearts, hand heart, hug, holding boy under arm, carrying under arm, side hug, tucked under arm, long hair, black hair, multicolored hair, white streaks, double bun, twin tails, very long hair, hair bun, pink eyes, chinese clothes, black dress, red shrug, long sleeves, black shoes, black hair, ponytail, very long hair, high ponytail, aqua eyes, heterochromia, black eyes, white shirt, collared shirt, long sleeves, coat, pants, from below, low angle, cowboy shot, dutch angle, (looking at viewer), playful, ((high quality)), ((super detailed)), The camera sits low and close, tilted slightly off level so the floor line skews across the bottom of the frame, and the whole picture runs upward into a four-meter-tall woman in a maid uniform who fills the vertical band of the composition while a small figure is held against her side. She stands with her weight carried on her left leg, right hip pushed out and one knee slack, torso turned three-quarters toward the lens, chin dipped and turned so the wink reads cleanly: her left eye shut behind a lowered cheek, right eye wide and bright pink, fixed straight at the viewer with a teasing tilt of one brow and a lopsided closed-lip smile that shows a sliver of teeth. Her right arm is bent up at the elbow and her hand is lifted level with her chest, fingers curled down into a crisp heart shape, thumb and fingertips pinched together, the small heart opening facing the lens so the negative space between her fingers reads as the heart. Her left arm is wrapped down and around the smaller man's waist and ribs, forearm clamped across him, and he hangs tucked against her left hip under her armpit, his shoulder jammed into the curve of her side and one of his arms hooked loosely over her forearm while the other dangles free. His head is at the height of her waist, tilted up, aqua eye and black eye both open, looking up along the line of her arm toward her face, mouth a small startled o. He wears his white collared shirt, long sleeves buttoned at the wrist, an open coat over it and dark pants; his long black hair is pulled back into a high ponytail that hangs down the outside of her thigh, the tail swinging slightly out from her dress. She wears a frilled black maid dress with a white apron and a maid headdress, long sleeves, a short red shrug over the shoulders, black shoes; the dress pulls tight across an enormous chest that overhangs her waist and stretches taut over huge hips and a heavy rear, the skirt flaring wide and straining at the seams, her bare thighs thick and full where the fabric rides up. Her long black hair is streaked white and gathered into twin buns above her ears with a loosened tail falling all the way to her calves, several strands lifted away from her shoulder as she turns. The two of them are boxed in close by a single warm key light from above and behind camera-left: it rims the top of her buns and the crown of his head in a pale warm edge, drops a hard shadow of her arm across his shirt where it crosses him, and shadows the underside of her chest and the inner fold of her skirt, while the far right of the frame falls into a soft dim falloff. Behind them is a plain interior wall of cool grey-blue in shallow depth of field, a single blurred horizontal line of baseboard crossing at hip height, no clutter and no other figures. Only the surfaces facing that one lamp are bright; the panel behind her shoulders stays two stops down and the shadow she casts on the wall behind her right side is soft, wide and slightly larger than her. Palette is black, white, warm red and pale pink against the cool wall, with the pink of her eyes and the red of the shrug as the only saturated accents. The fabric of the apron bunches and creases where her arm clamps the boy against her, drawn taut at the point of contact. Effortlessly stylish, playful.

Jia Xichu

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