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🩵❤💉
I love this man 🩷❤
Show Parameters
- Size
- 1024 x 1024
- Sampling Steps
- 16
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA used
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❤🩵💉
b33c0nsum3r
zc
copyright: scp_foundation
1boy, solo, plague doctor, long black hooded robe, white beaked crow mask, holding syringe, hood up, beak mask, from below, close-up, cowboy shot, three-quarter view, looking at viewer, head tilted down, gloved hand, black leather gloves, dark fabric folds, low key lighting, chiaroscuro, cold palette, vertical composition, dutch angle, ominous
The camera sits low, looking up, and the figure fills the frame from mid-thigh to the top of the hood: a lone boy in a long black hooded robe, three-quarters turned, head tilted down so the white beaked crow mask points straight at the lens. The hood's heavy black fabric is drawn up over the crown of the head, its front edge casting a hard shadow across the mask's brow, so only the mask's curve and the slit of its two eye holes catch the light; beneath the hood's lip the mask's long beak juts forward and down, its white surface scuffed at the tip, tapering to a point that nearly meets the viewer's eye line in foreshortening. The robe hangs to the ankles in thick, matte black folds, its hem broken where one knee presses forward through the cloth; a rope cord cinches the waist, and the sleeves swallow the arms to the wrists. The right hand is raised across the chest, elbow bent, black-gloved fingers wrapped around a glass syringe held upright, thumb braced against the plunger flange, the needle rising past the collarbone toward the bottom edge of the beak; a thin bright line runs down the glass barrel where a single low light source grazes it from the upper left, and the metal needle catches a pinpoint highlight. The left arm hangs at the side, gloved hand slightly open, half lost in shadow against the robe.
The only light is a single cold source from upper left, behind and above the viewer's shoulder, rimming the left edge of the hood and the left side of the beak while the right side of the mask and the whole front of the robe fall into deep charcoal shadow; no fill light, the background a near-black void with a faint suggestion of a stone wall receding out of focus at the right edge. The palette holds to white mask, black robe, glass and steel, and the muted blue-grey of the shadows, nothing else admitted. The gaze of the mask's dark eye holes is fixed on the viewer. Ominous, clinical stillness.
Ziro Chan
高
1boy, solo, male, plague doctor mask, long beak mask, round glass eye lenses, winged hat, feathered cap, wide-brimmed hat, black feathers, black duster coat, coat draped over shoulders, sleeves empty, arms through not worn, iron club, kanabo, spiked club, club resting over one shoulder, sitting, relaxed, at ease, leaning back, crossed legs at the ankle, one knee raised, gloved hand hooked on the club's grip, head tilted back, looking up, from below, low angle, cowboy shot, three-quarter view, dim interior, wooden crate, straw, lantern light, warm amber key light, deep shadow, black and amber palette, dust motes, smoke, still, quietly menacing
The camera sits low near the floor and looks up at a three-quarter angle: one lone man lounging back on a low stack of wooden crates, knees apart, right knee raised with the boot planted on the crate edge, left leg stretched out with the ankles crossed, weight sunk into his hips rather than held upright. The black duster coat is draped over his shoulders rather than worn -- both sleeves hang empty and swing slightly forward of his torso, the collar riding high behind his neck, the hem spilling over the crate's front edge and creasing where his seat compresses the straw. His right hand, gloved, is cocked up near his jaw with the fingers hooked around the leather-wrapped grip of a heavy iron club; the studded shaft runs back over his right shoulder and behind the feathered brim, so the spiked head is lost past his silhouette at the top edge of the frame while the butt end hangs down across his back -- the club is carried, not swung, its weight visibly transferred into his wrist and shoulder. The plague doctor mask covers his whole face: a long curved beak tipped down toward the collarbone, two round glass lenses catching two small hot points of lantern light, the leather hood strapped tight under the hat. The wide-brimmed hat sits low, and its two black-feathered wings sweep up and back from the crown, the near one bent slightly by the tilt as the brim presses the mask down. His head is tipped back and to one side against the high collar, chin lifted, lenses angled up and off to the upper left of the frame, aimed at nothing in the room -- the posture of a man listening to a distant sound rather than watching for it. A mild asymmetry: one shoulder dropped lower than the other under the coat, a slow exhale in the set of the beak.
The room is small and close: rough plank walls behind him, a few crates and a bale of straw in the midground, an open shutter or gap in the wall at the upper left letting a thin cold draft in. A single lantern sits on a crate at his right, low and close to the floor, and it is the only light source -- it throws warm amber up onto the underside of the beak, the lenses, the near cheek of the mask, the inside of the coat collar, and the studs along the club's shaft, while the top of the hat, the far arm and everything behind his spine fall into a darkness that stays absolute beyond the lantern's pool. The lantern's cast shadow of the club stretches long and thin across the wall behind his shoulder, its spikes fanned sharp. Dust motes drift in the beam and hang still. Palette: black leather, black feathers, iron grey, and the amber of lantern light, nothing else admitted. Fine grained shading with clean edges on the leather and feathers, a soft glow bloom on the lenses only.
Quiet, heavy, at ease.
高橋一誠
Doctor
Tà vương chân nhân
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(mai)
✦ · 🌹 ☕ 𓆩 ✧
(mai)
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