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View detailsTeodor
Show Parameters
- Original Prompt
- Dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, 1boy, freckles, dark brown tails, six tails, dark brown animal ears, fox ears **(no human ears)**, white animal ear fluff, light skin, red eyeshadow, lips, forest, autumn, autumn leaves, orange kimono, brown haori, japanese umbrella, sharp fingernails,
- Mode
- pro
- Quality Tag
- ๏นPrompts๏น
- Size
- 1232 x 1632
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show more1boy, solo, kitsune, dark brown hair, very long hair, curly hair, messy curly hair, orange eyes, glowing eyes, glowing orange eyes, slit pupils, red eyeshadow, freckles, light skin, lips, dark brown fox ears, fox ears on top of head, white ear fluff, bare temples, smooth human ear-less sides of head, six tails, six dark brown tails, sharp fingernails, pointed natural nails, orange kimono, brown haori, holding umbrella, open japanese umbrella, umbrella over head, rain, autumn, autumn leaves, village, pavement, wet stone pavement, from below, cowboy shot, looking up, head tilted back, walking, wooden geta, paper umbrella ribs, rain streaks, fallen maple leaves, puddles, overcast sky, moody atmosphere
The camera looks up at him from just below knee height on the wet pavement of a village lane, a cowboy shot framing him from the thighs up with the open Japanese umbrella canopying above his head and the gray sky behind it. He walks toward the camera along the stone-paved lane, caught mid-step: his weight is on his right leg with the left knee lifted and the geta's wooden tooth about to strike the wet stone. His right hand grips the umbrella's bamboo shaft at chest height, forearm angled up, thumb hooked over the handle, and the open paper canopy tilts back over his shoulders so its pale ribs fan out against the clouds; his left hand hangs loose at his side, fingers relaxed, each sharp natural nail catching a thin rim of light along its tapered tip. Six dark brown tails rise behind him and curl outward like a fan, their fur beaded with fine droplets, the lowest tail sweeping close to the pavement and its tip trailing in a puddle, a small wake of ripples spreading from where the fur has just broken the surface. His fox ears stand upright from the top of his head, dark brown with tufts of white fluff spilling from their inner edges, and the sides of his head where human ears would sit are smooth and bare, unbroken skin beneath the curls. Very long dark brown hair falls in heavy loose curls past his waist, flattened and darkened by the rain into wet ringlets that stick to his cheeks and shoulders, one curl plastered across the haori's brown wool collar. He has light skin dusted with freckles across the nose and cheeks, glowing orange eyes with narrow slit pupils looking up and slightly past the camera lens, red eyeshadow smudged soft at the outer corners, lips parted just enough to show a glint of breath as he squints gently against the drizzle.
The village runs behind him in layered depth: dark timbered houses with tiled roofs on either side, a paper lantern glowing faintly under one eave, and the stone pavement stretching back into gray mist, its seams dark with standing water. Autumn is everywhere in the frame -- maple branches reach over the lane in red and burnt-orange, leaves plastered flat to the wet stones around his feet, others drifting down and one caught spinning against the umbrella's underside where the rain runs off its rim in a continuous beaded curtain. The light is flat and overcast from a single diffused sky above, slightly cooler gray in the background and warmer where the orange of his kimono and the red of the leaves bleed into the wet pavement's reflections; the underside of the paper umbrella glows a soft translucent cream where the daylight passes through it, and beneath its edge his face sits in a gentle shadow that the glowing orange of his eyes cuts through.
Detail budget sits on his face, the curl-plastered hair, the grip of his fingers on the bamboo shaft and the way the tails and their wet tips interact with the puddles; the village beyond simplifies into silhouettes and misted color. A single variable to read: the rain slides down the umbrella's oiled paper in thin channels and drips only from the lowest point of its rim, so a clear ring of dry stone is visible around the umbrella's edge while everything outside it is soaked. Quiet, rain-soaked, subtly otherworldly.
Teodor
1boy, solo, kitsune boy, dark brown hair, very long curly hair, hair spread wide by motion, orange eyes, glowing eyes, slit pupils, freckles, light skin, red eyeshadow, lips, dark brown fox ears, white animal ear fluff, fox ears only, no human ears, bare temple where an ear would be, six tails, dark brown tails, claws, orange kimono, haori, geta, walking, holding japanese umbrella, from below, profile, autumn forest, autumn leaves, falling leaves, warm dappled light, low angle, cowboy shot
Seen from below and slightly to his left, in profile, the kitsune boy walks left-to-right along a leaf-strewn forest path, caught mid-stride: his front geta is planted with the toe lifted clear of the ground, the back geta just leaving it, one wooden tooth of each sandal printing its exact footprint into the damp leaf litter โ the one piece of physics in the frame, every print a two-toed punctuation mark behind him. His weight is on that front foot; his hip is pushed slightly forward under the orange kimono, the hem swinging ahead of him with the stride, so the fabric bellies away from his shin and the collar sits open at his throat. His right hand grips the umbrella's bamboo shaft, dark brown lacquer handle, his knuckle raised and the black claws curling over the wood; the umbrella is held low and tilted back over his shoulder, its oiled-paper canopy a deep autumn red with a faint chrysanthemum pattern, the ribs catching the light along the top. His left arm hangs loose, claws just brushing the fold of his haori โ a short haori in a darker russet-brown over the orange kimono, its sleeve sliding back so a long, sharp black claw-point shows at each fingertip. His very long curly dark brown hair spills past his hips, coil over coil, swinging behind him with the walk and lifting slightly at the ends from the draft of his motion; the dark brown fox ears stand upright on his skull, their white fluff fanning forward with the breeze, and the sides of his head where human ears would be are smooth and bare. His six dark brown tails fan out behind and to the right, overlapping, their tips curled upward, the low backlight catching the rim of each one in a warm fringe. He looks forward down the path, chin turned slightly toward the tree line, head in profile, lashes half-lowered; his lips are closed and faintly smiling at the corner, red eyeshadow sharp under his brow, freckles scattered across his nose and cheek in the open light.
The forest around him is mid-autumn at late afternoon: tall bare-branched and half-leafed trunks recede in receding layers, the midground a wall of red, ochre and amber maple and ginkgo foliage, a leaf-strewn earthen path curving away to the left behind him, autumn leaves falling and a few caught in the air near his shoulder. The light comes from low behind and above the trees on the right, slanting warm orange shafts through the canopy; it strikes the back of his tails, the near edge of his cheek and the oiled paper of the umbrella, and throws a long soft shadow forward across the path in front of him, dappled by leaves. His glowing orange eyes are the one light in the frame that has no source โ brighter in the shade, their slit pupils dark against it. The palette is locked: dark brown for hair, ears and tails, orange in the kimono, umbrella canopy and falling leaves, russet-brown in the haori, bone-white in the ear fluff on the one clean pale note, everything else warm autumnal shadow. Detail budget on the claws, the geta contact, the face in profile, and the tails' rim light; the far forest simplified to soft depth. Quiet, golden, faintly uncanny.
Teodor
1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot,
The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn โ left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip.
Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor
(amazing quality, absurdres, cinematic lighting), detailed face, highly detailed eyes, expressive eyes, flawless skin, glossy lips, silky hair, intricate details, soft lighting, elegant, dreamy, long eyelashes, detailed pupils, Dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, claws, 1boy, freckles, dark brown tails, six tails, dark brown animal ears, fox ears **(no human ears)**, white animal ear fluff, light skin, red eyeshadow, lips, forest, autumn, autumn leaves, orange kimono, brown haori, japanese umbrella
Teodor
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