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AI artwork featuring #Breasts, #blush, #brown hair, #Oversized sleeves, #Bare legs, #Girl, #couch, #Averting eyes, #Dandadan and #Momo Ayase
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Momo Ayase, Dandadan

#Breasts#blush#brown hair#Oversized sleeves#Bare legs#Girl#couch#Averting eyes#Dandadan#Momo Ayase
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Yorizo

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character: ayase_momo, copyright: dandadan 1girl, solo, sitting, oversized black hoodie, hoodie only, long hoodie, hoodie riding up, bare thighs, thick thighs, large breasts, breasts hidden under clothes, loose clothing, slim waist, wide hips, short hair, dark red hair, auburn hair, messy hair, brown eyes, hair between eyes, crossed bangs, lightly embarrassed, blush, looking away, looking to the side, half-closed eyes, parted lips, head tilt, knees together, hands between thighs, clutching hem, barefoot, toes curled, indoor, soft lighting, warm lamp light, couch, casual atmosphere, glossy skin, soft cel shading, sharp linework, high detail, adult ova still, from above, cowboy shot, dutch angle Shot from above and slightly off-axis in a gentle dutch tilt, the camera looks down across a low beige couch in a warm, lived-in living room, the frame cropping her at mid-thigh so her bare legs hold the lower third. She sits angled three-quarters away from the lens, weight settled onto her right hip, left leg folded under her and right knee drawn up, both smooth bare thighs sliding out from beneath the long black hoodie where its hem has ridden up into a soft bunch across her lap; her hands are pushed down between her closed knees, fingers curling into the hem as though she has just tugged it and given up. The oversized black hoodie swallows her shoulders and drops a slack cowl of fabric over her chest, the loose cotton tenting softly and hiding the weight of her large breasts beneath it, while the garment narrows to a hint of slim waist before flaring wide over her hips. Her short dark red auburn hair is slightly messy, a few strands lifted out of place and one lock falling across her cheek; her chin is turned toward the far arm of the couch so she looks away from the viewer toward a point off-frame, lashes lowered, a faint closed-mouth purse to her lips, and a warm blush spreading across her cheeks and the bridge of her nose. A single table lamp behind and to the left of the couch is the main light: it rims the loose shoulder of the hoodie and the edge of her jaw in warm amber, lays a soft sheen along her exposed thighs where the light grazes the top of them, and lets the far side of her face and the folds under the hem fall into gentle brown shadow, the room beyond dissolving into dim warm wall. Palette held to black cotton, warm skin tones, dark auburn red and the beige-and-amber of the room, nothing else admitted. Quiet, bashful warmth.
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Original Prompt
Dandadan, Momo Ayase sitting in Kaleb’s house wearing an oversized black hoodie, short dark red auburn hair slightly messy, large soft breasts hidden under the loose hoodie, slim waist, wide hips, smooth thighs exposed. The black hoodie is long but rides up, light focus on her bare thighs. She has a lightly embarrassed expression, blushing a little, looking away. Soft indoor lighting, casual atmosphere. Full-color anime hentai, soft cel shading, glossy skin, sharp line work, high-detail adult OVA still.
Mode
flash
Size
1824 x 1104
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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意天
1girl, solo, dimly lit room, dark room, oversized oatmeal-colored chunky knit sweater, thick cable knit sweater, sweater neckline slipping off shoulder, one shoulder bare, both shoulders bare, fair rounded shoulders, deep cleavage, very full bust, voluptuous, bare thighs, bare legs, no pants, crouching in corner of sofa, curled up, knees drawn up, hands clutching sweater neckline, gripping collar at the throat, half-hiding face, face hidden behind sweater collar, hiding mouth, shy, embarrassed, flushed cheeks, red blush across cheeks and nose, innocent timid gaze, looking up at viewer, large eyes, light hazel-brown eyes, glossy wet-looking eyes, raised inner brows, long chestnut brown hair, slightly wavy hair, hair falling over one shoulder, beautiful refined facial features, delicate skin texture, soft warm yellow lamp light, warm amber rim light, from above, close-up, cowboy shot, Korean-style aesthetic thick-paint illustration, The camera looks down from above into the corner of a sofa in a dim room, so the whole vault of the unlit ceiling is left out of frame and the girl is small inside the pooled light. One woman only, no one else anywhere in the room. She is wedged into the deep angle where the sofa's back cushion meets its arm, knees drawn up and folded to one side, her weight dropped onto her right hip, her left foot tucked under her right thigh, her back pressed flat against the cushion behind her. Both hands are bunched into the loose collar of the sweater, one fist on each side of it, knuckles pale from the grip; her left fist pulls the collar up across her mouth and nose, not quite covering it, and her right fist drags the neckline down off her left shoulder. The whole oversized oatmeal knit rides on her: the collar is stretched wide and has slid off her left shoulder onto her bare upper arm, leaving both pale round shoulders out in the open, and the coarse cable-knit body sags in deep vertical folds over the full curve of her chest, the yarn stretched thin at the strain point above the deep shadow of her cleavage. Below the hem, two bare white thighs press together, one knee higher than the other, smooth and catching a soft highlight along the top of the uppermost thigh. Her face is tipped down and then lifted a little toward the lens, so the eyes arrive first and the collar eats the lower half of her expression: the mouth is entirely hidden behind the knit and only the tip of her nose shows over the wool. Her large light hazel-brown eyes are wide and watery, the inner corners lifted, lashes dark; the two ends of her brows pinch upward and inward. Her cheeks are washed with a deep, hot blush that spreads across the bridge of the nose and up onto her ears, and the tips of her ears are red too. She is not frightened anywhere in the frame -- the eyes are soft and lowered-lidded with embarrassment, the shoulders hunched high and drawn in, no widened white, no tension in the brow. Her gaze slides up to the viewer and then edges away, half-committed; a few strands of her long, slightly wavy chestnut hair slide forward over the bare shoulder and lie across the collar. The room beyond the lamp is swallowed in darkness: the only light source is a table lamp off to the right of the frame, its warm yellow glow spilling across the cushion tops, the knit, and the side of her face, so the lit shoulder and the upper thigh are honey-coloured while the far side of her cheek, the back of the sofa and the wall behind her fall into a brown-black falloff. No window, no second source; the corners stay empty. The palette is oatmeal, warm amber, and the deep umber of the shadows against fair skin and warm chestnut hair, and the knit's heavy brushstrokes carry more detail than anything behind her. Also on the tag channel: sweater paws, gripping clothes, biting own sweater, hidden mouth, lower lip hidden, blush, ^ ^, shy, no fear, trembling, quiet, tender.
意 天
AI artwork
意天
1girl, solo, dimly lit room, dark room, oversized oatmeal-colored chunky knit sweater, thick cable knit sweater, sweater neckline slipping off shoulder, one shoulder bare, both shoulders bare, fair rounded shoulders, deep cleavage, very full bust, voluptuous, bare thighs, bare legs, no pants, crouching in corner of sofa, curled up, knees drawn up, hands clutching sweater neckline, gripping collar at the throat, half-hiding face, face hidden behind sweater collar, hiding mouth, shy, embarrassed, flushed cheeks, red blush across cheeks and nose, innocent timid gaze, looking up at viewer, large eyes, light hazel-brown eyes, glossy wet-looking eyes, raised inner brows, long chestnut brown hair, slightly wavy hair, hair falling over one shoulder, beautiful refined facial features, delicate skin texture, soft warm yellow lamp light, warm amber rim light, from above, close-up, cowboy shot, Korean-style aesthetic thick-paint illustration, The camera looks down from above into the corner of a sofa in a dim room, so the whole vault of the unlit ceiling is left out of frame and the girl is small inside the pooled light. One woman only, no one else anywhere in the room. She is wedged into the deep angle where the sofa's back cushion meets its arm, knees drawn up and folded to one side, her weight dropped onto her right hip, her left foot tucked under her right thigh, her back pressed flat against the cushion behind her. Both hands are bunched into the loose collar of the sweater, one fist on each side of it, knuckles pale from the grip; her left fist pulls the collar up across her mouth and nose, not quite covering it, and her right fist drags the neckline down off her left shoulder. The whole oversized oatmeal knit rides on her: the collar is stretched wide and has slid off her left shoulder onto her bare upper arm, leaving both pale round shoulders out in the open, and the coarse cable-knit body sags in deep vertical folds over the full curve of her chest, the yarn stretched thin at the strain point above the deep shadow of her cleavage. Below the hem, two bare white thighs press together, one knee higher than the other, smooth and catching a soft highlight along the top of the uppermost thigh. Her face is tipped down and then lifted a little toward the lens, so the eyes arrive first and the collar eats the lower half of her expression: the mouth is entirely hidden behind the knit and only the tip of her nose shows over the wool. Her large light hazel-brown eyes are wide and watery, the inner corners lifted, lashes dark; the two ends of her brows pinch upward and inward. Her cheeks are washed with a deep, hot blush that spreads across the bridge of the nose and up onto her ears, and the tips of her ears are red too. She is not frightened anywhere in the frame -- the eyes are soft and lowered-lidded with embarrassment, the shoulders hunched high and drawn in, no widened white, no tension in the brow. Her gaze slides up to the viewer and then edges away, half-committed; a few strands of her long, slightly wavy chestnut hair slide forward over the bare shoulder and lie across the collar. The room beyond the lamp is swallowed in darkness: the only light source is a table lamp off to the right of the frame, its warm yellow glow spilling across the cushion tops, the knit, and the side of her face, so the lit shoulder and the upper thigh are honey-coloured while the far side of her cheek, the back of the sofa and the wall behind her fall into a brown-black falloff. No window, no second source; the corners stay empty. The palette is oatmeal, warm amber, and the deep umber of the shadows against fair skin and warm chestnut hair, and the knit's heavy brushstrokes carry more detail than anything behind her. Also on the tag channel: sweater paws, gripping clothes, biting own sweater, hidden mouth, lower lip hidden, blush, ^ ^, shy, no fear, trembling, quiet, tender.
意 天
AI artwork
意天
1girl, solo, dimly lit room, dark room, oversized oatmeal-colored chunky knit sweater, thick cable knit sweater, sweater neckline slipping off shoulder, one shoulder bare, both shoulders bare, fair rounded shoulders, deep cleavage, very full bust, voluptuous, bare thighs, bare legs, no pants, crouching in corner of sofa, curled up, knees drawn up, hands clutching sweater neckline, gripping collar at the throat, half-hiding face, face hidden behind sweater collar, hiding mouth, shy, embarrassed, flushed cheeks, red blush across cheeks and nose, innocent timid gaze, looking up at viewer, large eyes, light hazel-brown eyes, glossy wet-looking eyes, raised inner brows, long chestnut brown hair, slightly wavy hair, hair falling over one shoulder, beautiful refined facial features, delicate skin texture, soft warm yellow lamp light, warm amber rim light, from above, close-up, cowboy shot, Korean-style aesthetic thick-paint illustration, The camera looks down from above into the corner of a sofa in a dim room, so the whole vault of the unlit ceiling is left out of frame and the girl is small inside the pooled light. One woman only, no one else anywhere in the room. She is wedged into the deep angle where the sofa's back cushion meets its arm, knees drawn up and folded to one side, her weight dropped onto her right hip, her left foot tucked under her right thigh, her back pressed flat against the cushion behind her. Both hands are bunched into the loose collar of the sweater, one fist on each side of it, knuckles pale from the grip; her left fist pulls the collar up across her mouth and nose, not quite covering it, and her right fist drags the neckline down off her left shoulder. The whole oversized oatmeal knit rides on her: the collar is stretched wide and has slid off her left shoulder onto her bare upper arm, leaving both pale round shoulders out in the open, and the coarse cable-knit body sags in deep vertical folds over the full curve of her chest, the yarn stretched thin at the strain point above the deep shadow of her cleavage. Below the hem, two bare white thighs press together, one knee higher than the other, smooth and catching a soft highlight along the top of the uppermost thigh. Her face is tipped down and then lifted a little toward the lens, so the eyes arrive first and the collar eats the lower half of her expression: the mouth is entirely hidden behind the knit and only the tip of her nose shows over the wool. Her large light hazel-brown eyes are wide and watery, the inner corners lifted, lashes dark; the two ends of her brows pinch upward and inward. Her cheeks are washed with a deep, hot blush that spreads across the bridge of the nose and up onto her ears, and the tips of her ears are red too. She is not frightened anywhere in the frame -- the eyes are soft and lowered-lidded with embarrassment, the shoulders hunched high and drawn in, no widened white, no tension in the brow. Her gaze slides up to the viewer and then edges away, half-committed; a few strands of her long, slightly wavy chestnut hair slide forward over the bare shoulder and lie across the collar. The room beyond the lamp is swallowed in darkness: the only light source is a table lamp off to the right of the frame, its warm yellow glow spilling across the cushion tops, the knit, and the side of her face, so the lit shoulder and the upper thigh are honey-coloured while the far side of her cheek, the back of the sofa and the wall behind her fall into a brown-black falloff. No window, no second source; the corners stay empty. The palette is oatmeal, warm amber, and the deep umber of the shadows against fair skin and warm chestnut hair, and the knit's heavy brushstrokes carry more detail than anything behind her. Also on the tag channel: sweater paws, gripping clothes, biting own sweater, hidden mouth, lower lip hidden, blush, ^ ^, shy, no fear, trembling, quiet, tender.
意 天
AI artwork
意天
1girl, solo, dimly lit room, dark room, oversized oatmeal-colored chunky knit sweater, thick cable knit sweater, sweater neckline slipping off shoulder, one shoulder bare, both shoulders bare, fair rounded shoulders, deep cleavage, very full bust, voluptuous, bare thighs, bare legs, no pants, crouching in corner of sofa, curled up, knees drawn up, hands clutching sweater neckline, gripping collar at the throat, half-hiding face, face hidden behind sweater collar, hiding mouth, shy, embarrassed, flushed cheeks, red blush across cheeks and nose, innocent timid gaze, looking up at viewer, large eyes, light hazel-brown eyes, glossy wet-looking eyes, raised inner brows, long chestnut brown hair, slightly wavy hair, hair falling over one shoulder, beautiful refined facial features, delicate skin texture, soft warm yellow lamp light, warm amber rim light, from above, close-up, cowboy shot, Korean-style aesthetic thick-paint illustration, The camera looks down from above into the corner of a sofa in a dim room, so the whole vault of the unlit ceiling is left out of frame and the girl is small inside the pooled light. One woman only, no one else anywhere in the room. She is wedged into the deep angle where the sofa's back cushion meets its arm, knees drawn up and folded to one side, her weight dropped onto her right hip, her left foot tucked under her right thigh, her back pressed flat against the cushion behind her. Both hands are bunched into the loose collar of the sweater, one fist on each side of it, knuckles pale from the grip; her left fist pulls the collar up across her mouth and nose, not quite covering it, and her right fist drags the neckline down off her left shoulder. The whole oversized oatmeal knit rides on her: the collar is stretched wide and has slid off her left shoulder onto her bare upper arm, leaving both pale round shoulders out in the open, and the coarse cable-knit body sags in deep vertical folds over the full curve of her chest, the yarn stretched thin at the strain point above the deep shadow of her cleavage. Below the hem, two bare white thighs press together, one knee higher than the other, smooth and catching a soft highlight along the top of the uppermost thigh. Her face is tipped down and then lifted a little toward the lens, so the eyes arrive first and the collar eats the lower half of her expression: the mouth is entirely hidden behind the knit and only the tip of her nose shows over the wool. Her large light hazel-brown eyes are wide and watery, the inner corners lifted, lashes dark; the two ends of her brows pinch upward and inward. Her cheeks are washed with a deep, hot blush that spreads across the bridge of the nose and up onto her ears, and the tips of her ears are red too. She is not frightened anywhere in the frame -- the eyes are soft and lowered-lidded with embarrassment, the shoulders hunched high and drawn in, no widened white, no tension in the brow. Her gaze slides up to the viewer and then edges away, half-committed; a few strands of her long, slightly wavy chestnut hair slide forward over the bare shoulder and lie across the collar. The room beyond the lamp is swallowed in darkness: the only light source is a table lamp off to the right of the frame, its warm yellow glow spilling across the cushion tops, the knit, and the side of her face, so the lit shoulder and the upper thigh are honey-coloured while the far side of her cheek, the back of the sofa and the wall behind her fall into a brown-black falloff. No window, no second source; the corners stay empty. The palette is oatmeal, warm amber, and the deep umber of the shadows against fair skin and warm chestnut hair, and the knit's heavy brushstrokes carry more detail than anything behind her. Also on the tag channel: sweater paws, gripping clothes, biting own sweater, hidden mouth, lower lip hidden, blush, ^ ^, shy, no fear, trembling, quiet, tender.
意 天

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