Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork
Generate for Free

usermio5814

u5

usermio5814

More to See

Comments

Artist: miyase_mahiro. liberalio (NIKKE), a left fang. A soft anime illustration with thin, slightly warm line art and painterly cel shading, smooth airbrushed gradients on the skin and muted warm colors. 1girl wears a short white camisole slip with thin spaghetti straps edged in pink, pink piping along the neckline and armholes, a small pink bow at the center of the chest, thin fabric that clings to her torso and gathers into soft folds at her waist, and a hem that ends at the top of her thighs. She is sitting on a bed in a distinct W-sitting pose. Her buttocks rest on the mattress between her feet. Both knees are bent and positioned in front of her, with her thighs angled forward and slightly inward. Her lower legs fold backward and spread outward to either side of her hips, with each foot resting beside the corresponding hip and the tops of her feet resting against the bedding. Her legs form a clear W-shaped silhouette when viewed from above. The soft mattress and bedding gently compress beneath her hips, knees and lower legs. Her upper body leans slightly forward. She raises both arms diagonally upward and forward toward the camera, with her elbows naturally bent and her hands positioned above and in front of her head. Her arms extend outward at an oblique angle, forming a wide, natural gesture as she presents a pair of white panties directly toward the viewer. She holds the white panties between both hands, stretching the waistband taut and displaying the garment toward the camera. The hand on the right side of the frame pinches one upper corner of the waistband and lifts it. The hand on the left side of the frame is open, with the palm facing the camera and all five fingers spread, supporting the fabric across her fingertips. The panties have pink trim, a delicate lace edge and a small pink bow at the front. They are held wide open and angled toward the lens, making their shape and details clearly visible. The panties occupy the foreground above her forehead, with both hands visible on either side. She lifts her chin and looks directly into the camera. Her face is tilted upward, and her eyes meet the lens naturally. Her expression remains clearly visible beneath the raised panties, creating direct eye contact with the viewer. The camera is positioned high above her, approximately from a ceiling-level viewpoint, looking steeply downward at an angle of about 75–80 degrees. The camera is slightly toward the front of her face rather than directly behind her head, allowing her upturned face and direct gaze to remain visible. A near-top-down overhead composition with strong perspective and natural foreshortening. Her head, shoulders, raised arms, displayed panties, torso and W-shaped seated legs are all clearly visible from above. Her hands and the panties extend toward the elevated camera and appear closer to the lens. Her knees spread outward on the mattress, while her lower legs fold backward beside her hips, clearly revealing the W-shaped leg arrangement. The bed occupies most of the frame, emphasizing the overhead viewpoint. Vertical portrait composition, pronounced high-angle perspective, clear spatial layering, the entire figure and both hands kept inside the frame. The interior of a cozy bedroom, with the girl sitting on a bed covered in soft, lightly wrinkled bedding. Pillows rest near the headboard, with a neatly arranged duvet gathered naturally around her legs. A bedside table, a small bedside lamp and softly draped curtains establish the bedroom setting. Warm, muted decorative accents and comfortable textiles create a peaceful, lived-in atmosphere. The bed and bedding remain the primary visible environment from the elevated camera position. Warm late-afternoon sunlight enters from the left, creating broad, soft-edged bands of light across the bedding. The light gently illuminates her upturned face, raised arms and white clothing, creating subtle highlights along her left shoulder and arm. Soft natural shadows form beneath her body, around her bent knees and in the folds of the duvet. The atmosphere is slightly hazy, with no visible dust motes and no lens flare. Exactly one girl, five distinct fingers on each hand with correct joints, naturally bent elbows, both arms raised diagonally forward toward the camera, both hands fully visible, the entire pair of panties inside the frame, direct eye contact with the camera, clearly visible face, white camisole slip and white panties clearly readable as separate garments, anatomically coherent W-sitting pose on a bed, buttocks resting on the mattress between the feet, knees bent in front, lower legs folded backward and splayed outward beside the hips, clearly visible W-shaped leg arrangement, elevated camera position, steep 75–80-degree downward viewing angle, near-top-down perspective, no text, no watermark, no background characters.
Show Parameters
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1792 x 2496
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.41k

Similar Images

Show more

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
18#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateRecipeProfile