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AI art "Jewelled Beetle Girl"
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Jewelled Beetle Girl

FIFTH attempt to not get "sensitive". This better work.

Avatar image of Dermot

Dermot

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A full body shot at eye level facing the viewer, featuring an elegant jewel beetle-girl kemonomimi in her 20s standing on the snowy rue de la Paix in 1900 Paris. She has a pear-shaped build with enormous breasts, a small waist, and very wide hips; her luminous beige skin is accented by iridescent emerald plates on her collarbone and the backs of her hands. Her long honey-blonde hair is styled in a chignon with a dragonfly comb, complemented by iridescent green-gold antennae and large, amber-veined membrane wings unfurling from shimmering emerald, gold, and violet beetle wing cases on her back. She wears a high-necked emerald velvet walking gown with leg-of-mutton sleeves and a sweeping skirt, an opal brooch at her throat, and black buttoned boots, with both hands tucked into a white fur muff at her waist. She gazes at the viewer with a serene, dreamy smile and grey eyes with a metallic green sheen. The background features a curving Art Nouveau shopfront with wrought-iron lilies and a glowing gold window displaying opal jewelry, with a horse-drawn fiacre and the Place Vendôme column visible through falling snow. The atmosphere is hushed and romantic, rendered in a luminous wash style with soft watercolor shading, pigment bloom, and a palette of snow blue, window gold, and velvet emerald.
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Original Prompt
A full body shot framed head to toe at eye level. She is a female jewel beetle-girl kemonomimi in her 20s, the most celebrated Art Nouveau jeweller in Paris, whose workshop on the rue de la Paix sets enamel and opals into orchids, dragonflies and beetles, her own wings the finest piece in the house. The image has a Belle Époque and Art Nouveau vibe of Paris in 1900, whiplash curves of wrought iron and stained glass, absinthe cafés and gaslit boulevards, enamel and opal jewellery, the Exposition Universelle glittering beside the Seine, and a jeweller who wears her own masterpiece on her back, and the mood is hushed, glittering and romantic, the first snowfall of the season over the rue de la Paix and her new collection in the window. She is elegant and lovely, a woman with a pear-shaped build: average height, with narrow shoulders, slim arms and a slim upper body, a small waist, very wide hips, a full, rounded bottom and very thick thighs, and enormous, heavy breasts. Her warm beige skin glows in the soft gold light of her shop window, and her face is lovely and luminous, with soft, high cheekbones, large grey eyes framed by long lashes, softly arched honey brows, a small straight nose and full lips curved in a dreamy smile. Her expression is serene and pleased, a dreamy smile. Her very long honey-blonde hair is swept up into a soft, full chignon on the crown with a jewelled dragonfly comb. She wears a high-necked emerald velvet walking gown with leg-of-mutton sleeves, a fitted bodice and a long sweeping skirt, a white fur muff and black buttoned boots, so that only her face and hands are bare. An opal brooch is pinned at her throat. Her makeup is a soft rose blush and a pale berry lip. Two slender, gently curved antennae of iridescent green-gold rise from her honey-blonde hair, a pair of polished jewel-beetle wing cases shimmering emerald, gold and violet curves back from her shoulder blades like a jewelled cape, a pair of very large, delicate amber-veined membrane wings unfurls wide from between them, fine iridescent emerald plates glint along her collarbone and the backs of her hands, and her grey eyes carry a faint metallic green sheen. The setting is the pavement outside her jewellery house on the rue de la Paix in Paris on a snowy night in 1900, a curving Art Nouveau shopfront of carved wood and wrought-iron lilies, a great window glowing gold and displaying enamel orchid brooches and opal dragonfly combs on velvet, snow falling past the gas lamps, a horse-drawn fiacre waiting at the kerb, and the Place Vendôme column pale at the end of the street. The whole scene is fully detailed. Seen at eye level, facing the viewer, she stands before her glowing shop window with her weight on one hip and both hands in the white fur muff held at her waist, her great amber-veined wings half spread behind her like a second window and snowflakes catching on her antennae, her dreamy smile on the viewer. Window light: the great glowing shop window behind and beside her wraps her in a soft, warm gold light with no hard shadow, gentle on her face, the emerald velvet and the iridescent wing cases, the snowy street cool blue round her. Snow blue dominates, with window gold and velvet emerald as the accents. Luminous Wash style: clean, moderately fine linework over soft watercolour-style shading with visible pigment bleed and bloom at the edges and through the background, a mid-saturation, varied, slightly muted palette of snow blue, window gold, velvet emerald and opal white with a paper-textured quality, and a finish that reads as a true watercolour wash with soft edges and pooling colour.
Mode
standard
Size
1024 x 1024

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.26k

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