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Hatsune Miku, Vocaloid

#Thigh-highs#Twintails#Absolute Territory#standing#Skirt#Hatsune Miku#Boots#Detached sleeves#Thigh-high boots#Very Long Hair#Microphone#Vocaloid#long hair#solo#Aqua hair#Concert#from below#Spotlight#Stage#Necktie#Aqua eyes#Shirt#Bare shoulders#Sleeveless#Girl#Holding#Backlighting#Indoors#Stage lights
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AI artwork
mh
character: hatsune_miku 1girl, solo, hatsune miku, aqua hair, very long hair, floor-length twintails, aqua eyes, aqua nails, painted fingernails, grey shirt, collarless shirt, necktie, aqua necktie, pleated skirt, thighhighs, boots, thigh boots, full body, from below, dutch angle, wide shot, concert, stage, stage lights, turquoise lighting, singing, holding microphone, arm up, head tilt, looking up, open mouth, :d, dynamic pose, hair between eyes, hair ornament, detached sleeves, bare shoulders, sleeveless shirt, backlighting, rim lighting, lens flare, depth of field Low-angle wide shot skewed on a slight dutch tilt, the whole figure of the singer standing full length from the toes of her boots to the tips of her twintails in one frame against the concert stage. She is caught mid-note, spine arched a little back, weight loaded on her right leg while the left boot pushes forward onto the ball of the foot; her right arm is flung up and out toward the bank of stage lights, fingers splayed so the aquamarine nails catch the glow, and her left hand grips a microphone at chest height, forearm crossing her ribcage. Her chin lifts, one side of her jaw catching the light, open-mouthed grin with the upper teeth showing, both eyes angled up along the light beam rather than at the lens. The two aquamarine twintails fall nearly to the stage floor, the one on the far side swinging across her back and out of the frame edge, the near one caught in the rising air so it bellies away from her hip; loose strands lift at the crown. The grey collarless shirt is open at the throat with nothing at the neck but the aquamarine necktie hanging slightly askew in motion, its knot pulled a touch to the left; the pleated skirt flares out to her right as she turns against it, pleats splaying and stacking. Thigh-high boots climb past the knee, their tops compressed very slightly where the skirt hem grazes them. The lighting is the whole world of the picture: a bank of turquoise stage lights behind and above her right shoulder is the only source, so the rim of her hair, the edge of the shirt shoulder and the top plane of the boots glow aquamarine while her front falls into a cool deep-teal shadow, her face lit only by the bounce coming up off the stage floor. Light spills through the haze of theatrical fog in visible cones and picks out drifting dust motes. Behind her, the dark stage recedes into unlit blackness with only the faintest suggestion of scaffolding and a curved rig of unlit lamps, deliberately illegible. Turquoise bleeds into deep cyan and near-black; no other hue is admitted except the white of the stage haze and the grey of the shirt. A single detail holds the physics: her thrown-back shadow lands on the stage floor stretched long and narrow by the low angle, its edge pooling where the fog has settled closest to the boards. Electric, uplifting.
Matheus Henrique
AI artwork
mh
character: hatsune_miku 1girl, solo, hatsune miku, aqua hair, very long hair, floor-length twintails, aqua eyes, aqua nails, painted fingernails, grey shirt, collarless shirt, necktie, aqua necktie, pleated skirt, thighhighs, boots, thigh boots, full body, from below, dutch angle, wide shot, concert, stage, stage lights, turquoise lighting, singing, holding microphone, arm up, head tilt, looking up, open mouth, :d, dynamic pose, hair between eyes, hair ornament, detached sleeves, bare shoulders, sleeveless shirt, backlighting, rim lighting, lens flare, depth of field Low-angle wide shot skewed on a slight dutch tilt, the whole figure of the singer standing full length from the toes of her boots to the tips of her twintails in one frame against the concert stage. She is caught mid-note, spine arched a little back, weight loaded on her right leg while the left boot pushes forward onto the ball of the foot; her right arm is flung up and out toward the bank of stage lights, fingers splayed so the aquamarine nails catch the glow, and her left hand grips a microphone at chest height, forearm crossing her ribcage. Her chin lifts, one side of her jaw catching the light, open-mouthed grin with the upper teeth showing, both eyes angled up along the light beam rather than at the lens. The two aquamarine twintails fall nearly to the stage floor, the one on the far side swinging across her back and out of the frame edge, the near one caught in the rising air so it bellies away from her hip; loose strands lift at the crown. The grey collarless shirt is open at the throat with nothing at the neck but the aquamarine necktie hanging slightly askew in motion, its knot pulled a touch to the left; the pleated skirt flares out to her right as she turns against it, pleats splaying and stacking. Thigh-high boots climb past the knee, their tops compressed very slightly where the skirt hem grazes them. The lighting is the whole world of the picture: a bank of turquoise stage lights behind and above her right shoulder is the only source, so the rim of her hair, the edge of the shirt shoulder and the top plane of the boots glow aquamarine while her front falls into a cool deep-teal shadow, her face lit only by the bounce coming up off the stage floor. Light spills through the haze of theatrical fog in visible cones and picks out drifting dust motes. Behind her, the dark stage recedes into unlit blackness with only the faintest suggestion of scaffolding and a curved rig of unlit lamps, deliberately illegible. Turquoise bleeds into deep cyan and near-black; no other hue is admitted except the white of the stage haze and the grey of the shirt. A single detail holds the physics: her thrown-back shadow lands on the stage floor stretched long and narrow by the low angle, its edge pooling where the fog has settled closest to the boards. Electric, uplifting.
Matheus Henrique
AI artwork
Avatar image of rc
character: hatsune_miku 1girl, solo, hatsune_miku, twintails, floor-length twintails, very long hair, aqua hair, aqua eyes, aqua nails, grey collarless shirt, no collar, pleated skirt, aqua necktie, thigh boots, detached sleeves, sleeveless shirt, belting into microphone, singing, mouth wide open, head thrown back, eyes closed, sweat on face, leaning forward, one arm outstretched, holding microphone, from below, cowboy shot, dutch angle, concert, vast stage, stage lights, sweeping spotlights, huge glowing screens, cheering crowd, crowd waving glowsticks, glowsticks, backlighting, lens flare, rim lighting, night, dark background, dramatic angle, dynamic pose, motion blur in crowd, looking at viewer, intense expression, The camera sits at stage-floor level and looks steeply up: a low-angle cowboy shot, tilted a few degrees into a dutch angle, so the singer towers over the crowd and the arena's whole height opens above her. She fills the frame's center and left, cut at the top of her thigh boots, her body torqued forward and up -- weight driven onto the front of her left boot, right heel lifted off the stage deck, hips swung back, chest open, shoulders pulled back as she arches to throw the note upward. Her head is tilted back, chin high, mouth wide open mid-belt, eyes squeezed shut with the effort, a fine sheen of sweat along her jaw and the bridge of her nose. Her left hand grips the microphone hard, knuckles bent, the mic's grille almost touching her lips, its cable running down and away into the dark; her right arm is flung out and down toward the crowd, fingers splayed, aqua-painted nails catching the light. The floor-length aqua twintails stream out and behind her on both sides, whipped by her movement and by the stage draft, the ends lifting free of the deck; a few strands have come loose and lie across her cheek. The outfit reads exactly: a plain grey collarless shirt, open bare at the throat with nothing at the collar, its long sleeves pushed to the wrists; a short pleated skirt flaring with the twist of her hips; a slim aqua necktie swinging out from her chest with the momentum of her lean; and tall thigh boots fitted tight to the leg, their tops meeting bare skin above. Light is the stage's own, and it comes from behind and above: two hard white-to-aqua spotlight beams rake down through haze from the rigging, throwing her silhouette sharp at the edges -- a bright aqua rim along her shoulders, the outer edge of both twintails and the tops of her boots -- while her front stays in half-shadow and the haze glows in visible cones. Behind her the vast concert stage recedes in layers: the deck she stands on, monitor wedges and cables at its edge, then the enormous glowing screens rising behind the stage as pale aqua rectangles of light, their glow washing the haze and spilling over the crowd. Below and before her, the cheering crowd is a dense dark mass packed shoulder to shoulder, faces upturned toward her, thousands of glowsticks waving in uneven rhythm -- the rods smearing into short light trails that curve with the wrists' motion, their aqua and white points doubling in the glossy floor of the arena's barricade line. Palette locked to aqua, grey, black and the hot white of the beams, with the crowd's pinpricks of light repeating the same hue; no other color admitted. Mood: euphoric, electric.
rc

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