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AI art "レシピテスト" featuring #Mary Janes, #Dress, #Greyscale and #Twin braids
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レシピテスト

自作レシピテスト中

#Mary Janes#Dress#Greyscale#Twin braids
Avatar image of タキタロウ
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タキタロウ

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1girl, solo, child, elementary school student, blonde hair, long hair, twin braids, neat hair, neat and tidy, simple dress, white sleeveless dress, peter pan collar, knee-length dress, full body, three-quarter view, standing, hands folded at waist, head tilt, light smile, looking to the side, clean background A single young schoolgirl stands in three-quarter view at full body against a seamless pale gray field, her weight settled on her left leg while her right knee bends slightly; both hands are folded at her waist, and a small tilt of her head sends her long blonde twin braids swinging just past her shoulders. Her simple white sleeveless dress falls straight to the knee, its small Peter Pan collar sitting neatly at her throat, and a faint closed-lip smile lifts one corner of her mouth as she looks off to the side. Soft neutral studio light comes from the upper left, laying a gentle contact shadow under her shoes and leaving the rest of the field clean and empty.
Show Parameters
Original Prompt
金髪三つ編みの清楚な女の子。小学生。シンプルなワンピース姿。
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.25k

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character: indou_hikaru 1girl, solo, black hair, braided pigtails, twin braids, bangs, dark eyes, intense gaze, parted lips, japanese school uniform, sailor collar, neckerchief, white shirt, long skirt, pleated skirt, high-waisted skirt, waist up, slight close-up, leaning forward, looking at viewer, monochrome, greyscale, manga, traditional media ink, high contrast, heavy inking, hatching, screentone, harsh lighting Viewed in a slight close-up, waist-up framing, the girl leans subtly forward toward the viewer with her shoulders drawn slightly tight. Her pitch-black hair is parted neatly down the center and woven into two dense braided pigtails that drape forward across her collarbones, with fine, ink-drawn wisps clinging to her forehead and temples from the stagnant summer humidity. She wears a traditional Japanese school uniform featuring a stark white short-sleeved top with a dark sailor collar and a knotted neckerchief, neatly tucked into the waistband of a heavy, long pleated skirt whose dark folds compress at her waist and fall past the lower crop. Her wide, heavily lined dark eyes fix directly upon the viewer with deep, solid-ink pupils and a faint, unsettling intensity, her lips slightly parted as if holding her breath. The piece is executed in a psychological horror manga aesthetic with bold, pitch-black ink fills, fine cross-hatching along the contours of her neck and uniform folds, and subtle mechanical screentone textures. Harsh vertical summer sunlight strikes the crown of her head and shoulders, casting crisp, pitch-black shadows beneath her chin, collar, and the crease of her braids against stark paper whites, set against a blown-out white background broken only by scratchy, dark ink silhouettes of summer foliage. Quiet dread.
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Avatar image of むぎ
1girl, solo, full body, from above, standing on one leg, tiptoes, one leg raised behind, leaning forward slightly, head tilt, light smile, half-closed eyes, looking down, shoulder-length hair, medium hair, brown hair, lightly swaying bangs, hair lifted by motion, clean simple one-piece dress, pale blue cotton dress, modest neckline, short sleeves, knee-length skirt, white ankle socks, pastel socks, floral embroidery, embroidered flowers near toes, tiny heart embroidery on sock side, round-toed shoes, brown leather mary janes, ankle strap, soft lighting, warm palette, anime style, plain unadorned ears, bare wrists, high angle, soft ambient daylight, gentle expression, cozy atmosphere Viewed from above at a slight three-quarter angle, the girl fills the frame from crown to shoes, her body leaning forward into the lens as she balances on the toes of her right foot, her left leg lifted and bent behind her knee so the hem of her pale blue cotton dress swings forward and hangs in a soft bell. Her torso tilts toward the camera, weight carried through the ball of the right foot and the strap of her Mary Jane, and both arms hang loosely, fingers curled and relaxed, no hands touching anything. Her shoulders drop, chin tips down and a little to her left, and her gaze slides down and off toward the floor at her raised foot rather than meeting the lens; her right brow sits a fraction higher than the left, lip corners pulled into a faint closed-mouth smile, one eyelid lower than the other. Her shoulder-length brown hair is caught mid-motion, bangs and side locks sifting forward over her forehead and toward her cheek as if lifted by the small turn of her head, some strands grazing the collar of the dress. The dress itself is simple and spotless: a modest round neckline, short sleeves, a plain hem that flares away from her thighs, no pattern on the cotton but the faint softness of the weave. The camera looks down steeply enough that the floor is a broad pale surface behind and beneath her, holding her small cast shadow — narrow at the toe of the planted shoe, widening toward the lifted heel — and the toes of the raised foot curl slightly in the air. Both socks are in plain view: white knit with a soft pastel undertone, snug at the ankle, their tiny embroidered flowers stitched near the toes and a small heart at the outer side of the right sock, the thread standing slightly proud of the knit and catching light along each petal so the stitches read as raised, tactile loops rather than print. The brown leather Mary Janes have rounded bulbous toes, a single thin instep strap fastened with a small buckle, and a soft dull sheen where the leather crowns; a faint scuff lightens the toe of the planted shoe. Light comes from high and slightly behind her left shoulder, diffuse and warm, laying a broad soft highlight along the crown of her head, the tops of her shoulders and the rounded toes of the shoes, while the undersides of her chin, sleeves and hem fall into gentle graded shade and the shadow beneath her stays soft-edged rather than sharp. The palette is warm and low-contrast — pale blue cotton, cream-white socks with blush and butter-yellow thread, cocoa-brown leather, honeyed light on a soft ivory floor — and nothing else is admitted. Her hair and hem still hang in the last instant of movement. Tender, warm.
むぎ

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