Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI art "ギャル僧"
Generate for Free

ギャル僧

姓銘

姓銘

More to See

Comments

1girl, solo, from below, low angle, cowboy shot, standing, leaning back slightly, monk, black monk's robe, golden kesa, white hood, hood up, blonde hair, long hair, huge breasts, big ass, wide hips, brown eyes, gyaru, makeup, tanned skin, mischievous expression, smug, one eye closed, looking down at viewer, hand on hip, head tilt, foreshortening From a low angle at hip height, one woman fills the frame from the knees up, seen slightly from below so her hooded head tips back and her chest and hips read large against the dark interior above her. She is a gyaru with tanned skin, long straight blonde hair spilling in two thick strands from under a white cloth hood drawn up over her crown, and warm brown eyes; her right eye is squeezed shut in a wink, her left brow arched, one lip corner pulled into a lopsided smirk. She wears a black monk's robe of heavy matte fabric, its collar crossed at the throat and its front pulled taut over a very full bust, falling in wide folds that strain across broad hips and a heavy rear, the hem swinging clear of bare feet planted apart on wooden floorboards. A golden kesa — a broad stole of gold brocade with a faint woven pattern — crosses her chest from her left shoulder to her right hip, catching every highlight. Her right hand rests knuckle-down on her hip with fingers splayed, the elbow jutting back; her left hand hangs loose, thumb hooked in the robe's sash where the fabric is gathered. She leans her weight on her left leg, right knee bent, hip pushed out to one side, her shadow falling hard and short across the boards. She looks down straight at the viewer past the low lens, chin lowered so her hood's rim cuts a bright edge above her nose. The only light is a warm lamp off-frame high to her right: it rims the white hood, the gold stole and the curve of her shoulder, while the folds low on the black robe and the far cheek sink into darkness, and beyond her the dark wooden hall dissolves — no floor edge, no wall detail, only one faint vertical pillar behind her shoulder to hint at depth. Palette held to black, gold, white and warm tan skin. Confident and mischievously stylish.
Show Parameters
Original Prompt
僧衣を着た女、爆乳、巨尻、黒衣、金色の袈裟、長髪、白い頭巾、ギャル、金髪、茶目
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.33k

Similar Images

Show more
AI artwork
u3
character: uraume_(jujutsu_kaisen), copyright: jujutsu_kaisen 1girl, solo, uraume \(jujutsu_kaisen\), female, adult, pov, from below, extreme low angle, looking up at viewer, standing straight, upright posture, giant breasts, large breasts, giant thighs, thick thighs, tiny waist, narrow waist, wide hips, fully clothed, kimono, white kimono, black kimono, two-tone kimono, japanese clothes, long sleeves, wide sleeves, multicolored hair, two-tone hair, white hair with red streaks, long hair, hair swept back, indoors, room, interior, raised hand, palm toward viewer, fingers curled, closed mouth, faint smile, half-closed eyes, looking down at viewer, condescending, dutch angle slight, cowboy shot from below, The camera sits low in the room, tilted back, so the viewer's eye is at hip height looking steeply upward at one fully clothed woman standing dead upright over them, spine straight, shoulders squared and drawn back, chin level and slightly tipped down so her half-lidded eyes meet the lens from above with a cool, condescending amusement, one brow fractionally raised, lips closed in a thin faint smile. Her figure is exaggerated exactly as stated: enormous breasts and enormous thighs, a waist cinched impossibly narrow between them, the wide-hipped silhouette reading clearly against the ceiling because the low angle foreshortens her from hem to collarbone. She wears a two-tone kimono — the panels split black and white from shoulder to hem — with long wide sleeves that hang heavy from her forearms; the front of the white half is pulled snug across her chest by the obi at that tiny waist, fabric gathering into a taut stretch of cloth over each breast rather than spilling free, the black half falling in a clean straight fall down her thigh. Her hair is white with red streaks, long and swept back from a high hairline, the strands falling behind her shoulders and out of the low camera's sightline except for the red lock that swings forward and grazes her cheek. Her right arm lifts, elbow bent, the wide black sleeve sliding back down the forearm to bare it, hand raised at chest height with the palm turned down toward the viewer and the fingers curled inward in a small, unhurried beckon, fingertips at the drop-shadow edge of her own sleeve; her left hand is tucked flat against the obi at her waist, pressing the fabric in against the narrow column there, thumb hooked under the cloth's edge. She stands with her weight settled fully on her right leg, left knee softened just enough that the hem breaks over one thigh a little lower than the other; her feet are out of frame in the cropped ceiling-ward view, and the raised arm and the angle of the chin make her torso read as towering. She looks only at the viewer, and the viewer's whole image is her looking back. The room is a plain tatami interior with a low wooden ceiling of dark beams overhead, shoji panels receding behind her on both sides, sliding door frames crossing the composition in shallow diagonals that converge toward her hips and sell the upward tilt. Warm lamp light comes from a paper lantern low and behind her on the right; it rims the edge of her kimono, her sleeve and the underside of her jaw in warm amber, glows through the paper screens behind, and leaves her face and the front of the white kimono in soft, cool shadow, the raised hand casting a small soft shadow onto her own collar. The tatami floor at the bottom edge picks up a pool of that lamplight and a faint reflection of the lantern in the polished wood bracing. Colour is held to the kimono's black and white, the white-with-red hair, warm lantern amber, and the muted straw-and-cedar tones of the room. Quiet, imposing, coolly amused.
uraume3
AI artwork
u3
character: uraume_(jujutsu_kaisen), copyright: jujutsu_kaisen 1girl, solo, uraume \(jujutsu_kaisen\), female, adult, pov, from below, extreme low angle, looking up at viewer, standing straight, upright posture, giant breasts, large breasts, giant thighs, thick thighs, tiny waist, narrow waist, wide hips, fully clothed, kimono, white kimono, black kimono, two-tone kimono, japanese clothes, long sleeves, wide sleeves, multicolored hair, two-tone hair, white hair with red streaks, long hair, hair swept back, indoors, room, interior, raised hand, palm toward viewer, fingers curled, closed mouth, faint smile, half-closed eyes, looking down at viewer, condescending, dutch angle slight, cowboy shot from below, The camera sits low in the room, tilted back, so the viewer's eye is at hip height looking steeply upward at one fully clothed woman standing dead upright over them, spine straight, shoulders squared and drawn back, chin level and slightly tipped down so her half-lidded eyes meet the lens from above with a cool, condescending amusement, one brow fractionally raised, lips closed in a thin faint smile. Her figure is exaggerated exactly as stated: enormous breasts and enormous thighs, a waist cinched impossibly narrow between them, the wide-hipped silhouette reading clearly against the ceiling because the low angle foreshortens her from hem to collarbone. She wears a two-tone kimono — the panels split black and white from shoulder to hem — with long wide sleeves that hang heavy from her forearms; the front of the white half is pulled snug across her chest by the obi at that tiny waist, fabric gathering into a taut stretch of cloth over each breast rather than spilling free, the black half falling in a clean straight fall down her thigh. Her hair is white with red streaks, long and swept back from a high hairline, the strands falling behind her shoulders and out of the low camera's sightline except for the red lock that swings forward and grazes her cheek. Her right arm lifts, elbow bent, the wide black sleeve sliding back down the forearm to bare it, hand raised at chest height with the palm turned down toward the viewer and the fingers curled inward in a small, unhurried beckon, fingertips at the drop-shadow edge of her own sleeve; her left hand is tucked flat against the obi at her waist, pressing the fabric in against the narrow column there, thumb hooked under the cloth's edge. She stands with her weight settled fully on her right leg, left knee softened just enough that the hem breaks over one thigh a little lower than the other; her feet are out of frame in the cropped ceiling-ward view, and the raised arm and the angle of the chin make her torso read as towering. She looks only at the viewer, and the viewer's whole image is her looking back. The room is a plain tatami interior with a low wooden ceiling of dark beams overhead, shoji panels receding behind her on both sides, sliding door frames crossing the composition in shallow diagonals that converge toward her hips and sell the upward tilt. Warm lamp light comes from a paper lantern low and behind her on the right; it rims the edge of her kimono, her sleeve and the underside of her jaw in warm amber, glows through the paper screens behind, and leaves her face and the front of the white kimono in soft, cool shadow, the raised hand casting a small soft shadow onto her own collar. The tatami floor at the bottom edge picks up a pool of that lamplight and a faint reflection of the lantern in the polished wood bracing. Colour is held to the kimono's black and white, the white-with-red hair, warm lantern amber, and the muted straw-and-cedar tones of the room. Quiet, imposing, coolly amused.
uraume3
AI artwork
04
1girl, masterpiece, best quality, perfect anatomy, cinematic angle, sharp focus, depth of field, curvy figure, blonde hair, straight hair, long hair, thick eyebrows, triangular eyebrows, hair clip, large breasts, big build, round, white background, solid background, looking at viewer, dynamic pose, dynamic action, dynamic angle, dynamic perspective, mature beauty, mature eyes, well-proportioned figure, masterpiece, motherly figure, mature woman, slender waist, perfect curves, curvaceous, young married woman, wife figure, housewife, middle-aged woman, wide-angle lens, depth of field, blush, smile, flat color style, simple coloring style
0193.40
AI artwork
q0
1girl, masterpiece, best quality, perfect anatomy, cinematic angle, sharp focus, depth of field, curvy figure, blonde hair, straight hair, long hair, thick eyebrows, triangular eyebrows, hair clip, large breasts, big build, round, white background, solid background, looking at viewer, dynamic pose, dynamic action, dynamic angle, dynamic perspective, mature beauty, mature eyes, well-proportioned body, motherly figure, mature woman, slender waist, perfect curves, curvy, young married woman, housewife, middle-aged woman, wide angle lens, depth of field, blush, smile, flat color style, simple coloring style
q0193.40

Explore more

Recommended Users

You might like

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#Hatsune Miku: Colorful Stage!#Tenma Tsukasa
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#Attack on Titan#Mikasa Ackerman
HomeModelsGenerateProfile