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AI art "Serene Stroll Through the Ruins" featuring #Outdoors, #long hair, #Black hair, #Grass, #Flower, #brown eyes, #Girl and #Hood
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Serene Stroll Through the Ruins

There's something so peaceful about this scene that I just can't look away from. I really love how the soft light hits her hair against those ancient stone pillars, giving everything a dreamy, nostalgic feel. If this quiet moment resonates with you, please give it a like and follow for more of my work! I'd love to hear your thoughts in the comments below.

#Outdoors#long hair#Black hair#Grass#Flower#brown eyes#Girl#Hood
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Сергей Степанов

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1girl, solo, medium shot, waist-up framing, girl, windswept dark brown hair, bright hazel eyes, white cloak, hood down, hooded cloak lowered, gathered cloak, one hand lifting cloak hem, walking, stepping over rubble, careful step, curious expression, calm expression, light smile, half-closed eyes, looking ahead, ruined corridor, broken pillars, stone pillars on both sides, mossy rubble, moss, ferns, white wildflowers, morning fog, thin fog, dawn, cool blue-green light, warm glow, far archway, backlight, soft painterly rendering, delicate light and shadow, gentle depth of field, shallow depth of field, blurred foreground fern, gentle atmosphere A medium shot framed waist-up, taken from just above her eye level so the camera looks slightly down across her shoulder into the corridor's depth. The girl fills the left-of-centre of the frame, body angled three-quarters toward the far arch on the right, caught mid-step: her right foot set forward and planted on a tilted slab, her left foot still behind on the rubble, weight rolling onto the front leg so her hip tips and her cloak swings back on the trailing side. Her right hand gathers a fistful of the white cloak's hem at thigh height, the fabric pulled up in a soft bunch that exposes a fold's shadow along her leg; her left arm hangs loose with the fingers just brushing a fern frond, its leaflets pushed aside and springing back. Her dark brown hair is blown across her brow and past her right cheek toward the frame's left, a few strands lifted clear of her temple, the rest sweeping back off her neck; her hazel eyes are wide and quiet, irises catching the pale dawn light with drawn-in pupils and a small specular gleam, her brows slightly lifted, lips closed in a faint soft curve, chin dipped as she checks where she steps then lifts to the arch. She looks ahead toward the far archway, not at the viewer. Broken stone pillars line both sides of the corridor and recede into soft focus, the nearest pillar on the right cut in front of her shoulder, its fluting green-stained, its broken top level with her head. Mossy rubble lies heaped across the flagstones under her feet; ferns sprout from the joints between stones in the near ground, one frond large and blurred at the bottom left corner, and clusters of small white wildflowers open between the stones at knee and shin height, the closest flowers sharp, the ones further back dissolving into haze. Thin morning fog hangs in the corridor in visible layers, dense near the far arch and thinning toward her; the fog catches a cool blue-green light that falls across the pillar faces, the moss and the fog itself, while a soft warm gold glow breaks through the far arch on the right, rimming her cloak's shoulder and the loose hair at her temple in warm light. The fog diffuses the light so no hard edges form; shadows are soft and only moderately deep, pooling under the rubble overhangs and inside the folds of her cloak, and the shadow she casts falls forward and slightly to the left, toward the camera. Palette held to cool blue-green stone, moss and haze, warm gold at the arch and on her skin, the white of the cloak and the white wildflowers as the two brightest notes, dark brown in her hair as the darkest. Soft painterly rendering in the whole frame: brushy edges on the distant pillars, blended transitions on the fog, fine crisp strokes reserved for her eyes, the wildflower petals and the lifted cloak hem. Gentle depth of field keeps her face and hands sharp and lets the archway melt into glow. Quiet, tender wonder.
Show Parameters
Mode
flash
Size
1536 x 2048

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.66k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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ia
1girl, solo, standing, serene expression, gentle eyes, soft features, long flowing hair, delicate pastel dress, lace details, quiet flower garden, golden hour, sunlight filtering through trees, dappled light, warm dreamy atmosphere, from below, low angle, cowboy shot, looking down, half-closed eyes, light smile, hair blowing in the breeze, hand on chest, depth of field, soft focus background, pastel palette, cream and rose and pale sage, tall stems in foreground, anime style The view is from below, a low camera set among the flower stems, tilted up so the woman's full figure rises into the bright canopy; she stands in the near-midground with her weight settled on her left leg, her right knee slightly bent and her right foot eased half a step forward onto the grass path, and her shoulders fall back a fraction to open her chest toward the light. Her left hand rests flat over her sternum against the lace neckline, fingers curved gently, while her right hand hangs loose at her side with the fingertips just brushing the tops of the tallest stems beside her hip. Her face is tipped slightly down and turned a little to her right, so the warm sun grazes her forehead and the bridge of her nose; her eyelids are half lowered, her lips closed in a soft, calm curve, her brows relaxed, and her gaze drifts down and away toward the flowers at the edge of the frame rather than the lens. Long flowing hair spills over both shoulders and down her back, and the light breeze lifts a section of it outward and across her right shoulder, the strands catching a bright rim of sun while the hair behind her neck falls into cool shade. The delicate pastel dress is a soft cream-rose, its skirt hanging in gentle vertical folds that sway back against her calves, and the white lace at the neckline and hem reads as fine openwork mesh lifted slightly at the edges by the moving air. Around her the quiet flower garden is dense and soft-edged: tall pale green and dusty-pink stems rise in the blurred foreground, a low drift of blossoms closes the midground behind her waist, and beyond that the trees dissolve into a golden haze. The low sun comes from behind and to the upper right of her, so the air behind the garden is a warm amber glow, thin shafts of light cut down between the tree trunks and fall as soft broken patches across the path and the hem of her dress, and her own shadow stretches forward and to the left across the grass, long and faint. A single low shrub at the right blurs the sun into a small bright bloom behind her shoulder, and the whole of the shaded foreground keeps a cool green-violet tint that sets off the warm halo around her. The palette is held to cream, rose, pale sage and honey gold, with no colour outside them, and the background is thrown well out of focus so her figure stays crisp while the garden melts into soft discs of light. Ethereal and quietly tender.
Ishola Ayinla

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