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AI art "艦これ・龍驤の和みのひととき" featuring #Black and white, #Japanese clothes, #Upper body, #Magatama, #Smile, #Girl, #Kantai Collection and #Jun'you
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艦これ・龍驤の和みのひととき

『艦隊これくしょん』の龍驤を描きました。お猪口を手にした彼女の表情がとても可愛くて、見ているだけで心が和みます。気に入ってもらえたら嬉しいです!いいねやフォロー、コメントもお待ちしています。これからも投稿していくので応援よろしくお願いします。

#Black and white#Japanese clothes#Upper body#Magatama#Smile#Girl#Kantai Collection#Jun'you
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character: jun'you_(kancolle), copyright: kantai_collection 1girl, solo, sumi-e, monochrome, ink wash painting, greyscale, jun'you (kancolle), very long hair, long hair, purple hair, purple eyes, magatama earrings, tassel, japanese clothes, long sleeves, onee-san, adult woman, close-up, upper body, from side, profile, seated, leaning toward viewer, head tilt, half-closed eyes, blush, drunk, flushed cheeks, lazy smile, closed mouth smile, open mouth, looking at viewer, holding cup, sakazuki, small sake cup, one hand raised holding cup, other hand pouring, pouring sake, tokkuri, sake bottle, drinking together, table, sake set, warm expression, ink splatter, negative space The camera sits close and slightly to her side, an upper-body portrait in three-quarter profile turned toward the viewer across a low dark wooden table, the table edge running along the bottom of the frame. She is an adult woman of the onee-san type, her very long hair swept back and falling in heavy ink-dark masses past her shoulders, a few strands slipping forward over her cheek as she tilts her head; two magatama-shaped earrings with short tassels hang at her ears and swing slightly with the tilt. She wears layered Japanese clothes with long sleeves, the fabric rendered in broad wet ink washes with dry-brush edges at the folds, the collar sitting open at her throat. Her face is warm with drink: cheeks and the bridge of her nose flushed in a soft grey wash, eyelids half lowered, one brow lifted higher than the other, and her lips pulled into a loose, fond smile as she looks straight at the viewer over the rim of the cup. Her right hand lifts a small shallow sake cup to chest height, fingers curled around its rim, the cup tilted a little toward the viewer in invitation; her left hand holds a tokkuri at an angle above it, a thin unbroken thread of sake falling from the bottle's lip into the cup, the liquid caught as a single pale unpainted line against the dark wash behind it. Her weight is shifted onto her near hip, her far shoulder dropped, the sleeve of her pouring arm sliding back from the wrist. The table in front of her carries a second cup and a small dish, drawn with three or four confident strokes. There is no colour anywhere: the whole image is black sumi ink and the paper's own off-white, graded only by how much water the brush carried -- dense black in her hair and the shadowed side of her collar, mid greys in the flushed cheeks and the folds of her sleeves, faint ghost-greys where the wash thins at the edges. Light comes from the upper left as bare paper, leaving her right side and the underside of her chin in pooled shadow; a few stray ink spatters and one dry, scratchy texture patch sit in the empty paper at the upper right, kept as deliberate negative space. Quiet, warm, a little loose with drink.
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Original Prompt
白黒の墨絵 艦隊これくしょんの隼鷹 姉御肌の女性で一緒にお酒を飲んでいるが 酔った顔をしながらも笑顔で片手でお猪口を持ちながら片手にお酌してくれている
Mode
flash
Size
1104 x 1824
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character: houjou_tokiyuki_(nige_jouzu_no_wakagimi), copyright: nige_jouzu_no_wakagimi 1boy, solo, houjou_tokiyuki, black hair, long hair, very long hair, low-tied long hair, ponytail, sidelocks tied back, parted bangs, floating hair, purple eyes, japanese clothes, kariginu, wide sleeves, long sleeves, hakama, pants, facing viewer, straight-on, looking at viewer, dazzling smile, open mouth, radiant grin, closed eyes curved upward, head tilted slightly back, from below, upper body, close-up, monochrome, sumi-e, black and white ink painting, ink wash, visible brush strokes, plain empty ground, no background elements, no text, ink splatter, high contrast Seen from slightly below, straight on: a young boy faces the viewer square-on, head tipped a little back, chin lifted, so the bright force of his grin comes down at the lens. He has black hair, very long, gathered low at the nape in a ponytail so the tail and the loose side locks swept back from his temples stream out and outward as if a gust of wind is passing from the viewer's right; the parted bangs split over his brow and lift. His eyes are purple — rendered only as a slightly deeper grey wash — and they are squeezed shut in a crescent, creased at the outer corners by the smile, so no pupil detail shows. His mouth is wide open in a full, unguarded laugh, upper teeth catching the light, the corners of the mouth pushed high into the cheeks, a small crease under each eye. The head tips back far enough that the throat is exposed and the collar pulls. He wears layered Japanese robes: a wide-sleeved kariginu over a hakama, all painted in ink alone — the sleeve openings and the crossing collar drawn with dry-brush edges, cloth folds described by single swift tapering strokes rather than shading. One sleeve swings up as his shoulder rises; both arms are partly cropped by the frame so the gesture reads as motion rather than a posed stance. Weight is shifted onto his left leg, the hip canting, torso counter-tilted, giving the whole body a slight diagonal against the vertical of the format. The light is a single hard, low source from the viewer's lower left; it strikes the underside of his chin, the bridge of his nose and the lit half of the grin, leaving the right side of his face and one sleeve in sharp black wash. Because the light is low, the shadows of the bangs fall upward across his forehead. Everything sits on a bare, empty paper ground, warm off-white with visible fibre and tooth; the figure is loaded onto it with no horizon, no props, no scenery. The ink range is strictly black, greys and the paper itself; where the brush ran wet, a few stray spatter flecks fly outward from the ponytail and the sleeve, thinning to pale grey at their tips, and the edges of the wet strokes show the darker rim where pigment pooled and dried. Nothing in the frame is lettered or signed; the paper stays unmarked. Bright, buoyant.
hanzou
AI artwork
뚧끼
In a medium shot with a 3/4 view, a young woman with porcelain-white skin is seated at a table by a window in a traditional Chinese setting. She has long, straight black hair flowing down her shoulders and deep, void-like black eyes devoid of highlights. She is dressed in a sophisticated robe blending black and white fabrics, adorned with intricate traditional accessories. Leaning slightly, she holds a delicate tea cup in her hands, glancing toward the viewer with a subtle, soft smile and a gentle gaze. Outside the window, an array of ancient, ornate Chinese buildings is visible under a clear sky. The atmosphere is cold and mysterious yet tempered by her surprising softness. The lighting is natural and soft, with a clean anime illustration style, featuring high-quality line work and a refined, serene color palette.
뚧끼

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