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Arie Tekoyamìa

Arie Tekoyamìa AI art by jkkimmons on PixAI. Tags: Cat Boy. Made with Tsubaki.3.

this is a persona I made.

#blue eyes #Boy #full body #Cat Boy

Published on Oct 29, 2026

jkkimmons

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1boy, solo, tall male, grey hair, short hair, grey cat ears, cat tail, grey tail, sky blue eyes, grey hoodie, hood down, baggy hoodie, black cargo pants, holding can, energy drink can, walking, confident stride, carefree, half-closed eyes, bored, uninterested expression, looking to the side, from below, full body, dutch angle, low angle, outdoors, city street, daylight, cool palette, A tall young man strides diagonally across the frame, seen from a low angle that makes his height read first: the camera sits near knee level and tilts slightly (dutch angle), so the horizon rakes and his shoulders cross the upper third. He is caught mid-step, front foot planted flat with the weight landing through the heel and the back foot just lifting off the pavement, toes still down and the heel raised clear; the stride is long and loose, not hurried, the hip on the planted side pushed forward and one shoulder dropped lower than the other, the whole line of him leaning a few degrees back off the vertical like a man with nowhere to be. Short cropped grey hair lifts at the front from the forward motion; above it his two grey cat ears sit alert, one swiveled a touch outward, tufts catching the light along their rims. His grey tail sweeps out behind him in a slow S-curve, lifted at the base and curling at the tip, the tip's motion lagging a beat behind the step. His oversized heather-grey fleece hoodie hangs open and heavy off broad shoulders, hood bunched at the nape, sleeves pushed up past the wrists so the cuffs bunch, hem swaying against his hip over black cargo joggers that pull taut across the knee of the leading leg and wrinkle over the ankle. In his right hand, low and relaxed at his side, he grips a black Monster Energy can by the middle; the can is tilted slightly forward with the swing, a bead of condensation running down its side and catching the light. His left hand is hooked loose in his front pocket, thumb out. His chin is up a fraction, lids low over sky-blue eyes that are half-lidded and flat, one brow a millimeter higher than the other, mouth a straight closed line, gaze drifting off to the side past the frame's edge as though the street, the camera and everything else are equally beneath his notice. The setting is a daytime city sidewalk, medium scale: pale concrete slabs with dark seams running away in perspective, a low kerb on the left, the blurred shapes of shopfronts and a utility pole behind him, all of it softened and pushed back so he stays the only sharp thing. The light is cool, flat daylight from a high overcast, coming down and slightly from the right, laying a soft shadow under his jaw, inside the hood's rim and beneath the can, and throwing a blunt, short shadow of his legs and tail onto the slabs behind and to his left. The palette is disciplined to greys: cool ash grey in the hair, ears, tail and fleece, near-black in the joggers and the can, the sky-blue of his eyes the single hit of saturated colour, everything else muted concrete and pale washed-out street tones. Overcast light makes the fabric read as soft napped fleece where the nap lifts along the sleeve seam and stays dull where it's pressed flat. Effortlessly indifferent.

Arie Tekoyamìa

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