Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Server Maintenance Notice — We are currently performing partial maintenance on our server facility. During this time, SDXL and Tsubaki.1 generation…

View details
AI artwork featuring #Warhammer 40,000
Generate for Free

Warhammer 40,000

#Warhammer 40,000
Avatar image of C9I

C9I

More to See

Comments

1 male, solo, viking berserker, charging, running toward camera, rusted iron skull mask, face hidden behind mask, sickly pale skin, blood and mud covered, tattered raven banner, holding banner pole, banner flapping violently, massive murder of ravens, ravens made of black smoke, dead warriors, corpses of fallen warriors, broken shields, thick freezing fog, cold northern light, cinematic wide shot, from below, foreshortening, dark fantasy horror, chiaroscuro, desaturated blacks, deep crimson blood, hyperdetailed, film grain, dutch angle, low horizon, oppressive atmosphere A cinematic wide shot taken low to the ground and tilted a few degrees off level, so the berserker looms huge and off-square as he charges across the mud toward the camera, half-foreshortened, one lead boot planted in the slop with the knee driving up, the other leg trailing behind with mud spraying off the heel. He is a thick-set, heavy-shouldered man with sickly pale skin where the flesh shows at his wrists and neck corded tight with exertion; the skin is mottled grey-white and slicked with a wet sheen of cold sweat. Blood and mud coat him from greaves to shoulders -- deep crimson blood soaked into coarse dark wool and hide and hanging in wet strings, dark mud crusted and drying in cracks across his forearms and belly. His face is completely hidden behind a rusted iron skull mask: hammered plate in the shape of a skull, pitted with orange rust, its eye hollows black and empty, its teeth ridge scored with old grime, the mask strapped tight to his head under a tangled mat of mudlocked hair that whips forward over it as he runs. The mask turns slightly toward the viewer as he charges, so the empty eye hollows catch the one bright rim of cold light. His right fist hoists the Raven Banner, gripping the iron-banded ash pole high near head height, elbow locked, the pole pushed forward and tilted across the composition; his left arm is thrown back and down, fist clenched, dragging the shoulder open. The banner itself is a long tattered rag of dark, near-black cloth, rotten at its trailing edge and split into three twisting ribbons, flapping violently away from him to the upper left with a hard wind caught in its belly. Its cursed device is a raven skull stitched in dulled thread, barely legible in the folds. The wind is real: the pole bows, the cloth snaps taut and hollows, and every raven in the murder leans the same direction -- a vast swarm boiling around, above and behind the banner, hundreds of them, and where the wings should sharpen, the birds blur and smear into black smoke, their bodies fraying into sooty streaks and drifting curls of smoke that break up into the fog, some ravens only a half-resolved smudge of moving black. The smoke drags toward the fog on the right, one clean piece of physics to judge by: the birds are densest at the banner and thin out the farther they are from it. The ground is a churned slaughterfield of black mud and standing water. Dead warriors lie scattered through the midground and foreground -- a mailed man face down with one arm out, another slumped against a cloven shield, a hand still curled round a snapped sword -- desaturated, mud-caked, half swallowed by the fog. Broken shields are everywhere: a split limewood boss-down in the nearest puddle, another rolled on its face with the rim bent and painted patterns scabbed away. The nearest broken shields and the leaking pool catch a faint mirror of the banner above them. A thin crust of frost glitters on the upward-facing surfaces only -- the top of a dead man's shoulder, the rim of a shield, the flat of a blade -- while the vertical faces stay wet and black. Thick freezing fog eats the depth: near figures readable, the middle ground dissolving, the far field gone. Cold northern light rakes in low from the upper right, pale and steel-grey, backlighting the fog so the smoke becomes visible against it; it strikes the crown of the iron mask, the soaked wool of his shoulder, and the ragged banner's leading edge, and everything turned away from it drops into near-blackness. The composition is a heavy chiaroscuro chiaroscuro of desaturated blacks, a few sickly greys, and the only saturated note of deep crimson blood smeared across the mud, the cloth, and the pole. Hyperdetailed in the rust pits of the mask, the weave of the tattered cloth and each wet clot of mud, cinematic wide framing, film grain across the whole image, airless and brutal, oppressive dark fantasy horror.
Show Parameters
Original Prompt
Terrifying dark art horror illustration of a Viking berserker charging into battle in a thick, freezing fog. He is covered in blood and mud, holding a tattered, cursed Raven Banner that flaps violently in the wind. A massive murder of ravens swarms around the banner, as if the birds are made of black smoke. The berserker's face is hidden behind a rusted iron skull mask. Dead warriors and broken shields on the ground, cold northern light. Historical dark fantasy, brutal, oppressive atmosphere, hyperdetailed, chiaroscuro, desaturated blacks, sickly pale skin, deep crimson blood, cinematic wide shot, film grain, by Gustave Doré and Zdzisław Beksiński, masterpiece, 8K --ar 2:3 --v 6
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.72k

Similar Images

Show more
AI artwork
Avatar image of C9I
1 male, solo, viking berserker, charging, running toward camera, rusted iron skull mask, face hidden behind mask, sickly pale skin, blood and mud covered, tattered raven banner, holding banner pole, banner flapping violently, massive murder of ravens, ravens made of black smoke, dead warriors, corpses of fallen warriors, broken shields, thick freezing fog, cold northern light, cinematic wide shot, from below, foreshortening, dark fantasy horror, chiaroscuro, desaturated blacks, deep crimson blood, hyperdetailed, film grain, dutch angle, low horizon, oppressive atmosphere A cinematic wide shot taken low to the ground and tilted a few degrees off level, so the berserker looms huge and off-square as he charges across the mud toward the camera, half-foreshortened, one lead boot planted in the slop with the knee driving up, the other leg trailing behind with mud spraying off the heel. He is a thick-set, heavy-shouldered man with sickly pale skin where the flesh shows at his wrists and neck corded tight with exertion; the skin is mottled grey-white and slicked with a wet sheen of cold sweat. Blood and mud coat him from greaves to shoulders -- deep crimson blood soaked into coarse dark wool and hide and hanging in wet strings, dark mud crusted and drying in cracks across his forearms and belly. His face is completely hidden behind a rusted iron skull mask: hammered plate in the shape of a skull, pitted with orange rust, its eye hollows black and empty, its teeth ridge scored with old grime, the mask strapped tight to his head under a tangled mat of mudlocked hair that whips forward over it as he runs. The mask turns slightly toward the viewer as he charges, so the empty eye hollows catch the one bright rim of cold light. His right fist hoists the Raven Banner, gripping the iron-banded ash pole high near head height, elbow locked, the pole pushed forward and tilted across the composition; his left arm is thrown back and down, fist clenched, dragging the shoulder open. The banner itself is a long tattered rag of dark, near-black cloth, rotten at its trailing edge and split into three twisting ribbons, flapping violently away from him to the upper left with a hard wind caught in its belly. Its cursed device is a raven skull stitched in dulled thread, barely legible in the folds. The wind is real: the pole bows, the cloth snaps taut and hollows, and every raven in the murder leans the same direction -- a vast swarm boiling around, above and behind the banner, hundreds of them, and where the wings should sharpen, the birds blur and smear into black smoke, their bodies fraying into sooty streaks and drifting curls of smoke that break up into the fog, some ravens only a half-resolved smudge of moving black. The smoke drags toward the fog on the right, one clean piece of physics to judge by: the birds are densest at the banner and thin out the farther they are from it. The ground is a churned slaughterfield of black mud and standing water. Dead warriors lie scattered through the midground and foreground -- a mailed man face down with one arm out, another slumped against a cloven shield, a hand still curled round a snapped sword -- desaturated, mud-caked, half swallowed by the fog. Broken shields are everywhere: a split limewood boss-down in the nearest puddle, another rolled on its face with the rim bent and painted patterns scabbed away. The nearest broken shields and the leaking pool catch a faint mirror of the banner above them. A thin crust of frost glitters on the upward-facing surfaces only -- the top of a dead man's shoulder, the rim of a shield, the flat of a blade -- while the vertical faces stay wet and black. Thick freezing fog eats the depth: near figures readable, the middle ground dissolving, the far field gone. Cold northern light rakes in low from the upper right, pale and steel-grey, backlighting the fog so the smoke becomes visible against it; it strikes the crown of the iron mask, the soaked wool of his shoulder, and the ragged banner's leading edge, and everything turned away from it drops into near-blackness. The composition is a heavy chiaroscuro chiaroscuro of desaturated blacks, a few sickly greys, and the only saturated note of deep crimson blood smeared across the mud, the cloth, and the pole. Hyperdetailed in the rust pits of the mask, the weave of the tattered cloth and each wet clot of mud, cinematic wide framing, film grain across the whole image, airless and brutal, oppressive dark fantasy horror.
C9I
AI artwork
Avatar image of C9I
1 male, solo, viking berserker, charging, running toward camera, rusted iron skull mask, face hidden behind mask, sickly pale skin, blood and mud covered, tattered raven banner, holding banner pole, banner flapping violently, massive murder of ravens, ravens made of black smoke, dead warriors, corpses of fallen warriors, broken shields, thick freezing fog, cold northern light, cinematic wide shot, from below, foreshortening, dark fantasy horror, chiaroscuro, desaturated blacks, deep crimson blood, hyperdetailed, film grain, dutch angle, low horizon, oppressive atmosphere A cinematic wide shot taken low to the ground and tilted a few degrees off level, so the berserker looms huge and off-square as he charges across the mud toward the camera, half-foreshortened, one lead boot planted in the slop with the knee driving up, the other leg trailing behind with mud spraying off the heel. He is a thick-set, heavy-shouldered man with sickly pale skin where the flesh shows at his wrists and neck corded tight with exertion; the skin is mottled grey-white and slicked with a wet sheen of cold sweat. Blood and mud coat him from greaves to shoulders -- deep crimson blood soaked into coarse dark wool and hide and hanging in wet strings, dark mud crusted and drying in cracks across his forearms and belly. His face is completely hidden behind a rusted iron skull mask: hammered plate in the shape of a skull, pitted with orange rust, its eye hollows black and empty, its teeth ridge scored with old grime, the mask strapped tight to his head under a tangled mat of mudlocked hair that whips forward over it as he runs. The mask turns slightly toward the viewer as he charges, so the empty eye hollows catch the one bright rim of cold light. His right fist hoists the Raven Banner, gripping the iron-banded ash pole high near head height, elbow locked, the pole pushed forward and tilted across the composition; his left arm is thrown back and down, fist clenched, dragging the shoulder open. The banner itself is a long tattered rag of dark, near-black cloth, rotten at its trailing edge and split into three twisting ribbons, flapping violently away from him to the upper left with a hard wind caught in its belly. Its cursed device is a raven skull stitched in dulled thread, barely legible in the folds. The wind is real: the pole bows, the cloth snaps taut and hollows, and every raven in the murder leans the same direction -- a vast swarm boiling around, above and behind the banner, hundreds of them, and where the wings should sharpen, the birds blur and smear into black smoke, their bodies fraying into sooty streaks and drifting curls of smoke that break up into the fog, some ravens only a half-resolved smudge of moving black. The smoke drags toward the fog on the right, one clean piece of physics to judge by: the birds are densest at the banner and thin out the farther they are from it. The ground is a churned slaughterfield of black mud and standing water. Dead warriors lie scattered through the midground and foreground -- a mailed man face down with one arm out, another slumped against a cloven shield, a hand still curled round a snapped sword -- desaturated, mud-caked, half swallowed by the fog. Broken shields are everywhere: a split limewood boss-down in the nearest puddle, another rolled on its face with the rim bent and painted patterns scabbed away. The nearest broken shields and the leaking pool catch a faint mirror of the banner above them. A thin crust of frost glitters on the upward-facing surfaces only -- the top of a dead man's shoulder, the rim of a shield, the flat of a blade -- while the vertical faces stay wet and black. Thick freezing fog eats the depth: near figures readable, the middle ground dissolving, the far field gone. Cold northern light rakes in low from the upper right, pale and steel-grey, backlighting the fog so the smoke becomes visible against it; it strikes the crown of the iron mask, the soaked wool of his shoulder, and the ragged banner's leading edge, and everything turned away from it drops into near-blackness. The composition is a heavy chiaroscuro chiaroscuro of desaturated blacks, a few sickly greys, and the only saturated note of deep crimson blood smeared across the mud, the cloth, and the pole. Hyperdetailed in the rust pits of the mask, the weave of the tattered cloth and each wet clot of mud, cinematic wide framing, film grain across the whole image, airless and brutal, oppressive dark fantasy horror.
C9I
AI artwork
Avatar image of C9I
1 male, solo, viking berserker, charging, running toward camera, rusted iron skull mask, face hidden behind mask, sickly pale skin, blood and mud covered, tattered raven banner, holding banner pole, banner flapping violently, massive murder of ravens, ravens made of black smoke, dead warriors, corpses of fallen warriors, broken shields, thick freezing fog, cold northern light, cinematic wide shot, from below, foreshortening, dark fantasy horror, chiaroscuro, desaturated blacks, deep crimson blood, hyperdetailed, film grain, dutch angle, low horizon, oppressive atmosphere A cinematic wide shot taken low to the ground and tilted a few degrees off level, so the berserker looms huge and off-square as he charges across the mud toward the camera, half-foreshortened, one lead boot planted in the slop with the knee driving up, the other leg trailing behind with mud spraying off the heel. He is a thick-set, heavy-shouldered man with sickly pale skin where the flesh shows at his wrists and neck corded tight with exertion; the skin is mottled grey-white and slicked with a wet sheen of cold sweat. Blood and mud coat him from greaves to shoulders -- deep crimson blood soaked into coarse dark wool and hide and hanging in wet strings, dark mud crusted and drying in cracks across his forearms and belly. His face is completely hidden behind a rusted iron skull mask: hammered plate in the shape of a skull, pitted with orange rust, its eye hollows black and empty, its teeth ridge scored with old grime, the mask strapped tight to his head under a tangled mat of mudlocked hair that whips forward over it as he runs. The mask turns slightly toward the viewer as he charges, so the empty eye hollows catch the one bright rim of cold light. His right fist hoists the Raven Banner, gripping the iron-banded ash pole high near head height, elbow locked, the pole pushed forward and tilted across the composition; his left arm is thrown back and down, fist clenched, dragging the shoulder open. The banner itself is a long tattered rag of dark, near-black cloth, rotten at its trailing edge and split into three twisting ribbons, flapping violently away from him to the upper left with a hard wind caught in its belly. Its cursed device is a raven skull stitched in dulled thread, barely legible in the folds. The wind is real: the pole bows, the cloth snaps taut and hollows, and every raven in the murder leans the same direction -- a vast swarm boiling around, above and behind the banner, hundreds of them, and where the wings should sharpen, the birds blur and smear into black smoke, their bodies fraying into sooty streaks and drifting curls of smoke that break up into the fog, some ravens only a half-resolved smudge of moving black. The smoke drags toward the fog on the right, one clean piece of physics to judge by: the birds are densest at the banner and thin out the farther they are from it. The ground is a churned slaughterfield of black mud and standing water. Dead warriors lie scattered through the midground and foreground -- a mailed man face down with one arm out, another slumped against a cloven shield, a hand still curled round a snapped sword -- desaturated, mud-caked, half swallowed by the fog. Broken shields are everywhere: a split limewood boss-down in the nearest puddle, another rolled on its face with the rim bent and painted patterns scabbed away. The nearest broken shields and the leaking pool catch a faint mirror of the banner above them. A thin crust of frost glitters on the upward-facing surfaces only -- the top of a dead man's shoulder, the rim of a shield, the flat of a blade -- while the vertical faces stay wet and black. Thick freezing fog eats the depth: near figures readable, the middle ground dissolving, the far field gone. Cold northern light rakes in low from the upper right, pale and steel-grey, backlighting the fog so the smoke becomes visible against it; it strikes the crown of the iron mask, the soaked wool of his shoulder, and the ragged banner's leading edge, and everything turned away from it drops into near-blackness. The composition is a heavy chiaroscuro chiaroscuro of desaturated blacks, a few sickly greys, and the only saturated note of deep crimson blood smeared across the mud, the cloth, and the pole. Hyperdetailed in the rust pits of the mask, the weave of the tattered cloth and each wet clot of mud, cinematic wide framing, film grain across the whole image, airless and brutal, oppressive dark fantasy horror.
C9I

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of anipix
A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster. ,beautiful light,best shadow,color blink,s[im,long bangs,long eyelashes,ethereal light,painterly,high quality,masterpiece,
anipix
1
AI artwork
Avatar image of anipix
High-angle full shot, camera positioned slightly above from side of the subject and looking down at — the frame is filled with the dark water, flowers, and ripples below, giving a top-down, floating perspective. wariza, A girl with very long straight black hair and closed eyes stands in dark, rippling water, wearing a flowing white and green kimono with a floral pattern and a dark obi. Her long sleeves and skirt spread out across the surface of the water like fabric floating. Green butterflies and small white birds flutter around her, surrounded by dense blue and green flowers and lily pads, with soft light sparkling on the water. Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition. ,best quality,vivid colors,cel shading,lineart,anime style,best quality,crisp lineart,dreamy anime aesthetic,glow particles,pastel colors,artist: baozaohuang on x,digital art,medium lineart,
anipix
AI artwork
Avatar image of anipix
ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic. , painterly anime illustration, thin lineart, airy dreamy atmosphere, best quality, s[im, long bangs, long eyelashes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
1#Honkai: Star Rail#Robin
AI artwork
Avatar image of anipix
character: qiao_ling, copyright: shiguang_dailiren anime illustration, *medium shot, front angle at eye-level, centered chest to knees, framed inside a dutch angle tilted polaroid / social media post UI*, anime girl Jo from Link Click / Shiguang Dailiren with short black hair in high side ponytail with white maid headband lace, bangs, brown eyes, smiling with blush, wearing white high-neck ruffled short sleeve sweater with detached long knit arm warmers, light blue denim apron overalls with "Jo" embroidered, beaded colorful necklace with pink bunny pendant, colorful star hair clips, holding white piping bag decorating a white cream cake with dollops, on kitchen counter foreground on counter: left small brown fluffy dog with blue bandana sticking tongue, right small white fluffy cat with blue eyes holding strawberry putting on cake art style soft painterly modern anime, warm pastel color palette cream, light blue, pink, yellow, cozy kitchen background with teal cabinets, wooden shelves, sunlight graphic overlay design as Instagram-style post: white Polaroid border with hand-written brown text "Yummy" left, "Welcome" bottom right with star doodles, circular avatar with "@Jo" and "+ FOLLOW" button, top right black Chinese text 「时光代理人 LINK CLICK」, small inset Polaroid photo bottom right of same girl winking eating with text "Day and Night", bottom like icons heart comment share bookmark, "20,451 views" and hashtag text 「# 乔苓的烘焙日记 # 叮咚！时光甜品铺持续接单中...」, decorative pink and blue and yellow blobs and stars around border, Luminous, pastel, high-key, vibrant, iridescent, gradient, glowing, soft-shaded, sun-drenched, saturated, crisp color blocking, defined shading, cool reflected light, luminous highlights, chunky stylized hair shapes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
1
HomeModelsGenerateRecipeProfile