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C9I

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C9I

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2 subjects, 1girl, 1 monstrous raven, dark fantasy horror illustration, Norse völva, seeress, terrifying old woman, gaunt weathered face, one blind milky-white eye and one clear pale eye, long stringy iron-grey hair, tattered black robes, ragged layered black cloth, frayed hems, animal skulls worn on her, small animal skulls lashed to her shoulders and chest, antlered skull headdress, performing a blood ritual, both arms raised, blood-slick hands, blood dripping from her fingers, standing, low-angle shot, from below, foreshortening, giant monstrous raven, three glowing red eyes, raven perched on runic altar, spread ragged wings, black smoke, thick black smoke, sparks in the air, dripping candle wax, human bones scattered on stone floor, candlelit cave, runic altar, occult Nordic magic, eldritch horror, chiaroscuro, desaturated blacks, sickly green glow, blood-red glow, film grain, tall vertical composition The view is a cinematic low-angle shot from knee height, tilted up between the völva and the runic altar, so both figures tower over the lens. In the near foreground the pitted stone floor rushes away toward the back of the cave: human long bones, ribs and a broken pelvis lie scattered across it, half-sunk in pooled black shadow, with a few bone ends catching the green light. Above them, on a raised slab of carved runic stone, the giant raven crouches: its talons wrap the front edge of the altar, one claw hooked over a carved rune band, its ragged wings half-spread so the wingtips overhang the slab on both sides. Three glowing red eyes burn in its broad skull — two set where eyes belong, the third set higher, centered on the forehead — and its beak is angled down toward the woman, watching her hands. Behind and to the left of the altar the völva stands just past the slab, her weight on her right leg, her left hip pushed forward, torso twisted slightly toward the raven. Her long iron-grey hair hangs in matted ropes; one eye is a milky blind white, the other a clear pale grey, and both fix down on the ritual bowl cupped in her blood-slick left hand while her right arm is flung up and out with fingers spread, blood running from the fingertips. From this low angle her skulled shoulders sit hard against the vault of the cave. Small animal skulls are lashed to her shoulder and chest with cord, an antlered skull sits back on her headdress, and her robes are layered black cloth frayed at the hem and torn at the elbows. Her sleeves hang in heavy folds and her blood-bright fingertips catch the green candlelight. The cave walls close in behind the altar, and melted wax drips from ledges above in long grey-white threads, sagging and pooling where candles guttered out. Smoke and sparks rise from the altar's edge in a thick slow plume, the sparks drifting upward. The light sources are the candles and the ritual glow together. Green and red rim-light the raven's feather edges and the völva's upturned cheekbones, but the cave beyond is near-black. The only saturated colors are the red of the raven's three eyes, the red of the fresh blood on her hands, and the sickly green around the altar base. Everything else falls to desaturated blacks and ashen greys. Film grain textures the whole frame, and the shape of the smoke is broken and curled by the updraft off the candles, with the low camera pressing the smoke ceiling down onto the two figures. Oppressive, dread-soaked.
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Original Prompt
Dark fantasy horror illustration of a terrifying Norse völva (seeress) inside a dark, candlelit cave. She is wrapped in tattered black robes and animal skulls, performing a blood ritual. A giant, monstrous raven with three glowing red eyes is perched on a runic altar in front of her. Thick black smoke and sparks fill the air, dripping candle wax, human bones scattered on the stone floor. Occult Nordic magic, eldritch horror, hyperdetailed, chiaroscuro, desaturated blacks, sickly green and blood-red glow, cinematic low-angle shot, film grain, by H.R. Giger and Zdzisław Beksiński, masterpiece, 8K --ar 2:3 --v 6
Mode
pro
Size
992 x 992
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
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2 subjects, 1girl, 1 monstrous raven, dark fantasy horror illustration, Norse völva, seeress, terrifying old woman, gaunt weathered face, one blind milky-white eye and one clear pale eye, long stringy iron-grey hair, tattered black robes, ragged layered black cloth, frayed hems, animal skulls worn on her, small animal skulls lashed to her shoulders and chest, antlered skull headdress, performing a blood ritual, both arms raised, blood-slick hands, blood dripping from her fingers, standing, low-angle shot, from below, foreshortening, giant monstrous raven, three glowing red eyes, raven perched on runic altar, spread ragged wings, black smoke, thick black smoke, sparks in the air, dripping candle wax, human bones scattered on stone floor, candlelit cave, runic altar, occult Nordic magic, eldritch horror, chiaroscuro, desaturated blacks, sickly green glow, blood-red glow, film grain, tall vertical composition The view is a cinematic low-angle shot from knee height, tilted up between the völva and the runic altar, so both figures tower over the lens. In the near foreground the pitted stone floor rushes away toward the back of the cave: human long bones, ribs and a broken pelvis lie scattered across it, half-sunk in pooled black shadow, with a few bone ends catching the green light. Above them, on a raised slab of carved runic stone, the giant raven crouches: its talons wrap the front edge of the altar, one claw hooked over a carved rune band, its ragged wings half-spread so the wingtips overhang the slab on both sides. Three glowing red eyes burn in its broad skull — two set where eyes belong, the third set higher, centered on the forehead — and its beak is angled down toward the woman, watching her hands. Behind and to the left of the altar the völva stands just past the slab, her weight on her right leg, her left hip pushed forward, torso twisted slightly toward the raven. Her long iron-grey hair hangs in matted ropes; one eye is a milky blind white, the other a clear pale grey, and both fix down on the ritual bowl cupped in her blood-slick left hand while her right arm is flung up and out with fingers spread, blood running from the fingertips. From this low angle her skulled shoulders sit hard against the vault of the cave. Small animal skulls are lashed to her shoulder and chest with cord, an antlered skull sits back on her headdress, and her robes are layered black cloth frayed at the hem and torn at the elbows. Her sleeves hang in heavy folds and her blood-bright fingertips catch the green candlelight. The cave walls close in behind the altar, and melted wax drips from ledges above in long grey-white threads, sagging and pooling where candles guttered out. Smoke and sparks rise from the altar's edge in a thick slow plume, the sparks drifting upward. The light sources are the candles and the ritual glow together. Green and red rim-light the raven's feather edges and the völva's upturned cheekbones, but the cave beyond is near-black. The only saturated colors are the red of the raven's three eyes, the red of the fresh blood on her hands, and the sickly green around the altar base. Everything else falls to desaturated blacks and ashen greys. Film grain textures the whole frame, and the shape of the smoke is broken and curled by the updraft off the candles, with the low camera pressing the smoke ceiling down onto the two figures. Oppressive, dread-soaked.
C9I
#Final Fantasy XIV
AI artwork
Avatar image of C9I
2 subjects, 1girl, 1 monstrous raven, dark fantasy horror illustration, Norse völva, seeress, terrifying old woman, gaunt weathered face, one blind milky-white eye and one clear pale eye, long stringy iron-grey hair, tattered black robes, ragged layered black cloth, frayed hems, animal skulls worn on her, small animal skulls lashed to her shoulders and chest, antlered skull headdress, performing a blood ritual, both arms raised, blood-slick hands, blood dripping from her fingers, standing, low-angle shot, from below, foreshortening, giant monstrous raven, three glowing red eyes, raven perched on runic altar, spread ragged wings, black smoke, thick black smoke, sparks in the air, dripping candle wax, human bones scattered on stone floor, candlelit cave, runic altar, occult Nordic magic, eldritch horror, chiaroscuro, desaturated blacks, sickly green glow, blood-red glow, film grain, tall vertical composition The view is a cinematic low-angle shot from knee height, tilted up between the völva and the runic altar, so both figures tower over the lens. In the near foreground the pitted stone floor rushes away toward the back of the cave: human long bones, ribs and a broken pelvis lie scattered across it, half-sunk in pooled black shadow, with a few bone ends catching the green light. Above them, on a raised slab of carved runic stone, the giant raven crouches: its talons wrap the front edge of the altar, one claw hooked over a carved rune band, its ragged wings half-spread so the wingtips overhang the slab on both sides. Three glowing red eyes burn in its broad skull — two set where eyes belong, the third set higher, centered on the forehead — and its beak is angled down toward the woman, watching her hands. Behind and to the left of the altar the völva stands just past the slab, her weight on her right leg, her left hip pushed forward, torso twisted slightly toward the raven. Her long iron-grey hair hangs in matted ropes; one eye is a milky blind white, the other a clear pale grey, and both fix down on the ritual bowl cupped in her blood-slick left hand while her right arm is flung up and out with fingers spread, blood running from the fingertips. From this low angle her skulled shoulders sit hard against the vault of the cave. Small animal skulls are lashed to her shoulder and chest with cord, an antlered skull sits back on her headdress, and her robes are layered black cloth frayed at the hem and torn at the elbows. Her sleeves hang in heavy folds and her blood-bright fingertips catch the green candlelight. The cave walls close in behind the altar, and melted wax drips from ledges above in long grey-white threads, sagging and pooling where candles guttered out. Smoke and sparks rise from the altar's edge in a thick slow plume, the sparks drifting upward. The light sources are the candles and the ritual glow together. Green and red rim-light the raven's feather edges and the völva's upturned cheekbones, but the cave beyond is near-black. The only saturated colors are the red of the raven's three eyes, the red of the fresh blood on her hands, and the sickly green around the altar base. Everything else falls to desaturated blacks and ashen greys. Film grain textures the whole frame, and the shape of the smoke is broken and curled by the updraft off the candles, with the low camera pressing the smoke ceiling down onto the two figures. Oppressive, dread-soaked.
C9I
#Grim Reaper
AI artwork
Avatar image of C9I
2 subjects, 1girl, 1 monstrous raven, dark fantasy horror illustration, Norse völva, seeress, terrifying old woman, gaunt weathered face, one blind milky-white eye and one clear pale eye, long stringy iron-grey hair, tattered black robes, ragged layered black cloth, frayed hems, animal skulls worn on her, small animal skulls lashed to her shoulders and chest, antlered skull headdress, performing a blood ritual, both arms raised, blood-slick hands, blood dripping from her fingers, standing, low-angle shot, from below, foreshortening, giant monstrous raven, three glowing red eyes, raven perched on runic altar, spread ragged wings, black smoke, thick black smoke, sparks in the air, dripping candle wax, human bones scattered on stone floor, candlelit cave, runic altar, occult Nordic magic, eldritch horror, chiaroscuro, desaturated blacks, sickly green glow, blood-red glow, film grain, tall vertical composition The view is a cinematic low-angle shot from knee height, tilted up between the völva and the runic altar, so both figures tower over the lens. In the near foreground the pitted stone floor rushes away toward the back of the cave: human long bones, ribs and a broken pelvis lie scattered across it, half-sunk in pooled black shadow, with a few bone ends catching the green light. Above them, on a raised slab of carved runic stone, the giant raven crouches: its talons wrap the front edge of the altar, one claw hooked over a carved rune band, its ragged wings half-spread so the wingtips overhang the slab on both sides. Three glowing red eyes burn in its broad skull — two set where eyes belong, the third set higher, centered on the forehead — and its beak is angled down toward the woman, watching her hands. Behind and to the left of the altar the völva stands just past the slab, her weight on her right leg, her left hip pushed forward, torso twisted slightly toward the raven. Her long iron-grey hair hangs in matted ropes; one eye is a milky blind white, the other a clear pale grey, and both fix down on the ritual bowl cupped in her blood-slick left hand while her right arm is flung up and out with fingers spread, blood running from the fingertips. From this low angle her skulled shoulders sit hard against the vault of the cave. Small animal skulls are lashed to her shoulder and chest with cord, an antlered skull sits back on her headdress, and her robes are layered black cloth frayed at the hem and torn at the elbows. Her sleeves hang in heavy folds and her blood-bright fingertips catch the green candlelight. The cave walls close in behind the altar, and melted wax drips from ledges above in long grey-white threads, sagging and pooling where candles guttered out. Smoke and sparks rise from the altar's edge in a thick slow plume, the sparks drifting upward. The light sources are the candles and the ritual glow together. Green and red rim-light the raven's feather edges and the völva's upturned cheekbones, but the cave beyond is near-black. The only saturated colors are the red of the raven's three eyes, the red of the fresh blood on her hands, and the sickly green around the altar base. Everything else falls to desaturated blacks and ashen greys. Film grain textures the whole frame, and the shape of the smoke is broken and curled by the updraft off the candles, with the low camera pressing the smoke ceiling down onto the two figures. Oppressive, dread-soaked.
C9I
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Avatar image of C9I
low angle, from below, 1female demon, 1male angel statue, dark surrealism, gothic horror, ruined cathedral, cracked porcelain skin, rotting flesh underneath, hollow eyes, black smoke pouring from eyes, tattered black iron crown, black lace dress, cruel smile, spiked chain wrapped around throat, strangling, weeping stone statue, blindfold, blood-red tears, fracturing stone, decaying statue, altar, scratched occult symbols, dead ravens on floor, creeping fog, chiaroscuro, desaturated blacks, sickly pale tones, blood-red glow, film grain, cosmic dread A cinematic low-angle shot looking upward from the fog-drenched floor of a ruined cathedral, capturing an intimate confrontation of desecration. Dominating the frame, a terrifyingly beautiful female demon looms over a life-sized male angel statue, her cruel smile stretching across lips framed by sickly pale skin. Her face is deeply fractured like delicate porcelain, jagged fissures peeling outward to reveal blackened, necrotic rotting flesh beneath the surface, while her eye sockets are hollow voids continuously pouring billowing plumes of pitch-black smoke upward into the shadows. Atop her head sits a jagged, tattered crown forged from pitted black iron, and her body is draped in a floor-length dress made entirely of intricate, frayed black lace. Her pale hands wind a heavy spiked chain tightly around the throat of the weeping angel statue, the iron spikes biting into the decaying stone. The blindfolded angel statue, carved from crumbling pale marble, fractures under the strain with spiderweb cracks coursing through its chest and throat, while vivid blood-red tears stream down its weathered stone cheeks from beneath the tattered cloth blindfold. Behind them, occult symbols are scratched into the stone face of a desecrated altar. Across the cracked flagstones, dense creeping fog rolls between the scattered, lifeless bodies of dead ravens. High-contrast chiaroscuro lighting cuts through the gloom, drowning the scene in desaturated blacks and ashen greys, punctuated solely by a sinister blood-red glow that illuminates the edges of the falling stone dust and the glossy sheen of the crimson tears. Fine film grain permeates the dark atmosphere. Cosmic dread.
C9I

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