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AI art "action" featuring #Resident Evil, #pink hair, #Black thigh-highs, #Casing ejection, #Handgun and #Red Dress

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#Resident Evil #pink hair #Black thigh-highs #Casing ejection #Handgun #Red Dress

Published on Oct 29, 2026

silenthillhimeko

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1girl, solo, adult woman, pink hair, twin tails, long twin tails, red eyes, wide-eyed, eyes wide open, smile, grinning, short red dress, black sheer stockings, sheer thighhighs, revolver in each hand, dual wielding, two revolvers, firing, muzzle flash, gunfight, futuristic city, from below, dutch angle, cowboy shot, leaning back, arms out, looking to the side, night, neon The camera looks up at her from street level, tilted a few degrees off level, cropping her at mid-thigh so both outstretched arms and both revolvers stay inside the frame. She is a grown woman with long pink hair split into two high twin tails that swing out and back, blown sideways by the recoil and the crosswind; loose strands whip across her forehead. Her red eyes are wide open, whites showing all around the iris, and her mouth is pulled into a bright open grin with teeth, not a polite smile — she is delighted. She stands with her weight thrown back onto her rear foot, hips canted, shoulders twisted so her left shoulder leads and her right shoulder drops, her torso arched back away from the blast. Her right arm is thrust out straight to the side at shoulder height, revolver gripped hard, trigger finger curled, the hammer falling; her left arm is bent, that revolver angled up and forward, the wrist taking the kick. Both hands are wrapped tight around their grips, knuckles pale. Her gaze cuts sideways and forward past the left barrel toward something off-frame, chin tipped, one brow lifted. She wears a short red dress with a wide swinging skirt hem that flares back from the turn of her body, and black sheer stockings that show the skin through them, the mesh catching a fine highlight along the front of each thigh and bunching in small creases behind the knee. The fight happens around her: a broad wet-plaza pavement of dark jointed panels behind and below, foot chases across it, a cluster of slender towers rising further back into haze, every surface banded with vertical neon strips in magenta and cyan, signage reduced to illegible glowing glyphs. Her two revolvers throw two separate hard white-orange muzzle flashes lighting her from both sides at once — the flash from the left gun grazes the underside of her jaw, the flash from the right catches the side of her nose and the rim of her left cheek, and both lights double her shadow on the pavement so two shadows splay out behind her heels. Everything beyond the flash pool falls to deep blue-black, and the neon strips do the rest of the work, edging her hair in magenta and glazing the stockings in cold cyan. Empty brass casings hang in the air around her at different heights, spinning, each one streaked with a short motion blur, and the nearest casing is a single small spark caught against the dark. The palette stays on pink, red, black and cyan neon, nothing else admitted. Moody, adrenaline-bright.

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