Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…
View details_espan#0
Show Parameters
- Original Prompt
- Un niño de 13 años de pelo azul y ojos rojos, de piel bronceada. En su cuerpo se ve marcas de guerrero mapuche tanto en la cara como en el cuerpo ([las marcas son de color rojo sangre]). Trae una cinta en la cabeza de lana mapuche (diseño mapuche con estampado con dibujos mapundungun). Trae un poncho rojo con capuch [no trae la capucha puesta) a abierto por delante (exhibiendo sus musculos) con una flama de estampado en las mangas del poncho. Usa unos pantalones bombachos de color negro y rojo con un cinturon de lana estilo mapuche amarrado (un cinturón mapundungun tradicional del sur de chile). Se deja un moño en el lado derecho del pantalon con el cinturon(con el cinturón mapuche). Lleva en los pies Las Ojotas o Llanqui (Quelle) rojas con flamas de estampado. Una lanza rengi de sangre lleva y un "Águila Mora" (ave chilena) de emofuego (fuego y sangre). Imagen de cuerpo completo [full body]. [No extra fingers]. [No wrong face and bad anatomy] ([no disform face)].
- Mode
- ultra
- Style
- Grey Wash
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, wrong face, extra fingers, wrong disform foots.
Style: Grey Wash
Prompt Helper
Model & LoRA used
Similar Images
Show more1boy, solo, 13-year-old boy, blue hair, short spiky blue hair, red eyes, tanned skin, dark tan complexion, blood-red Mapuche warrior marks on face, blood-red Mapuche warrior body markings on arms and torso, Mapuche wool headband, headband with Mapudungun geometric pattern, red poncho, hooded poncho, hood down, hood hanging behind his back, open poncho, exposed chest, visible muscles, flame pattern on poncho sleeves, black and red bombacha pants, baggy pants, traditional Mapuche wool belt, woven Mapuche sash, belt knot at right hip, red sandals, Llanqui sandals, flame pattern on sandals, holding spear, blood-stained spear, rengi spear, eagle, bird made of fire and blood, flaming eagle, full body, standing, from below, dutch angle, looking at viewer, serious expression, clenched fist, fire particles, embers, dark muted background, cinematic lighting
Shot from a low, slightly tilted dutch angle, the full body of a single thirteen-year-old boy fills a vertical frame from the soles of his red flame-printed Llanqui sandals planted wide on cracked volcanic stone, up to the crown of his short spiky blue hair. He stands with his weight carried on his back right leg, hips angled three-quarters toward the viewer, left shoulder dropped forward so the open front of the red poncho swings clear of his bare chest and the defined muscle of his tanned torso. His face is turned down toward the lens, red eyes fixed on the viewer under a lowered brow, jaw set, mouth a flat hard line; the blood-red Mapuche warrior marks curve across both cheeks, his brow and jawline, and run in matching bands down his arms and across his chest, the paint slightly uneven at the edges where it dries into the skin. The Mapuche wool headband sits low across his forehead, its woven Mapudungun geometric pattern in ochre and deep red banding over his blue hair, the short strands lifting at the temples in a rising hot draft. The poncho's hood hangs loose and empty down the center of his back behind the shoulders, its edge lifting away from his spine in the heat, and its flame-patterned sleeves are shoved to the elbows, the printed flames licking upward along the forearms. The black and red bombacha pants balloon at the thighs and gather at the knee, and the traditional Mapuche wool belt is wrapped twice around his waist and tied in a firm knot on his right hip, a short woven tail hanging down against the black fabric, the knot's compression creasing the cloth. His right hand grips the blood-stained rengi spear at its midpoint, knuckles pale with the squeeze, exactly five fingers closed around the dark wooden shaft, the spearhead angled down across the foreground toward the bottom left corner with dark blood beaded and running down the blade. His left hand hangs at his side, five fingers slightly curled and relaxed. Above and behind his left shoulder, a large Águila Mora hovers with wings half-furled, its body built of fire and blood, ember-lit feathers dissolving into flame at the wingtips, droplets of dark red falling from its talons. The eagle is the only light source near him, throwing warm orange-red light up the left side of his face and chest while the right side of his body falls into cool gray shadow; the flame-lit edge of the poncho glows and the loose hood casts a shadow shape on his back. Behind him a seamless dark muted charcoal void, only the fine ash and drifting embers catching light, no horizon line. Palette restricted to red, blood red, black, tanned bronze and the coal-gray ground. Clean color blocks with soft painterly gradients, minimal linework, smooth surfaces and controlled highlights, muted overall with the reds and fire as the single accent. Fierce, quietly monumental.
_espan#0
1boy, solo, 13-year-old boy, blue hair, short spiky blue hair, red eyes, tanned skin, dark tan complexion, blood-red Mapuche warrior marks on face, blood-red Mapuche warrior body markings on arms and torso, Mapuche wool headband, headband with Mapudungun geometric pattern, red poncho, hooded poncho, hood down, hood hanging behind his back, open poncho, exposed chest, visible muscles, flame pattern on poncho sleeves, black and red bombacha pants, baggy pants, traditional Mapuche wool belt, woven Mapuche sash, belt knot at right hip, red sandals, Llanqui sandals, flame pattern on sandals, holding spear, blood-stained spear, rengi spear, eagle, bird made of fire and blood, flaming eagle, full body, standing, from below, dutch angle, looking at viewer, serious expression, clenched fist, fire particles, embers, dark muted background, cinematic lighting
Shot from a low, slightly tilted dutch angle, the full body of a single thirteen-year-old boy fills a vertical frame from the soles of his red flame-printed Llanqui sandals planted wide on cracked volcanic stone, up to the crown of his short spiky blue hair. He stands with his weight carried on his back right leg, hips angled three-quarters toward the viewer, left shoulder dropped forward so the open front of the red poncho swings clear of his bare chest and the defined muscle of his tanned torso. His face is turned down toward the lens, red eyes fixed on the viewer under a lowered brow, jaw set, mouth a flat hard line; the blood-red Mapuche warrior marks curve across both cheeks, his brow and jawline, and run in matching bands down his arms and across his chest, the paint slightly uneven at the edges where it dries into the skin. The Mapuche wool headband sits low across his forehead, its woven Mapudungun geometric pattern in ochre and deep red banding over his blue hair, the short strands lifting at the temples in a rising hot draft. The poncho's hood hangs loose and empty down the center of his back behind the shoulders, its edge lifting away from his spine in the heat, and its flame-patterned sleeves are shoved to the elbows, the printed flames licking upward along the forearms. The black and red bombacha pants balloon at the thighs and gather at the knee, and the traditional Mapuche wool belt is wrapped twice around his waist and tied in a firm knot on his right hip, a short woven tail hanging down against the black fabric, the knot's compression creasing the cloth. His right hand grips the blood-stained rengi spear at its midpoint, knuckles pale with the squeeze, exactly five fingers closed around the dark wooden shaft, the spearhead angled down across the foreground toward the bottom left corner with dark blood beaded and running down the blade. His left hand hangs at his side, five fingers slightly curled and relaxed. Above and behind his left shoulder, a large Águila Mora hovers with wings half-furled, its body built of fire and blood, ember-lit feathers dissolving into flame at the wingtips, droplets of dark red falling from its talons. The eagle is the only light source near him, throwing warm orange-red light up the left side of his face and chest while the right side of his body falls into cool gray shadow; the flame-lit edge of the poncho glows and the loose hood casts a shadow shape on his back. Behind him a seamless dark muted charcoal void, only the fine ash and drifting embers catching light, no horizon line. Palette restricted to red, blood red, black, tanned bronze and the coal-gray ground. Clean color blocks with soft painterly gradients, minimal linework, smooth surfaces and controlled highlights, muted overall with the reds and fire as the single accent. Fierce, quietly monumental.
_espan#0
1boy, solo, 13-year-old boy, blue hair, short spiky blue hair, red eyes, tanned skin, dark tan complexion, blood-red Mapuche warrior marks on face, blood-red Mapuche warrior body markings on arms and torso, Mapuche wool headband, headband with Mapudungun geometric pattern, red poncho, hooded poncho, hood down, hood hanging behind his back, open poncho, exposed chest, visible muscles, flame pattern on poncho sleeves, black and red bombacha pants, baggy pants, traditional Mapuche wool belt, woven Mapuche sash, belt knot at right hip, red sandals, Llanqui sandals, flame pattern on sandals, holding spear, blood-stained spear, rengi spear, eagle, bird made of fire and blood, flaming eagle, full body, standing, from below, dutch angle, looking at viewer, serious expression, clenched fist, fire particles, embers, dark muted background, cinematic lighting
Shot from a low, slightly tilted dutch angle, the full body of a single thirteen-year-old boy fills a vertical frame from the soles of his red flame-printed Llanqui sandals planted wide on cracked volcanic stone, up to the crown of his short spiky blue hair. He stands with his weight carried on his back right leg, hips angled three-quarters toward the viewer, left shoulder dropped forward so the open front of the red poncho swings clear of his bare chest and the defined muscle of his tanned torso. His face is turned down toward the lens, red eyes fixed on the viewer under a lowered brow, jaw set, mouth a flat hard line; the blood-red Mapuche warrior marks curve across both cheeks, his brow and jawline, and run in matching bands down his arms and across his chest, the paint slightly uneven at the edges where it dries into the skin. The Mapuche wool headband sits low across his forehead, its woven Mapudungun geometric pattern in ochre and deep red banding over his blue hair, the short strands lifting at the temples in a rising hot draft. The poncho's hood hangs loose and empty down the center of his back behind the shoulders, its edge lifting away from his spine in the heat, and its flame-patterned sleeves are shoved to the elbows, the printed flames licking upward along the forearms. The black and red bombacha pants balloon at the thighs and gather at the knee, and the traditional Mapuche wool belt is wrapped twice around his waist and tied in a firm knot on his right hip, a short woven tail hanging down against the black fabric, the knot's compression creasing the cloth. His right hand grips the blood-stained rengi spear at its midpoint, knuckles pale with the squeeze, exactly five fingers closed around the dark wooden shaft, the spearhead angled down across the foreground toward the bottom left corner with dark blood beaded and running down the blade. His left hand hangs at his side, five fingers slightly curled and relaxed. Above and behind his left shoulder, a large Águila Mora hovers with wings half-furled, its body built of fire and blood, ember-lit feathers dissolving into flame at the wingtips, droplets of dark red falling from its talons. The eagle is the only light source near him, throwing warm orange-red light up the left side of his face and chest while the right side of his body falls into cool gray shadow; the flame-lit edge of the poncho glows and the loose hood casts a shadow shape on his back. Behind him a seamless dark muted charcoal void, only the fine ash and drifting embers catching light, no horizon line. Palette restricted to red, blood red, black, tanned bronze and the coal-gray ground. Clean color blocks with soft painterly gradients, minimal linework, smooth surfaces and controlled highlights, muted overall with the reds and fire as the single accent. Fierce, quietly monumental.
_espan#0
ep
A full body shot of the 13-year-old boy from image1, standing in a dramatic landscape of smoke and fire. He has tanned skin, spiky blue hair, and red eyes. Blood-red Mapuche warrior markings are painted on his face and visible on his torso. He wears a Mapuche wool headband with traditional Mapundungun patterns. He is dressed in a red poncho, open at the front to reveal his muscular chest, featuring flame patterns on the sleeves and a hood attached at the back. His waist is tied with a traditional Mapuche wool belt from southern Chile, tied in a bow on the right side. He wears black and red baggy bloomers. On his feet are red llanqui sandals with flame patterns. He holds a blood-stained rengi spear in one hand, and a large "Águila Mora" hawk made of fire and blood perches on his other arm. The art style stays the same as the input image1.
EsPan 🍞
Explore more
Recommended Users
You might like
🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ゚◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
Ceres [41]
snow
3
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
34
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
Comments